Integra T752 owner manual About the T 752S Listening Modes

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USING THE T 752

ABOUT THE T 752'S LISTENING MODES

The T 752 receiver offers nine distinct listening modes, tailored for different types of recordings or program material. The table below lists which modes are available to what input signals.

With a two-channel (STEREO) source the following listening modes can be selected:

Stereo

Downmix

All output is directed to the left/right-front channels; low frequencies are directed to the subwoofer if one is present in the Speaker settings. Select Stereo when you wish to listen to a stereo (or monaural) production, such as a music CD or FM broadcast, without surround enhancement. Stereo recordings, whether in PCM/digital or analog form and whether surround-encoded or not encoded, are reproduced as recorded; multichannel digital recordings (Dolby Digital and DTS) are reproduced in “Downmix” mode via the left- and right-front channels only, as Lt/Rt (left/right-total) signals.

Dolby Pro Logic

Dolby Pro Logic II (PLII)

Two-channel recordings, whether stereo or surround-encoded, are reproduced with Dolby Pro Logic, or ProLogic II surround processing, yielding output to left-, center-, and right-front channels, and discrete left/right surround channels (assuming these are present in the current <Speakers Setup>. PLII does not employ the surround back speakers (if any).

NOTE: ProLogic II is a more recent evolution of the original Dolby ProLogic surround processing that yields more stable imaging and full bandwith sound to the rear channels in Movie mode, offering sound that is more similar to Dolby Digital decoding.

The T 752 provides two PLII variations: MOVIES and MUSIC. See “Adjusting Listening Modes,” below.

DTS Neo:6

Two-channel recordings, whether stereo or surround-encoded, are reproduced with Neo:6 surround with output to left, center-, and right-front channels and discrete left/right surround channels (assuming these are present in the current <Speakers Setup>); DTS Neo:6 does not employ the surround back speakers (if any).

The T 752 provides two DTS Neo:6 variations: MOVIES and MUSIC. See “Adjusting Listening Modes,” below.

EARS

Two-channel recordings, whether stereo or surround-encoded, are reproduced with proprietary NAD surround processing with signals output to the left, center-, and right-front channels and discrete left/ right surround channels, plus subwoofer (assuming these are present in the current <Speakers Setup>); EARS does not employ the surround back speakers (if any). EARS extracts the natural ambience present in nearly all well-produced stereo recordings. It does not synthesize any ambience or other sonic elements and thus remains truer to the sound of the original musical performance than most other music-surround options.

Select EARS for listening to stereo music recordings and broadcasts. EARS produces a subtle but highly natural and believable ambience from nearly all "natural-acoustic" stereo recordings; typically, these include classical, jazz, and folk genres as well as numerous examples from others. It's virtues include a realistic, stable "front-stage" sonic imaging and spacious but unexaggerated ambient "virtual acoustics" that remain faithful to the original recording.

Matrix 7.1

Two-channel recordings, whether stereo or surround-encoded, are reproduced with proprietary surround processing via the full suite of front, surround, and one or two surround back speakers (if these are present in the current Speaker Settings setup), plus subwoofer (if any). Matrix 7.1 can produce a very natural, cohesive all-channels surround from high-quality recordings, both for stereo music and for surround-encoded music or movie programs.

Enhanced-Stereo 1 (ST1)

All recordings reproduced in stereo (Downmix, from Dolby Digital/DTS multichannel sources) via the maximum speaker complement configured in the current <Speakers Setup>). ST1 can be useful for maximum volume from all channels, or for multi-speaker background music (cocktail party) listening.

Enhanced-Stereo 2 (ST2)

All recordings reproduced in stereo (Downmix, from Dolby Digital/DTS multichannel sources) via the surround speakers only (plus subwoofer, if any), assuming these are configured in the current <Speakers Setup>). ST2 can prove useful in certain late-night or very low-volume listening situations.

The following Surround Sound Modes require a specially encoded signal that must be present in digital format to be decoded by the T752. These modes are automatically switched on when the appropriate data stream is detected selected in the setup menu of the source media.

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Contents English Safety Information Explanation of Graphical SymbolsPrecautions InstallationElectric Power MaintenanceDamage Requiring Service Do not Attempt to Service the Unit Yourself OWNER’S RecordTable of Contents Getting the Most from the NAD T Thank you for choosing NADChoosing a Location Unpacking and SetupWHAT’S in the BOX About the T R.S., Matrix and Digital SurroundEase of USE IntegrationAbout the HTR 2 System Remote Control UpgradabilityQuickstart Play a DVD MovieFront Panel Digital Input Jack Default Assignment Rear Panel 13 12V Trigger IN/OUT Dealing with HUM and Noise Setting UP the TGetting Started Input Setup About the ON-SCREEN Displays OSD and FRONT-PANEL ReadoutDisplay the OSD Navigating the OSD and Making ChangesSpeaker Setup Listening ModeCHANNEL-BALANCE Test Setup Using AN SPL MeterCreating and Using Presets Creating PresetsRecalling Presets Speaker DistanceUsing the T Adjusting the VolumeSelecting Sources Muting the SoundTuning Stations Setting Radio PresetsSelecting Radio Presets Choosing the FM Mute / ModeAbout the T 752S Listening Modes Displaying the Signal Mode Selecting Listening ModesAdjusting the Tone Controls Adjusting Listening ModesAdjusting Channel Levels on the FLY Using the HTR 2 Remote Control SpecificationsControlling the T Learning Codes from Other RemotesCopy a Command from Another KEY Macro CommandsPUNCH-THROUGH Recording MacrosKEY-ILLUMINATION Timeout Factory ResetDelete Mode Loading CODE-LIBRARIESSearch Mode Trigger SetupChecking CODE-LIBRARY Number Summary of HTR 2 ModesTroubleshooting Condition Possible Causes Possible SolutionssSpecifications Physical SpecificationsAV Surround Sound Receiver Amplifier SectionNAD