Integra T752 owner manual About the T, R.S., Matrix and Digital Surround, Ease of USE, Integration

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ABOUT THE T 752

Though the T 752 is among the most technically sophisticated A/V receivers, we worked hard to make it one of the most musically transparent home-theater components available as well; this is what we mean by NAD’s “Music First” design philosophy. Here are just a few examples:

The T 752 uses NAD’s proprietary Power Drive™ amplifier technology for all channels to preserve accurate, linear reproduction regardless of the loudspeaker. This uniquely efficient power-supply topol- ogy provides the real-world benefits of high dynamic power that remains uncompromised by low- impedance speakers. The result is dynamic, detailed, “un-receiver-like” sound in stereo and multichannel modes alike. NAD’s exclusive Soft Clipping™ circuitry further enhances sound quality and dynamic potential.

High-performance components used throughout the receiver’s analog audio circuits maximize quality from all sources, including multichannel analog sources such as DVD-Audio and SACD.

Preamp output (all channels) and main-amp input jacks (for front channels) make potential expansion as flexible as possible.

Gold-surfaced connectors are employed throughout to ensure maximum signal integrity.

E.A.R.S., MATRIX AND DIGITAL SURROUND

A key element of the T 752’s unique musical aptitude is NAD’s proprietary Enhanced Ambience Recovery System (EARS). In sharp contrast to many “ambience-synthesis” music-surround modes, EARS exploits the T 752’s substantial DSP power to route the ambient content that is “encrypted” in virtually all natural- acoustic recordings to the appropriate main, center and surround speakers, without resorting to artificially generated reflections or regeneration. EARS’ natural ambience yields a subtle but exceptionally effective surround mode that naturally enhances the spatial presentation in a fashion suitable for serious music listening. The T 752 also incorporates a second proprietary surround mode, Matrix 7.1. This creates a full 6.1/7.1-channel environment from stereo and surround-encoded recordings, oftentimes with extraordinarily good results. Dolby ProLogic II Music and DTS Neo:6 Music modes can also create enjoyable experience from 2-channel sources.

On the digital side, the T 752 combines extraordinarily high-speed DSP processing employing one of the most advanced high-speed DSP “engines” available, with fully 24-bit, 96 kHz-sampling-capable D/A converters for all channels. A single, high-precision master clock synchronizes all digital circuits to eliminate the timing errors (“jitter”) that otherwise compromise sonics. The result is legitimately state-of-the-art surround decoding from Dolby Digital and DTS sources, and 6.1/7.1-channel reproduction, with genuinely superior sound quality in all modes.

EASE OF USE

Despite the effort NAD has invested in the T 752 receiver’s sonic performance, we expended no less in making it powerfully easy to use. Its design is uniquely simple for so sophisticated a component, and the HTR

2universal remote control is equally understandable, as are the T 752’s own front-panel and on-screen displays. Its simple yet powerful system of “presets” permits you to fine-tune your listening setup for different conditions, sources, or listeners, and to recall these multiple parameters with a single keypress.

INTEGRATION

The T 752 receiver offers extensive, flexible system-integration options through its configurable DC trigger outputs and input, and its standard-protocol IR communications links.

ENGLISH

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Contents English Installation Safety InformationExplanation of Graphical Symbols PrecautionsDo not Attempt to Service the Unit Yourself OWNER’S Record Electric PowerMaintenance Damage Requiring ServiceTable of Contents Thank you for choosing NAD Getting the Most from the NAD TWHAT’S in the BOX Unpacking and SetupChoosing a Location Integration About the TR.S., Matrix and Digital Surround Ease of USEUpgradability About the HTR 2 System Remote ControlPlay a DVD Movie QuickstartFront Panel Digital Input Jack Default Assignment Rear Panel 13 12V Trigger IN/OUT Getting Started Setting UP the TDealing with HUM and Noise Navigating the OSD and Making Changes Input SetupAbout the ON-SCREEN Displays OSD and FRONT-PANEL Readout Display the OSDUsing AN SPL Meter Speaker SetupListening Mode CHANNEL-BALANCE Test SetupSpeaker Distance Creating and Using PresetsCreating Presets Recalling PresetsMuting the Sound Using the TAdjusting the Volume Selecting SourcesChoosing the FM Mute / Mode Tuning StationsSetting Radio Presets Selecting Radio PresetsAbout the T 752S Listening Modes Selecting Listening Modes Displaying the Signal ModeAdjusting Channel Levels on the FLY Adjusting Listening ModesAdjusting the Tone Controls Learning Codes from Other Remotes Using the HTR 2 Remote ControlSpecifications Controlling the TRecording Macros Copy a Command from Another KEYMacro Commands PUNCH-THROUGHLoading CODE-LIBRARIES KEY-ILLUMINATION TimeoutFactory Reset Delete ModeSummary of HTR 2 Modes Search ModeTrigger Setup Checking CODE-LIBRARY NumberCondition Possible Causes Possible Solutionss TroubleshootingAmplifier Section SpecificationsPhysical Specifications AV Surround Sound ReceiverNAD