Example 2. Two Response Peaks: | Example 3. Peak Adjacent to a Dip: | |
Two response peaks | Dip above or below peak | |
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FIGURE 26
Characterized by two response peaks, approximately equal in amplitude and width. This requires that you make a choice between the two peaks. In situations like this, the higher frequency peak will always be more audible and objectionable. Response peaks below 45Hz, unless extreme, can actually be beneficial toward achieving visceral impact. Perform corrections on the upper frequency peak.
Apply the Width Selector as described above. Align the center line of the Selector over the center of the higher frequency peak. Now adjust the Selector until you have achieved the “best fit.”The slider now points to the correct width setting. In this example, this is at 52Hz.The
Determine the appropriate level using the technique described earlier. This calculation will indicate a
Skip to the “Adjusting the R.A.B.O.S. Equalizer”section on page 18.
FIGURE 27
Response dips can occur at any frequency, sometimes immediately adjacent to the peak you want to correct.Two examples are shown, one immediately above and one immediately below the peak. Deep response dips such as these are caused by destructive wave interference. Destructive interference dips occur only in one spot within the room. It is not uncommon to completely eliminate the effect by moving the RSLM to a different location. Note that this does not eliminate the dips. We have simply moved away from them. Sometimes only a few inches are required. Do not attempt to correct this condition with equalization. If you encounter dips like this, take the following steps:
16 MODULUS II HOME THEATER SYSTEM