ULTRAGAIN PRO MIC2200
TABLE OF CONTENTS
1. INTRODUCTION | 6 |
1.1 Technical background | 7 |
1.1.1 Noise as a physical phenomenon | 7 |
1.1.2 What are audio dynamics? | 7 |
1.2 The tube used in the ULTRAGAIN PRO | 8 |
1.2.1 Tube history | 8 |
1.2.2 Design and functional principle of tubes | 9 |
1.2.3 Properties of tubes | 10 |
1.2.4 The best of both worlds | 11 |
1.2.5 Studio applications | 11 |
2. THE DESIGN CONCEPT | 11 | |
2.1 | High quality components and design | 11 |
2.2 | Inputs and outputs | 11 |
| 2.2.1 Balanced inputs and outputs | 11 |
3. INSTALLATION | 11 | |
3.1 | Rack mounting | 12 |
3.2 | Mains voltage | 12 |
3.3 | Audio connections | 12 |
4. CONTROL ELEMENTS | 13 | ||
4.1 | Front panel control elements | 13 | |
4.2 | Rear panel control elements | 14 | |
5. APPLICATIONS | 15 | ||
5.1 | The ULTRAGAIN PRO as a microphone preamplifier | 15 | |
| 5.1.1 | Basic setting | 15 |
| 5.1.2 | MIC GAIN control | 15 |
| 5.1.3 | PHASE REV. switch | 16 |
| 5.1.4 | LO CUT function | 16 |
| 5.1.5 | Phantom power | 16 |
5.2 | The ULTRAGAIN PRO as a level translator | 17 | |
5.3 | The ULTRAGAIN PRO as a | 17 | |
5.4 | The ULTRAGAIN PRO’s parametric equalizer | 17 | |
5.5 | The ULTRAGAIN PRO as a tube interface | 18 | |
6. SPECIFICATIONS | 19 | ||
7. WARRANTY | 20 |
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