AKG Acoustics HT 81, PR 81 Mounting, Receiver on a Camera, Using the Belt Clip, Audio Connection

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PART II: PR 81 RECEIVER II

18 V DC and has a fixed 20-in. (50-cm) connecting cable with stripped and tinned leads.

An automatic fuse switches the PA 81 OFF if the supply voltage is shorted. The PA 81 requires a maximum power of 1 watt.

1.

Check that the voltage source on your camcorder provides a voltage between

Refer to your camcorder

 

5 V DC and 18 V DC and sufficient current to satisfy the 1-watt power re-

manual.

 

quirement of the PA 81. Also check what type of connector you will need.

 

2.

Fix a connector of the type matching your camcorder DC output to the

 

 

connecting cable of the supply adapter.

 

3.

Open the battery compartment (1i).

Refer to section 2.2.2

4.

Insert the supply adapter into the battery compartment (1i) so that the

above.

 

connectng cable will pass through the opening in the bottom panel of the

 

receiver.

If you insert the supply adapter in a different orientation the receiver will not be powered and you will not be able to close the battery compartment (1i).

5.Align the battery compartment cover (1l) with the guide grooves on the battery compartment (1i) and push the battery compartment cover (1l) against the direction of the arrow to the point that the battery compartment cover (1l) clicks shut.

6.

Plug the connecting cable into the appropriate jack on your camcorder.

Refer to your camcorder

 

 

 

manual.

If the automatic fuse has switched the supply adapter OFF because the

Important:

supply voltage has been shorted:

 

1.

Unplug the connecting cable from the camcorder.

 

2.

Correct the problem.

 

3.

Plug the connecting cable into the camcorder jack again.

 

 

1.

Remove the backing from the supplied Velcro strips.

2.3 Mounting the

2.

Attach one of the Velcro strips to the rear panel of the receiver.

Receiver on a Camera

3.

Attach the other Velcro strip to the camera. In order to ensure perfect re-

(1s)

 

ception, position the Velcro strip so that the antennas (1g) on the receiver will

 

 

protrude above the camera.

 

 

You can fix the belt clip (1p) to the receiver in four different ways:

2.4 Using the Belt Clip

a)

On the rear panel, pointing down. The antennas (1g) will be pointing up.

 

b)

On the rear panel, pointing up. The antennas (1g) will be pointing down.

 

c)

On the front panel, pointing down. The antennas (1g) will be pointing up.

 

d)

On the front panel, pointing up. The antennas (1g) will be pointing down.

 

 

 

 

1.

Insert the ends of the belt clip (1p) into the fixing holes in the side panels of

2.4.1 Attaching the

 

the receiver.

Belt Clip

 

The belt clip (1p) will lock the battery compartment cover (1l).

 

2.Clamp the receiver to the belt or a shirt or jacket pocket.

3.Point each antenna (1g) away from the receiver at an angle of approximately 45 degrees.

Use a screwdriver as a lever to lift both ends of the belt clip (1p) out of the fixing

2.4.2 Removing the

holes in the receiver side panels.

Belt Clip

 

 

 

The supplied connecting cable lets you connect the line output on pin 2 of the

2.5 Audio Connection

mini XLR jack (1r) on the receiver to an XLR input on a camcorder or mixing

 

console.

 

1.If the selected input provides phantom power, switch the phantom power OFF. Refer to the manual of your camcorder or mixing console.

2.Plug the mini XLR connector on the connecting cable into the AUDIO OUT jack (1r) on the receiver.

3.Plug the XLR connector on the connecting cable into the desired XLR input jack.

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Contents PR 81 HT 81 PT Table of Contents Safety and Environment Part I GeneralDescription FCC StatementPR 81 receiver with accessories HT 81 handheld transmitter PR 81 receiver with accessories PT 81 bodypack transmitterUnpacking PR 81 receiver3 PT 81 CB 40 bag Color Coding Kit Controls 1a Power I/O on/off switchII Part II PR 81 Receiver Setting Up Part II PR 81 ReceiverII Part II PR 81 Receiver Using the Belt Clip MountingReceiver on a Camera Audio ConnectionII Part II PR 81 Receiver Prior to selecting frequencies, switch the transmitter OFF Part III HT 81 Handheld TransmitterControls InterchangeableIII Part III HT 81 Handheld Transmitter Part IV PT 81 Bodypack Transmitter MicrophonesPart V Operating Notes Adjusting the Transmitter and ReceiverIV Part IV PT 81 Bodypack Transmitter Cleaning Multichannel SystemsVI Part VI Appendix TroubleshootingProblem Possible Cause Remedy Specifications Part VI AppendixSet UK69B UKSpot Set US58 Set EU59 858.200MHz860.400MHz 734.600MHz 777.800MHz 860.900MHz 735.200MHz 778.400MHzPage 3k/3l

HT 81, PT 81, PR 81 specifications

AKG Acoustics has long been recognized as a leader in the field of professional audio equipment, and their HT 81, PR 81, and PT 81 microphones exemplify the brand's commitment to quality, innovation, and user-centric design. These microphones are particularly suited for applications in live sound, broadcast, and studio recording, making them versatile tools for audio professionals.

The AKG HT 81 handheld transmitter microphone is designed for wireless performance. It features a dynamic capsule that delivers a clear and natural sound, a significant advantage for vocal performances. The microphone is engineered to minimize handling noise and feedback, ensuring that the audio remains pristine even in challenging environments. Its robust build quality can withstand the rigors of touring and live shows, making it a reliable choice for entertainers on stage.

Complementing the HT 81, the PR 81 is a professional receiver that supports a wide frequency range, allowing for clear audio transmission without interference. This receiver is equipped with advanced diversity reception technology, which helps mitigate dropouts and ensures consistent audio quality, even in crowded RF environments. The PR 81 offers a range of connectivity options, enabling easy integration into existing audio systems, whether in venues or broadcasting setups.

The PT 81 bodypack transmitter is another integral component of this series, designed for use with lavalier or headset microphones. It features a lightweight and ergonomic design, ensuring comfort for performers during extended use. The PT 81 is equipped with a high-quality analog audio input, allowing for seamless connection to a variety of microphones. Its long battery life is a significant advantage, providing reliable operation for long events or sessions.

All three devices utilize AKG’s advanced wireless technology, which incorporates digital signal processing for enhanced audio quality and reduced noise interference. The system also offers multiple channels, allowing for the simultaneous use of multiple microphones without conflict. With quick and easy setup, users can spend more time focusing on performance rather than troubleshooting audio issues.

Overall, the AKG HT 81, PR 81, and PT 81 represent a powerful trio of wireless audio solutions. Their combination of durability, sound quality, and user-friendly features makes them an excellent choice for any professional looking to elevate their audio experience. Whether for stage, studio, or broadcast applications, these microphones stand out as reliable tools that deliver outstanding performance.
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