Sound Performance Lab Area 5.1 manual Microphone Input via multicore lead Stereo Mix

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The Standard Recording Setup is the basic configuration for recordings with the Area 5.1. Generally any digital or analog recording system can be connected to the analog 1/4" unba- lanced jack or balanced XLR outputs of the Area 5.1.

If, for example, an eight-track DTRS is used, the first five tracks can be used for the L, C, R, SL and SR channels, the sub bass signal should be routed to the sixth track, track seven and eight can be used to record the stereo downmix.

We recommend to connect the five microphones with the optionally available multicore lead to exclude differences between the particular channels caused by varying tolerances of single wires.

Standard Recording Setup

Microphone Input (via multicore lead)

Stereo Mix

Sub Bass

Output

Output

1 2 3 4 5

 

L (1), C (2), R (3),

SL (4), SR (5)

Output

DTRS or any other digital or analog multitrack recor- ding system

Area 5.1

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Contents Area Area Operation Contents IntroductionStandard Recording Setup InstallationMicrophone Input via multicore lead Stereo Mix Motorized master/slave mic gain controls SPL Mic Array OperationHigh precision gain preamplifiers Pad Ch -4 LockRev Sub/LFE channelOperation Output PPM meter Operation Stereo downmix stagesOperation Stereo output @ -20 dBu Power Supply SpecificationsWarranty Area Sound Performance Lab
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