Sound Performance Lab 2595 manual Power Supply, Specifications

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The power supply was carefully engineered to provide clean and consistent currenttttan important prerequisite for excellent audio. Built around a toroidal transformer, the power supply generates a minimal electromagnetic field with no hum or mechanical noise. The output side is filtered by an RC circuit to extract noise and hums inherent in commercial AC power.

All audio-related components are fed by two separate voltage regulators to minimize distur- bance from other components.

An AC power cord is included for connection to the standard 3-prong IEC connector. The trans- former, power cord and IEC connector are VDE, UL and CSA approved. The AC fuse is rated at 500 mA (230 V version) or 1 A (115 V version).

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Specifications

Inputs and Outputs

Instrumentational amplifier, transformer balanced

Nominal Input Level

+4 dBu

Input Impedance

=22 kOhm

Output Impedance

‹ 600 Ohm

Max. Input Level

+28 dBu

Max. Output Level

+32 dBu

Measurements

 

Frequency Range

20 Hz-50 kHz linear, 50 kHz-100 kHz: -3 dB

CMRR

› 70 dBu (@ 1 kHz)

THD & N (@ 0 dBu Input Level)

-110 dBu

S/N A-weighted

-115 dBu

Crosstalk L/R (@ 1 kHz)

-85 dBu

Dynamic Range

143 dB

Power Supply

 

Toroidal Transformer

48 VA

Fuses

500 mA/230 V, 1 A/115 V

Voltage Selector

230/50 Hz ‹› 115 V/60 Hz

Power Consumption

40 W

Dimensions

 

Standard EIA 19 Inch Housing/4U

482 x 176 x 390 mm /ca. 19 x 7 x 15.6 inches

Weight

11,8 kg /25.96 lb

Notes:

 

0 dBu = 0,775 V

 

Subject to change without notice.

 

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Contents Manual SPL electronics GmbH Sohlweg Manual Passeq, ModelWeee Registration 973 349 88 Contents Important Safety Information Hook Up Symbols and NotesRack Mounting Introduction Special FeaturesPassive Filters with 120 Volt Makeup Amplifiers Advantages of Passive FilteringFilter Types Single Core CoilsSPL Supra Op-Amps Volt Makeup AmplifiersInput Stages of the Supra Components Intermediate Stages of the Supra ComponentsLundahl Transformers Other FeaturesConclusion Rear Panel Power switch and voltageIPU/% DPME   Selector Please refer toOperation ConnectionsAllocation of Frequencies One Coil per Filter, one Core per CoilFrequency Table/per Band Boost Cut FrequenzBoost HF Cut LF-LMF Cut MF-MHF Cut MHF-HF Boost LFLF-LMF Cut and LF Boost Operational ElementsMF-MHF Cut and LMF-MHF Boost MHF-HF Cut and HF Boost HF Boost Q Settings with the Proportional Q PrincipleMHF-HF Cut Output ControlBasic Approaches and Working Techniques Recommendations on using EqualizersEQ Yin & Yang First cut, then boost First control levels, then apply EQReducing bleed within an instrument‘s frequency range Boosting harmonic frequency levelsEmphasis of an instrument‘s main frequencies Cutting fundamental levelsMix-or not? Splitting frequency bands to reduce masking effectsImproves the presence of bass lines Classical instruments and their frequencies Frequency and Energy Basics of Frequency FilteringTone and Sound Sound Correction and Sound DesignShelf Filters Frequency FiltersPeak Filters BandwidthPassive EQs EqualizerParametric EQs Active EQsGraphic EQs Specifications Power SupplyGuarantee & Product Registration Engineer Artist Tracks/Groups Album Date Title Copy Master Recall SettingsManual Passeq

2595 specifications

The Sound Performance Lab 2595 is a cutting-edge audio processor designed to elevate mixing and mastering workflows for both professionals and enthusiasts alike. This device stands out in the competitive landscape of audio equipment, thanks to its blend of innovative technologies, high-quality sound processing, and user-friendly features.

One of the main features of the 2595 is its dual-channel architecture. This allows users to process two audio signals simultaneously, making it an ideal choice for stereo applications. Designed for flexibility, the device can be used for various purposes, including mixing, mastering, and live sound reinforcement. The 2595 boasts an intuitive layout, making it easy to navigate its range of functions and settings, even for those who may be new to audio processing.

The heart of the 2595 lies in its advanced digital signal processing (DSP) capabilities. The device is equipped with high-resolution converters, allowing for pristine audio quality with minimal latency. This ensures that the integrity of the original sound is maintained, which is a crucial aspect for any serious sound engineer or musician. Additionally, the built-in algorithms are designed to enhance the audio signal intelligently, providing users with options for dynamic range control, spectral processing, and various filtering techniques.

Another notable characteristic of the Sound Performance Lab 2595 is its extensive connectivity options. The device includes both analog and digital I/O, making it compatible with a wide range of audio sources and studio environments. This versatility is essential for professionals who often work with various formats and formats, ensuring that the 2595 can seamlessly integrate into any setup.

The user experience is further enhanced by the inclusion of a bright, user-friendly display that provides real-time feedback on processing parameters. This feature allows users to make precise adjustments quickly, facilitating a more efficient workflow. Furthermore, the 2595's robust construction ensures that it is built to withstand the rigors of both studio and live applications, making it a reliable choice for any audio professional.

In conclusion, the Sound Performance Lab 2595 represents a significant advancement in audio processing technology. With its dual-channel processing capability, high-quality DSP, extensive connectivity options, and user-friendly interface, it caters to a wide range of audio applications while maintaining exceptional fidelity and performance. This makes the 2595 a valuable tool for anyone looking to achieve professional-grade sound in their projects.