Sound Performance Lab 2595 manual Hook Up, Rack Mounting, Symbols and Notes

Page 5

Hook Up

Be very careful to check that the rear chassis power selection switch is set to the correct local line voltage position before using the unit (230 V position: 220-240 V, 115 V position: 110-120 V)! When in doubt about a source, contact your dealer or a professional electrician.

Before connecting any equipment make sure that any machine to be connected is turned off (rear panel power switch). Follow all safety instructions on page 4.

Place the unit on a level and stable surface. The unit’s enclosure is EMC-safe and effectively shielded against HF interference. Nonetheless, you should carefully consider where you place the unit to avoid electrical disturbances. It should be positioned so that you can easily reach it, but there are other considerations. Try not to place it near heat sources or in direct sunlight, and avoid exposure to vibrations, dust, heat, cold or moisture. It should also be kept away from transformers, motors, power amplifiers and digital processors. Always ensure sufficient air circulation by keeping a distance of 4-5 cm/2 inches to other units and to the sides of the unit.

Rack Mounting

Be sure that both above and below the machine you maintain a distance of 1U (44mm/ 1.5-2 inches) in order to eliminate electromagnetic or high frequency interference from other equipment. Moreover, this will ensure adequate air circulation to prevent overheating. Do NOT locate other machines that produce excessive heat below the Transducer. The rear side of the machine should be properly supported – especially when transport is involved.

Warnings

DO NOT PLACE THE MACHINE IN SUCH A WAY THAT IT MIGHT COME INTO CONTACT WITH OR

SIT ON ANY FLUIDS. AVOIDING SUCH CONTACT WILL AVOID HAZARDS FROM FIRE, DANGEROUS

ELECTRICAL SHOCK OR MACHINE DAMAGE. DO NOT OPEN THE MACHINE. THE LIGHTNING

SYMBOL WITHIN A TRIANGLE WARNS YOU ABOUT UNINSULATED HIGH VOLTAGE INSIDE THE

TRANSDUCER AND THE POTENTIAL FOR DANGEROUS ELECTRICAL SHOCKS – WHICH CAN ALSO

OCCUR EVEN AFTER THE MACHINE HAS BEEN DISCONNECTED FROM A POWER SOURCE.

Symbols and Notes

ALSO IN THIS MANUAL A LIGHTNING SYMBOL WITHIN A TRIANGLE WARNS YOU ABOUT THE

POTENTIAL FOR DANGEROUS ELECTRICAL SHOCKS – WHICH CAN ALSO OCCUR EVEN AFTER

THE MACHINE HAS BEEN DISCONNECTED FROM A POWER SOURCE.

AN EXCLAMATION MARK (!) WITHIN A TRIANGLE IS INTENDED TO MAKE YOU AWARE OF

IMPORTANT OPERATIONAL ADVICE AND/OR WARNINGS THAT MUST BE FOLLOWED. BE

ESPECIALLY ATTENTIVE TO THESE AND ALWAYS FOLLOW THE ADVICE THEY GIVE.

The symbol of a lamp directs your attention to explanations of important functions or applica- tions.

Attention

Do not attempt any alterations to this machine without the approval or supervision of SPL electronics GmbH. Doing so could nullify completely any and all of your warranty/guarantee rights and claims to user support.

Passeq

5

Page 4 Page 6
Image 5
Page 4 Page 6
Contents Manual Weee Registration 973 349 88 Manual Passeq, ModelSPL electronics GmbH Sohlweg Contents Important Safety Information Rack Mounting Symbols and NotesHook Up Introduction Special FeaturesPassive Filters with 120 Volt Makeup Amplifiers Advantages of Passive FilteringFilter Types Single Core CoilsSPL Supra Op-Amps Volt Makeup AmplifiersInput Stages of the Supra Components Intermediate Stages of the Supra ComponentsConclusion Other FeaturesLundahl Transformers Rear Panel Power switch and voltageIPU/% DPME   Selector Please refer toOperation ConnectionsAllocation of Frequencies One Coil per Filter, one Core per CoilFrequency Table/per Band Boost Cut FrequenzBoost HF Cut LF-LMF Cut MF-MHF Cut MHF-HF Boost LFMF-MHF Cut and LMF-MHF Boost Operational ElementsLF-LMF Cut and LF Boost MHF-HF Cut and HF Boost HF Boost Q Settings with the Proportional Q PrincipleMHF-HF Cut Output ControlEQ Yin & Yang Recommendations on using EqualizersBasic Approaches and Working Techniques First cut, then boost First control levels, then apply EQReducing bleed within an instrument‘s frequency range Boosting harmonic frequency levelsEmphasis of an instrument‘s main frequencies Cutting fundamental levelsMix-or not? Splitting frequency bands to reduce masking effectsImproves the presence of bass lines Classical instruments and their frequencies Frequency and Energy Basics of Frequency FilteringTone and Sound Sound Correction and Sound DesignShelf Filters Frequency FiltersPeak Filters BandwidthPassive EQs EqualizerGraphic EQs Active EQsParametric EQs Specifications Power SupplyGuarantee & Product Registration Engineer Artist Tracks/Groups Album Date Title Copy Master Recall SettingsManual Passeq

2595 specifications

The Sound Performance Lab 2595 is a cutting-edge audio processor designed to elevate mixing and mastering workflows for both professionals and enthusiasts alike. This device stands out in the competitive landscape of audio equipment, thanks to its blend of innovative technologies, high-quality sound processing, and user-friendly features.

One of the main features of the 2595 is its dual-channel architecture. This allows users to process two audio signals simultaneously, making it an ideal choice for stereo applications. Designed for flexibility, the device can be used for various purposes, including mixing, mastering, and live sound reinforcement. The 2595 boasts an intuitive layout, making it easy to navigate its range of functions and settings, even for those who may be new to audio processing.

The heart of the 2595 lies in its advanced digital signal processing (DSP) capabilities. The device is equipped with high-resolution converters, allowing for pristine audio quality with minimal latency. This ensures that the integrity of the original sound is maintained, which is a crucial aspect for any serious sound engineer or musician. Additionally, the built-in algorithms are designed to enhance the audio signal intelligently, providing users with options for dynamic range control, spectral processing, and various filtering techniques.

Another notable characteristic of the Sound Performance Lab 2595 is its extensive connectivity options. The device includes both analog and digital I/O, making it compatible with a wide range of audio sources and studio environments. This versatility is essential for professionals who often work with various formats and formats, ensuring that the 2595 can seamlessly integrate into any setup.

The user experience is further enhanced by the inclusion of a bright, user-friendly display that provides real-time feedback on processing parameters. This feature allows users to make precise adjustments quickly, facilitating a more efficient workflow. Furthermore, the 2595's robust construction ensures that it is built to withstand the rigors of both studio and live applications, making it a reliable choice for any audio professional.

In conclusion, the Sound Performance Lab 2595 represents a significant advancement in audio processing technology. With its dual-channel processing capability, high-quality DSP, extensive connectivity options, and user-friendly interface, it caters to a wide range of audio applications while maintaining exceptional fidelity and performance. This makes the 2595 a valuable tool for anyone looking to achieve professional-grade sound in their projects.
Top Page Image Contents