Apple 8 manual Index

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Index

A

adding media file. See importing AIFF file 89

alias (MIDI region) 89 aliasing 89

AMS. See Audio MIDI Setup (AMS) utility analog audio 76–78, 89

Analog to Digital Converter 77, 89 anchor point 59, 89 AppleCare 87

Apple Loop described 89 importing 14, 16 type 17

Arrange area 33, 89 Arrange channel strips 46 Arrange window

channel strips 46 described 90 overview 9

resizing editing area 48 arranging 33–46

AU. See Audio Unit plug-in audio

analog 76–78 copying 77 digital 76–78 interface 90

Audio Bin

copying/converting audio file 61 described 61, 90

audio file

adding to project 15, 61 anchor point 59, 89 converting 61 copying 61 described 90

editing 59

exporting as MP3 file 61 managing 61

recording. See audio recording Audio MIDI Setup (AMS) utility 80, 90

Index

audio recording See also recording creating 28 monitoring 28 preparations 25

recording path and folder 25 takes 29

audio region See also region anchor point 59, 89 deleting 42 described 13, 90 importing 14, 15, 18 recording 28

automation

choosing parameter 68 described 67, 91 displaying 68 editing 69

writing 69

Automation Parameter menu 68 auxiliary channel strip 65, 91

B

backup 82

Balance control 64–65, 91 bar, described 91

Bar ruler 19, 91 beat 91

beats per minute 91 Bin. See Audio Bin bit depth 78, 91 bit rate 91

bit resolution. See bit depth bouncing 70, 91

bpm. See beats per minute Browser

adding audio file 15

adding audio file and creating track 18 described 92

displaying 15

List and Browser view 16 navigating 15

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Contents Getting Started  Apple Inc Apple Inc. All rights reserved Contents Using Control Surfaces Using the Channel Strip ControlsUsing Key Commands Using ScreensetsWelcome to Logic Important Entries Key CommandsConventions of This Manual Menu FunctionsTo launch Logic, open and save a new project 1Starting Your Project Importing Media FilesStarting Your Project and Importing Media Files Getting to Know the Arrange Window Quick Note About TemplatesTo create a few new tracks Creating TracksYou should be looking at something like this Insert slot Channel strip settings Instrument slot Adding Media Files Column View button To add other audio file types with the Browser To switch between List and Browser view To create a track and import a loop in one step Apple Loop TypesAutomatic Track Creation From Media Area Windows To start and stop playback Using the Transport BarNavigating Your Project To start or stop playback at any project position Using the Bar RulerTo move the playhead to any position To move the cycle To activate or deactivate the cycle, do one of the followingTo change the cycle length To undo the last operation, command, or functionUndoing Operations To undo or redo an isolated step To reverse a number of operations, commands, or functionsSelecting Tracks and Regions Selecting TracksTo select several regions, do one of the following Selecting RegionsTo select a region Page 2Recording To set the basic project tempo, do one of the following Importance of the Sample RateTo set the project sample rate To set the count-in time To alter the metronome settingsTo make a standard audio recording Recording Audio RegionsTo open a take folder, do one of the following Recording TakesTo record an instrument region To select different takes when viewing an open take folderRecording an Instrument Part To correct the timing of your recording Page 3Creating Your Arrangement Choosing Tools Pointer Effective Range of the ToolsAbout the Tools Muting Regions Muting and Soloing Tracks and RegionsTo solo several regions with the Solo tool Soloing RegionsTo mute several regions with the Mute tool To solo a region with the Solo toolTo mute multiple tracks Editing RegionsMuting Tracks Soloing TracksTo move several selected regions Moving RegionsChanging the Length of Regions To move a regionTo cut a region Dividing RegionsCutting Regions To divide a regionTo paste a cut or copied region from the Clipboard Copying RegionsTo copy a region, do one of the following To delete a region, do one of the following Deleting RegionsTo remove all loops Looping RegionsTo loop a region, do one of the following To remove one or more loopsTo view or hide the Region Parameter box Using the InspectorRegion Parameters To undo any parameter changes Using the Track/Channel ParametersTrack Parameters To change a parameter valueArrange Channel Strips To open or close the Piano Roll, Score or Hyper Editor Getting to Know the Midi EditorsEditing Midi Events To edit a note event position, do one of the following To open or close the Event ListTo change the velocity of a note in the Piano Roll Editor Editing and Creating EventsTo create new note events in the Piano Roll Editor To quantize one or more selected notes Page Using Instruments and Effects Using Instruments and Effects To directly insert an effect into a channel strip To remove an inserted plug-in effect or instrument Using the LibraryTo directly insert an EQ into a channel strip To replace an inserted plug-in effect or instrumentTo open or close the Library Using the Library to load complete channel strip settingsTo quickly change loaded effect or instrument settings To open the ES E plug-in window if it isn’t open Editing Instruments and EffectsTo edit plug-in parameters Editing Audio Files 6Working With Audio FilesTo open the Sample Editor, do one of the following To export an audio file as an MP3 file Managing Your Audio FilesPage To open or close the Mixer window 7Mixing and Exporting Your ProjectTo select a different track/channel Using the Channel Strip ControlsTo change the Mixer view Changing the Routing of Channel Strips To adjust the level of a channel stripTo adjust the panning or balance of a channel strip To send a channel to a bus Automating Your Mix To choose an automation parameter To edit the volume automation track To write volume automation to an automation trackTo bounce your mix Exporting Your Project8Speeding Up Your Workflow Using Key CommandsTo recall a screenset, do one of the following Using ScreensetsTo set up a screenset To set up more than nine screensetsUsing Control Surfaces Page Midi Language AAudio and Midi BasicsMidi Connection AudioDigital and Analog Recording About Bits and Sampling Rates Digital ConversionsSound Preference Pane This chapter covers the audio and Midi facilities of Mac OSCore Audio Midi Page of AMS Audio Midi Setup AMSCore Midi Hard Drive HardwareMemory Software BackupTroubleshooting Preferences and Parameter RAM If Disaster StrikesHard Disk Checking and File Structure Repair Viruses Appendix C Optimizing Your Computer Audio System Page Glossary Glossary Beats per minute See bpm Broadcast Wave See Wave Glossary Glossary Glossary Glossary Glossary Glossary Glossary 100 101 102 103 ES M 105 106 Index 108 109 110 111

8 specifications

The Apple iPhone 8, introduced in September 2017, marked a significant evolution in the company's smartphone lineup, bridging the design elements of the past with cutting-edge technology. The iPhone 8 brought several notable features and advancements that enhanced user experience and performance.

One of the most striking design elements of the iPhone 8 is its glass back, a departure from the aluminum unibody design of its predecessors. This transition not only provided a fresh aesthetic appeal but also enabled wireless charging, allowing users to power their devices conveniently without the need for cables. The iPhone 8 supports Qi wireless charging standards, making it compatible with a wide array of wireless charging pads.

Under the hood, the iPhone 8 is powered by Apple’s A11 Bionic chip, which features a six-core CPU. This powerful processor significantly improved the iPhone's speed and efficiency when compared to previous models. The A11 Bionic was designed for machine learning applications and includes a dedicated neural engine, allowing for better performance in tasks such as image recognition and augmented reality experiences.

The display of the iPhone 8 is a 4.7-inch Retina HD display, boasting True Tone technology, which adjusts the screen's white balance based on the ambient light. This feature not only enhances color accuracy but also improves comfort for users by reducing eye strain in various lighting conditions. With a resolution of 1334 x 750 pixels, the display delivers sharp and vibrant visuals.

Camera capabilities on the iPhone 8 also received significant upgrades. The rear 12-megapixel camera features optical image stabilization, providing clearer photos and smoother video recording, even in low light conditions. The introduction of new color filters and a larger sensor allowed for improved photo quality. The front-facing 7-megapixel camera supports 1080p HD video recording and features advanced portrait mode, offering users new ways to create professional-quality selfies.

Another important aspect of the iPhone 8 is its robust security features. The device continued to use Touch ID for biometric authentication, ensuring that users' data remained secure. Additionally, the iPhone 8 was water and dust resistant, rated IP67, which added an extra layer of durability.

In summary, the Apple iPhone 8 successfully combined innovative technology with timeless design. Its wireless charging, powerful A11 Bionic chip, enhanced camera features, and sturdy build quality made it a compelling choice for consumers looking to experience the best of Apple’s engineering prowess.
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