Roland 04672434 manuals
Musical Instruments & Equipment > Music Mixer
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Roland 04672434 Owner Manual
184 pages 11.14 Mb
InformationAs of Oct. 1, 2007 (ROLAND) 04672434 08-08-1N Thank you, and congratulations on your choice of the Roland VB-99.NORTH AMERICA MIDDLE EAST ASIAEGYPT REUNION SOUTH AFRICA CHINA HONG KONG INDIA INDONESIA KOREA MALAYSIA VIET NAM PHILIPPINES SINGAPORE TAIWAN THAILAND AUSTRALIA/ NEW ZEALAND Roland Corporation Australia Pty.,Ltd. ARGENTINA BARBADOS BRAZIL CHILE COLOMBIA COSTA RICA CURACAO DOMINICAN REPUBLIC ECUADOR EL SALVADOR GUATEMALA HONDURAS MARTINIQUE MEXICO NICARAGUA PANAMA PARAGUAY PERU TRINIDAD NORWAY POLAND PORTUGAL ROMANIA RUSSIA SLOVAKIA SPAIN SWEDEN SWITZERLAND UKRAINE UNITED KINGDOM BAHRAIN IRAN ISRAEL URUGUAY VENEZUELA AUSTRIA BELGIUM/FRANCE/ HOLLAND/ LUXEMBOURG CROATIA CZECH REP. DENMARK FINLAND GERMANY GREECE/CYPRUS HUNGARY IRELAND ITALY JORDAN KUWAIT LEBANON OMAN QATAR SAUDI ARABIA SYRIA TURKEY U.A.E. CANADA U. S. A. AFRICA AUSTRALIA/ NEW ZEALAND EUROPE CENTRAL/LATIN AMERICA Owners Manual Owners Manual 4 IMPORTANT NOTES6 Contents Chapter 3 Global Device Settings (SYSTEM)..............................................35 Chapter 1 Outputting Sounds.......................................................................16 7 Chapter 4 Using the VB-99 in Combination with an FC-300......................46 Chapter 6 Using the VB-99 Connected to a Computer Via USB................65 8 10 Checking the Package Contents11 Main FeaturesEquipped with D Beam, ribbon, and other new realtime controllers 12 Names of Things and What They Do Top Panel3 4 30 7 8 9 13 14 15 16 17 18 19 20 21 22 27 29 23 24 25 26 33 32 1 2 5 6 14 Rear Panel15 347 8 9 10 11 12 13 14 1 25 6 15 Signal FlowD C B AAMP A BASS B BASS A Computer USB MIXER 16 Chapter 1 Outputting Sounds Before Connecting Installing the Divided PickupAbout the GK-3Bs Select Switches About the GK-3Bs GK Volume Control 17 Making the Connections Example of Connections When Using Effects UnitsExample 1) Example 2)Bass with GK-3B / GK-2BBass with GK-3B / GK-2B GK cable GK cable Bass Amp Effector VB-99Bass Amp Effector Effector Unsuitable places for connection 18 Lock Turn on the power to the bass amp or mixer. Switch on the POWER switch on the VB-99s top panel. 19 Turning On the Power20 About the Play Screen Adjusting the Volume About the Information in the Display (Basic Operation) Setting the Device (Amp) Connected to MAIN OUT (Output Select) 21 Inputting the Divided Pickup Settings (GK Settings)22 5.string 15STR Lo1 5STR Hi25STR Hi1 5STR Lo2 6STR Settings Scale Length Settings Explanation 9. Press PAGE [ ] to go to Page 4. 8. Set the scale length. 6. Select the position of the divided pickup. 7. Select the divided pickup type. Input the gap between the pickup and the bridge. 4STR-24STR-1 4STR-3 For a 4-string bass: For a 5-string bass: For a 6-string bass: string Hi C string Low B string 2 string 3 string 4 23 Tuning the Bass (TUNER) 24 Switching Tones (Patch)About the Patch Numbers Switching with the PATCH/ VALUE Dial 25 Turning Off the Power 26 Chapter 2 Creating SoundsMixer Effects Poly Effects COSM Amps COSM Basses Setting the COSM BASS Tone 27 One-touch Output of the Bass Direct Sound (BASS DIRECT) Applying the COSM Amps and Effects to Normal Pickup Sound Setting the COSM AMP Tone 28 Setting the EffectsPOLY FX (Poly Effect) FX (Effects) 29 Rearranging the Effect and Amp Connection Sequence (CHAIN) Specifying the tempo and key of the song to be played Setting the Key Setting the Volume Balance 30 Mixing the Normal Pickup Sound with the GK Input Setting the Connection Locations for COSM Bass/Normal Pickup Sound 31 Mixing Channels A and B Together (MIXER) Setting the Volume and Panning for Each Channel 32 Setting the Mix Balance Setting the Delay and Reverb (DELAY/REVERB) Using Playing Dynamics to Control the Mix Between the Two Channels (DYNAMIC) 33 Setting the Overall Patch Volume Level (V-BASS LEVEL) Adjusting the Overall Patch Tone (TOTAL EQ) Setting the Output Signal and Level (OUTPUT) 34 Naming a Patch (PATCH NAME) 35 Chapter 3 Global Device Settings (SYSTEM) Naming GK Settings (GK NAME) Selecting the Settings Inputting the Divided Pickup Settings36 Selecting the Divided Pickup Type (GK PU TYPE) Inputting the Basss Scale (BASS SCALE) Selecting the Position of the Divided Pickup (GK PU POS) 37 Matching the Divided Pickup and Normal Pickup Phase (GK PU PHASE) Setting the Direction for the Installed Divided Pickup (GK PU DIRECTION) Setting the DOWN/S1, UP/S2 Switch Arrangement (S1, S2 POS) 38 Setting the Gap Between the Pickup and the Bridge (PICKUP BRIDGE) Adjusting the Sensitivity for Each String (SENS) 39 Setting Whether or Not the Pickup Is Used (GK CONNCT) Using Different Bass Settings in Each Patch (SET MODE) Determining the Function of the GK Volume Control and DOWN/ S1, UP/S2 Switches (GK FUNC) 40 Adjusting the Overall Tone According to the Environment (GLOBAL/OUTPUT SELECT)Selecting the Settings Naming the Settings Setting the Types of Connected Devices (OUTPUT SELECT) 41 Adjusting the Overall Tone (GLOBAL EQ) Controlling the Overall Effect of the Noise Suppressor (Total NS) Controlling the Overall Reverb Level (Total REVERB) Setting the Sounds Output from SUB OUT (SUB OUT LEVEL) 42 Setting the GK VOLUME Control and Switch and the Pedal Function (SYSTEM CONTROL ASSIGN) 43 44 Limiting the Patches That Can Be Switched (PATCH EXTENT) Adjusting the Screens Contrast 45 Setting the Output Signal and Level (SYSTEM OUTPUT) 46 Chapter 4 Using the VB-99 in Combination with an FC-300 Description 4. Press [F5] (FC-300). 3. Press PAGE [ ] to display Page 1. Press [SYSTEM]. Set the SYS EX MODE with [F1] (OFF/ON) or with the F1 knob. Connecting with the RRC2 IN Connector Settings Related to the FC- 300 Settings for Control of the FC- 300 Chapter 4Chapter 4 Using the VB-99 in Combination with an FC-300 Setting the Operation When Patches Are Switched 47 Activating the VB-99s Tuner from the FC-300 (QUICK TUNER) Chapter 4 Using the VB-99 in Combination with an FC-300 48 Setting the FC-300 Amp Control 49 Chapter 5 Using MIDISwitching Patch Numbers Transmitting Data Outputting Performance Data About MIDIOutputting Control Change Messages Outputting Program Change Messages Operating from the VB-99 Controlling the VB-99 from an External MIDI Device RX PC MAP (RECEIVE PROGRAM CHANGE MAP) What You Can Do Using MIDI System Messages Channel Messages 50 Main Types of MIDI Messages Handled by the VB-99 51 About the MIDI Implementation Exchanging MIDI Messages About MIDI Channels Bank Select and Program Change 52 Setting the MIDI-Related Functions53 MIDI ROUTING SYNC CLOCK MIDI Device ID MIDI Omni Mode 54 MIDI PC OUT TX PC MAP (TRANSMIT PROGRAM CHANGE MAP) 55 Setting the TX PC MAP RX PC MAP (RECEIVE PROGRAM CHANGE MAP) 56 How to Transmit the Data Bulk Dump Setting the MIDI Output Control Change Number 57 Bulk Load 58 Syncing to the MIDI Clock from an External Device Playing an External Synthesizer Sound Module (BASS TO MIDI)About MIDI messages Output with Bass to MIDI Switching the BASS TO MIDI Function On and Off Selecting the Controller Used to Control the Hold Function (HOLD CTL) 59 Setting the BASS TO MIDI Function (System Parameters) 61 Setting the BASS TO MIDI Function (Patch Parameters)62 Adjusting the Feel Produced in Playing the Bass (PLAY FEEL) Changing the Pitch in Semitone Units (CHROMATIC) 63 Selecting How the Hold Functions (HOLD TYPE) Outputting Control Changes by Operating the Controllers (CC) 64 Outputting Program Change Messages Simultaneously When Switching Patches (PC) 65 Chapter 6 Using the VB-99 Connected to a Computer Via USBVB-99 Driver Mode Installing and Setting the USB Driver Before Using the USB Connection Using OS Contained location Windows XP What is a USB Driver? Computer Dedicated Software for the VB-99VB-99 Editor VB-99 Librarian About MIDI in Standard Driver Mode Switching the Driver Mode 66 Setting the USB Functions Setting the Digital Audio Signal Input and Output 67 Setting the Direct Monitor MON CMD (Monitor Command) DIRECT MON (Direct Monitor) 68 Recording the VB-99s Output with a Computer 69 Using the VB-99 to Add Effects to Audio Playback from a Computer 70 Chapter 7 Other Functions Changing the Tone in Real Time with the D Beam and Ribbon Controllers Adjusting the D Beam (CALIBRATION) 71 Disabling the D Beam (DISABLE) Controlling Sounds by Hand Motion or the Bass Neck (D Beam Controller) 72 Adjusting the Ribbon Controller (CALIBRATION) 73 Controlling the Sounds with the Movement of Your Fingertip (Ribbon Controller) Holding Sounds for Extended Periods (FREEZE) 74 Changing the Pitch as with a Tremolo Arm (T-ARM) 75 Adding Nuance to the Sound (FILTER) 76 Changing the Sounds with the Function Knobs as You Play (DIRECT EDIT) Press [CONTROL ASSIGN] Select the controller you want to set with PAGE [ ] [ ] and [F1][F6]. 77 Using the Switches, Pedals, and MIDI to Control the Sounds (CONTROL ASSIGN)78 3. Select the function you want to assign with PAGE [ ] [ ], [F1][F6], and the F1F6 knobs. 80 4. If you want to save the edited settings, perform the Write procedure (p. 34).About the Range of Targets Change About the Range of Controllers Change Wave Pedal Internal Pedal Activating the Virtual Expression Pedal at the Start of Operations (Internal Pedal System) Setting DIRECT PATCH 81 One Touch Call Up of Favorite Patches (DIRECT PATCH) 82 Managing the Patches Saving and Copying Patches (PATCH WRITE) Exchanging the Current Patch with a Different Patch (PATCH EXCHANGE) Initializing User Patches (PATCH INITIALIZE) 83 Copying Settings Between Channel A and Channel B (A/B COPY) Exchanging the Channel A and Channel B Settings (A/B EXCHANGE) 84 Partially Copying Parameters in a Different Patch (MODULE COPY) Partially Initializing Patch Parameters (MODULE INITIALIZE) 85 Separating Patches into Groups (CATEGORY) Assigning a Patch to a Category Using CATEGORY to Call Up Patches Naming User Categories (CATEGORY NAME) What are Favorite Settings? 86 Storing Your Preferred Settings Individually (FAVORITE SETTINGS)87 Calling Up Favorite Settings Changing Tone Settings Saving to the Favorite Settings Saving to Patches 88 Saving Changed Tones 89 Naming Favorite Settings (FAVORITE NAME) Searching for Patches That Use the Same Favorite Settings 90 Controlling Video Images with Your Bass (V-LINK) What is V-LINK? Connecting the V-LINK Device Setting the String Channel (STRING CH) Making the Palette and Clip Settings (PALETTE/CLIP) 91 Switching V-LINK On and Off Setting V-LINK92 Setting the Assign (ASSIGN12) 93 Using the VB-99 on a Stand 94 Using the VB-99 Mounted in a Rack 95 Restoring the VB-99 to its Original Factory Condition (FACTORY RESET) 96 Chapter 8 Parameters GuideE. BASS TYPE (Electric Bass Type)/SYNTH TYPE (Synthesizer Type)/E. GTR TYPE (Electric Guitar Type) E. BASS TYPE (Electric Bass Type) MODLNG TYPE (Modeling Type) COSM BASS SW Modeling Type List COSM BASS 98 E.BASS ( Bass) VINT JB/JB/T-BIRD VINT PB/PB RICK 99 VARI VIOLIN 100 AC BASS (Acoustic Bass) SYNTH (Synthesizer) 101 SENS ( VIBRATO FALL RISE DUET PITCH SW ATTACK SWEEP PITCH A/PITCH A FINE, PITCH B/PITCH B FINE 102 WAVE SYNTH OSC SYNTHCUTOFF (Cutoff Frequency) SENS (Sensitivity) (Wave Sensitivity) 103 BOWED/PIPE 104 BRASS CRYSTL ORGAN 105 E.GTR (Electric Guitar)Parameters COSM BASS Common 106 Creating Harmony Scales (User Harmony) LEVEL HiC, 14th, LowB *5 DIRECT LEVEL HiC, 14th, LowB *4 EFFECT LEVEL HiC, 14th, LowB *4 DELAY HiC, 14th, LowB BEND SHIFT HiC, 14th, LowB USER HARMONY CB *3 FINE HiC, 14th, LowB *2 SHIFT HiC, 14th, LowB *2 BEND HARMO (Harmony) *1 KEY *1 SHIFT MODE (Pitch Shift Mode) PITCH SHIFT (Pitch Shift) 107 MIX 108 POLY COMP (Poly Compressor)POLY FX (Poly Effect) POLY LIMITR (Poly Limiter) 109 POLY DEFRET (Poly Defretter) POLY DIST (Poly Distortion) POLY EQ (Poly Equalizer) 110 POLY OCTAVE (Poly Octave) (String Modeling) STRING MODLNG (Poly Ring Modulator) POLY RING POLY SG (Poly Slow Gear) 111 COMP (Compressor)X-OVER FREQ HIGH (Crossover Frequency High) *4 X-OVER FREQ MID (Crossover Frequency Middle) *4 X-OVER FREQ LOW (Crossover Frequency Low) *4 TONE DRIVE *5 HIGH RATIO *4 HIGH THRSH *4 LOW RATIO *4 LOW THRSH *4 REL *2 ATTACK *3 RATIO *2 THRSH *2 SUSTAIN *1 COMP SW FX (Effects) 112 OD/DS (Overdrive/Distortion) EQ (Equalizer) 113 DELAYEFFECT LEVEL *1 HIGH CUT (High Cut Filter) *1 FEEDBACK *1 DELAY TIME *1 DELAY TYPE DELAY SW DELAY Common Parameters 114 PANMOD DUAL-S, DUAL-P, DUAL-L/R WARP 115 CHORUS EFFECT LEVEL LOW CUT (Low Cut Filter) PRE DELAY CHORUS MODE CHORUS SWController TARGET PARAMETER SW MODE Using the HOLD (Hold Delay) 116 MOD1, MOD2EFFECT LEVEL STEP RATE RESO (Resonance) MANUAL MOD 1 TYPE, MOD 2 TYPE MOD1 SW, MOD2 SW PHASER 117 PAN TREML (Tremolo) FLANGER 118 PEDAL WAH T.WAH (Touch Wah) 119 M-TRON III AUTO WAH 120 OCTAVE PITCH SHIFT (Pitch Shifter) VOICE1 INTERVAL CB, VOICE2 INTERVAL CB *2 LEVEL1, LEVEL2 *1 PRE DELAY1, PRE DELAY2 *1 FEEDBACK1 VOICE KEY HARMONIST HARMONY1, HARMONY2 *1 HARM1, HARM2 (Harmony) *1 121 Creating Harmonist Scales (Voice Interval)122 PEDAL BEND 2x2 CHORUS 123 TRIG SENS (Trigger Sensitivity) PATTERN TRIG (Trigger) RISE TIME FALL TIME RISE TIME RATE FAST RATE SLOW SPEED SLICER VIB (Vibrato) UNI-V ROTARY 124 HUMANIZERANTI FB (Anti-feedback) RING MOD (Ring Modulator) SLOW GEAR 125 ADV.COMP (Advanced Compressor)ENHANCER LIMITR (Limiter) 126 PEQ (Parametric Equalizer) SUB DELAY GEQ (Graphic Equalizer) 127 NS (Noise Suppressor) FV (Foot Volume)VOL CURVE (Volume Curve) DETECT REL (Release) THRSH (Threshold) NS SW (Noise Suppressor Switch) CONCRT 810 SUPER FLAT / AC BASS FLIP TOP B MAN 128 COSM AMP GTR AMP DRIVE / GTR AMP METAL GTR AMP CLEAN / GTR AMP CRUNCH BASS 360 T.E. SESSION 129 Speaker Settings SUPER FLAT / FLIP TOP / B MAN / CONCRT 810 / BASS 360 / T.E. / SESSION / AC BASS 130 DIRECT MIX BOTTOM MIC POS (Mic Position) MIC DIS (Mic Distance) MIC TYPE SP TYPE (Speaker Type) TOTAL EQ (Total Equalizer) V-BASS LEVEL 131 MIXER MIXERMIXER A, B (MIXER CHANNEL A, B) 132 D OUT LEVEL (Digital Output Level) D OUT (Digital Output) SUB LEVEL SUB OUT MAIN LEVEL MAIN OUT DENS (Density) LOW CUT (Low Cut Filter) PRE DELAY REVERB SW FEEDBACK DELAY SW REVERB DELAY 133 DELAY/REVERB DELAY/REVERB Signal Flow RELEASE UPPER BAL (Upper Balance) UPPER LEV (Upper Level) LOWER RNG (Lower Range) LOWER BAL (Lower Balance) LOWER LEV (Lower Level) DYNA SW (Dynamic Switch) When TYPE is set to DYNA BAL 134 DYNAMIC When TYPE is set to DYNA A or DYNA B UPPER RNG (Upper Range) 135 CONTROL ASSIGNMODE RANGE LOW, RANGE HIGH GK VOL (GK Volume) MASTER GK S1, S2 (DOWN/S1, UP/S2 Switch) 136 PANEL CTL1/CTL2 (Control Button 1/2)DOWN MAX (Down Maximum) DOWN MIN (Down Minimum) T-ARM CH (Tremolo Arm Channel) PITCH TYPE SW MODE (Switch Mode) D BEAM 137 ASSIGNABLE ASSIGNABLE 138 RIBBON139 EXP PEDAL (Expression Pedal) CTL3, CTL4 (Control3, Control4) 140 FC-300 CONTROL ASSIGN 116 INPUT SENS FORM CURVE TRIGGR (Trigger) RANGE LOW, RANGE HIGH SW MODE (Switch Mode) 141 DIRECT EDIT F1F6 142 NAME/KEY/BPMV-BASS LEVEL PC (Program Change) BANK LSB BANK MSB FC AMP CTL1, FC AMP CTL2 BPM KEY CATEGORY PATCH NAME TX PC (Transmit Program Change) V-BASS LEVELBPM KEY PATCH NAME CATEGORY AMP CONTROL Control with the BPM HOLD TYPE CHROMATIC PLAY FEEL MODE BASS TO MIDI 143 PATCH BASS TO MIDI 144 SYSTEM145 LCD CONTRASTBASS SCALE PIEZO TONE HIGH *1 PIEZO TONE LOW *1 GK PU TYPE (GK Pickup Type) NAME SETTING110 SET MODE GK S1, S2 (GK S1, S2 Switch) GK CONNCT (GK Connect) DIRECT PATCH CONTRAST GK SETTING DIRECT PATCH SYSTEM GK FUNC (GK Function) GK VOL (GK Volume) 146 CTL (Control) Controller SENS HiC, 14th, LowB BRIDGE HiC, 14th, LowB PICKUP S1, S2 POS (S1, S2 Position) GK PU DIRECTION (GK Pickup Direction) GK PU PHASE (GK Pickup Phase) GK PU POS (GK Pickup Position) CONTROL ASSIGN 147 Parameters That Can Be Assigned to ControllersParameter Explanation Parameter Explanation CONTROLQUICK TUNER BANK CHANGE SYS EX MODE (System Exclusive Mode) DIRECT EDIT F1F6 DIRECT EDIT ASSIGN HOLD 148 FC-300149 MIDI150 PC (Program Change) PC OUT (Program Change Out) Control Change) TX CC ( RX PC MAP (Receive Program Change Map)TX PC MAP (Transmit Program Change Map) BULK DUMP 151 OUTPUT D OUT LEVEL (Digital Out Level) D OUT (Digital Out) SUB LEVEL SUB OUT MAIN LEVEL MAIN OUT OUTPUT MODE 152 USB DIRECT MON (Direct Monitor) MON CMD (Monitor Command) DRIVER MODE OUT LEVEL USB OUT IN LEVEL USB IN 153 BPMSOURCE A ch/B ch CLIP A ch/B ch PALETTE SYSTEM BPM BPM MODE ASSIGN 12 V-LINKV-LINK PATCH CLIP Control with the SYSTEM BPM 154 TARGET FORM *3 RATE *3 CURVE *2 TIME *2 MAX (Maximum) *1 MIN (Minimum) *1 DV-7PR TRIGGR (Trigger) *2 Range Explanation Parameter/ MIDI C CH (MIDI B Channel) MIDI B CH (MIDI B Channel) MIDI A CH (MIDI A Channel) HiC, 14th, LowB MIDI CH (MIDI Channel) STRING CH (String Channel) 155 V-LINK SYSTEM 156 CATEGORY NAMED BEAM CALIB PATCH EXTENT D BEAM DISAB (D BEAM Disable) PATCH EXTENT (D BEAM Calibration) FACTORY RESET CATEGORY NAME FACTORY RESET REVERB EQ MAIN (Equalizer Main), EQ SUB (Equalizer Sub) NS (Noise Suppressor) 157 GLOBAL 158 TUNER 159 Chapter 9 Appendices MIDI Implementation Chart 163 Specifications 164 VB-99 Software System Requirements 165 TroubleshootingProblems with Sounds DATA WRITE ERROR No sound/Low volume USB DEVICE ERROR OUT OF RANGE! SET AGAIN MIDI BUFFER FULL RRC2 BUFFER FULL USB BUFFER FULL MIDI OFFLINE RRC2 OFFLINE USB OFFLINE Error Messages166 Low volume for device connected Oscillating sound audible to INPUT knobs or PATCH/VALUE dial Cannot change parameters with No stereo effect produced 167 Unable to save SYSTEM/USB USB Brackets Parameters Indicated with Angle with Assign as expected Unable to control parameters set Patches not switching IN settings Other Problems transmitted/received MIDI messages not being 168 IndexD C B A Numerics 169 F E 170 M L K J I H G 171 P O N 172 S R Q 173 V U T DECLARATION OF CONFORMITY Compliance Information Statement 183 FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENTWARNINGInformationAs of Oct. 1, 2007 (ROLAND) 04672434 08-08-1N Thank you, and congratulations on your choice of the Roland VB-99.NORTH AMERICA MIDDLE EAST ASIAEGYPT REUNION SOUTH AFRICA CHINA HONG KONG INDIA INDONESIA KOREA MALAYSIA VIET NAM PHILIPPINES SINGAPORE TAIWAN THAILAND AUSTRALIA/ NEW ZEALAND Roland Corporation Australia Pty.,Ltd. ARGENTINA BARBADOS BRAZIL CHILE COLOMBIA COSTA RICA CURACAO DOMINICAN REPUBLIC ECUADOR EL SALVADOR GUATEMALA HONDURAS MARTINIQUE MEXICO NICARAGUA PANAMA PARAGUAY PERU TRINIDAD NORWAY POLAND PORTUGAL ROMANIA RUSSIA SLOVAKIA SPAIN SWEDEN SWITZERLAND UKRAINE UNITED KINGDOM BAHRAIN IRAN ISRAEL URUGUAY VENEZUELA AUSTRIA BELGIUM/FRANCE/ HOLLAND/ LUXEMBOURG CROATIA CZECH REP. DENMARK FINLAND GERMANY GREECE/CYPRUS HUNGARY IRELAND ITALY JORDAN KUWAIT LEBANON OMAN QATAR SAUDI ARABIA SYRIA TURKEY U.A.E. CANADA U. S. A. AFRICA AUSTRALIA/ NEW ZEALAND EUROPE CENTRAL/LATIN AMERICA Owners Manual 184 Owners Manual
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