2 Interfacing |
1. Connecting the cable: Push the mini XLR | 2.3.2 Using the |
connector (1) on the pickup cable into the mini | MPA III L |
XLR socket (2) on the cable of the MPA III L (3) |
|
to the stop. | Refer to fig. 4. |
The connector will lock automatically. |
|
| Mini XLR | Mini XLR | MPA |
MPA | Phantom |
|
|
Fig. 4: Connection diagram with MPA III L.
Disconnecting the cable: Refer to section
2.3.1 above.
2.Connect the MPA III L (3) to a balanced XLR microphone input with phantom power.
3.Switch the phantom power on. (Refer to the in- struction manual of the unit to which you connected your pickup.)
4.If your mixer provides no phantom power: Refer to fig. 4. Connect the MPA III L (3) to an optional AKG
phantom power supply (4) (N 62 E, N 66 E, B 18, B 15) and use an XLR cable (5) (e.g., an optional MK 9/10 from AKG) to connect the phantom power supply (4) to the desired balanced input.
Refer to the manual of your bodypack transmitter. 2.3.3 Connecting to a Bodypack Transmitter
17
