FM has been used for broadcast transmission of high quality audio since the mid-1950s, and its primary advantages are wide audio bandwidth and relative freedom from external electrical disturbances as compared to AM (amplitude modulation). The chief factors that determine the ultimate performance characteristics of an FM system are RF signal strength at the receiver and the modulation index (FM frequency deviation divided by modulating frequency) of the signal at the transmitter.

In time, the transmission band for wireless microphone usage was moved out to the high-band ranges of VHF (very high frequency) and UHF (ultra high frequency), where there has been ample bandwidth and, in most world areas, plenty of unused channels. Today, the wireless microphone industry is dealing with the coming of digital television (DTV), and this requires all manufacturers and users of wireless microphones to take a good look at actual TV frequency allocations on a city by city basis.

The VHF transmission range used with the WMS 61 is 138 to 250 MHz, and for the WMS 81 the UHF range is 710 to 869 MHz. The transmitting antennas are quite short, no more than about 7 centimeters (3 inches), making for very convenient operation.

The transmitted power of wireless microphone systems is normally in the range of 10 to 50 milliwatts (mW), depending on the manufacturer and to a large extent the country of origin. This small power output is necessary to ensure that wireless microphone systems will not interfere with other communications activities, but it is sufficient to accommodate all line-of-sight activities over distances of 300 meters (1000 feet).

If the simple system shown in Figure 1 were to be directly used for wireless microphone applications, there would be two major problems: loss of signal due to multiple paths from transmitter to receiver as the performer moves around on stage, and the susceptibility to noise. We will now discuss these problems and their solutions.

Diversity Reception: With only a single receiving antenna, as shown in Figure 2A, transmission will be lost when the direct carrier signal from the transmitter and a reflected carrier signal both arrive at the receiver out-of-phase (a phase shift of 180°), causing a virtual cancellation of the RF carrier. “Dead spots” may exist throughout the normal pickup range, with consequent muting of the microphone system.

The solution to this problem is diversity reception. In diversity reception, which is shown in Figure 2B, there are two antennas located approximately one-quarter wavelength apart. This relatively small distance is sufficient to ensure that at least one of the antennas will be in a strong signal zone at all times, thus providing the receiving system with an adequate signal. In the Series 61 and 81 receivers, both antenna signals are demodulated, and the stronger of the two is selected for further processing and delivery to the output of the system. This approach is known as diversity reception.

Figure 2. Operation of the diversity receiver.

A. When a direct path and a reflected path are both received at the single antenna, there may be some degree of phase cancellation, resulting in weak or no output.

B. When a diversity receiver is used, two antennas, spaced by about one-fourth wavelength, pick up the signal, and there is a very low liklihood that cancellation will take place at both antennas.

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AKG Acoustics WMS61, WMS81 manual Operation of the diversity receiver

WMS61, WMS81 specifications

AKG Acoustics has been a leading name in professional audio equipment for decades, renowned for its innovative designs and superior sound quality. The WMS81 and WMS61 are two notable products in their wireless microphone systems, designed to meet the demanding needs of live performances, presentations, and broadcasting. Both systems offer exceptional performance, ease of use, and advanced technology, making them ideal choices for musicians, public speakers, and audio professionals.

The AKG WMS81 is notable for its precision and reliability. One of its main features is its advanced frequency management technology, which ensures a stable connection by automatically scanning for the clearest frequencies. This minimizes the risk of interference during live performances. The WMS81 also includes a high-quality handheld transmitter with an AKG D5 microphone capsule, known for its excellent feedback rejection and vocal clarity. This makes it particularly suitable for dynamic performances where clarity and volume are essential. Additionally, the WMS81 offers a wide frequency response, ensuring that every nuance of the performance is captured.

On the other hand, the AKG WMS61 is a versatile system that provides excellent sound quality and flexibility. It features a compact bodypack transmitter designed for use with lavalier or headworn microphones, providing hands-free operation that is perfect for presentations or theater performances. The WMS61 includes a diverse selection of frequency channels, enabling users to operate multiple systems simultaneously without interference. Its sturdy construction ensures durability, which is essential for the rigors of touring and frequent use.

Both systems utilize AKG's renowned audio technologies, including their high-frequency response and low distortion characteristics. Another key feature of these systems is the automatic frequency selection capability, allowing users to easily find the best available channel in crowded RF environments. They also both come equipped with an efficient battery management system, offering extended operational time to ensure reliability during long events.

In summary, the AKG WMS81 and WMS61 wireless microphone systems are excellent choices for anyone looking for high-quality audio performance in a wireless format. Their robust features, advanced technologies, and user-friendly designs make them suitable for a wide range of applications, from live performances to corporate events. With AKG's commitment to innovation and quality, both systems promise to deliver exceptional sound and reliability for audio professionals and enthusiasts alike.