AMX RE-DM6, RE-DM4 manual Presets Defined vs. Undefined Levels, Preset Status, Preset #

Models: RE-DM4 RE-DM6

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AMX RADIA Lighting Programming

Presets: Defined vs. Undefined Levels

Understanding the meaning of the terms "defined" and "undefined", as used in the context of levels in the Radia lighting system, is helpful. Each dimmer on the Radia has a TRUE/FALSE status associated with it that is referred to as "defined". The state of the defined status is used when saving presets so that the Radia knows which dimmers are to be affected when the preset is recalled. Upon power-up, all the dimmers are in the undefined state. As soon as any of the dimmers changes state (i.e. the level changes), the dimmer automatically becomes defined. Upon recording a preset, the Radia will save all of the dimmer levels that are defined at that time and only affect those when the preset is recalled.

For example, if all the dimmers are undefined and dimmers 1 and 3 get their levels changed, the Radia will save the levels of 1 and 3 only when told to record preset 7. When preset 7 is recalled, only dimmers 1 and 3 will be adjusted. The other dimmers (2, 4, 5 and 6) are said to be undefined for that preset.

Preset Status

Channels 1-128 reflect the current status of active presets. A preset is "active" for as long as its associated dimmers (circuits) remain at the levels associated with the preset. For example, assume the following presets exist in the Radia:

Preset #

Preset #

Dimmer #1

Dimmer #2

Dimmer #3

Dimmer #4

Dimmer #5

Dimmer #6

 

 

 

 

 

 

 

 

1

– Meeting (A)

100%

50%

100%

 

 

 

 

 

 

 

 

 

 

 

2

– Presentation (A)

50%

25%

50%

 

 

 

 

 

 

 

 

 

 

 

3

– Off (A)

0%

0%

0%

 

 

 

 

 

 

 

 

 

 

 

4

– Meeting (B)

 

 

 

100%

50%

100%

 

 

 

 

 

 

 

 

5

– Presentation (B)

 

 

 

50%

25%

50%

 

 

 

 

 

 

 

 

6

– Off (B)

 

 

 

0%

0%

0%

 

 

 

 

 

 

 

 

7

– Cleaning (A&B)

100%

100%

100%

100%

100%

100%

 

 

 

 

 

 

 

 

8

– Night (A&B)

0%

0%

0%

0%

0%

0%

 

 

 

 

 

 

 

 

Also, the configuration of the Radia is such that dimmers 1-3 are controlling lights in room A (a conference room) and dimmers 4-6 are controlling lights in room B (another conference room). In each of these room is a

3-button wall-mounted control panel that provides control of the local lights:

MeetinggModeMode

Presentation

Presentation Mode

Mode

Off

FIG. 35 Example - 3-button wall-mounted control panel

The room A panel has the following mapping between buttons and presets and feedback: Meeting Mode -> Preset 1 -> Feedback from channel 1

Presentation Mode -> Preset 2 -> Feedback from channel 2 Off -> Preset 3 -> Feedback from channel 3

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RE-DM4 and RE-DM6 RADIA Eclipse Dimmer Modules

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AMX RE-DM6, RE-DM4 manual Presets Defined vs. Undefined Levels, Preset Status, Preset #

RE-DM4, RE-DM6 specifications

The AMX RE-DM4 is a cutting-edge solution in the realm of digital media management, designed to cater to the complexities of modern broadcasting environments. This advanced device aims to streamline workflows, enhance media asset management, and ensure optimal media delivery across various platforms.

One of the standout features of the AMX RE-DM4 is its robust interface, which allows users to interact with the system intuitively. The device incorporates a user-friendly GUI that enables operators to manage media assets effortlessly. The interface supports drag-and-drop functionalities, which greatly simplifies the process of uploading, organizing, and retrieving digital content.

The AMX RE-DM4 also boasts innovative multimedia processing capabilities, allowing it to handle high-resolution video formats with ease. The device supports a range of codecs, ensuring compatibility with the latest video and audio standards. This versatility is crucial for broadcasters who frequently work with diverse media types and formats.

Furthermore, the AMX RE-DM4 features advanced metadata tagging and search functionalities. This technology empowers users to tag media assets with critical information, enabling quick retrieval and efficient categorization. The integrated search engine is designed to facilitate instant searches, thereby reducing downtime and improving overall productivity.

Another notable characteristic of the AMX RE-DM4 is its scalability. The system is designed to grow alongside evolving media requirements, making it an ideal choice for both small studios and large broadcasting networks. With modular components and expandable storage options, users can easily upgrade their systems as their needs change.

In terms of connectivity, the AMX RE-DM4 includes multiple input and output options, ensuring seamless integration with existing studio equipment and networks. It supports various protocols, which enhances compatibility with other devices and allows for more fluid media workflows.

Security is a crucial aspect of digital media management, and the AMX RE-DM4 addresses this by incorporating robust encryption and access control features. Users can set permissions for different team members, safeguarding sensitive content while still allowing collaborative work environments.

In conclusion, the AMX RE-DM4 emerges as a powerful tool for media professionals, integrating state-of-the-art technologies and features that enhance efficiency and productivity. Its intuitive interface, multimedia processing capabilities, advanced search options, scalability, and robust security measures make it a valuable asset in the fast-paced world of digital media management. This device exemplifies a forward-thinking approach to media handling, positioning itself as a leader in the industry.