Behringer EX3200 user manual Bass Processor Section, Surround Processor Section

7The HIGH MIX control of the high band determines the amount of signal used for sound enhancement (from zero to six). It would depend on the application as to whether a high-quality system is to be given the “finishing touch” with the ULTRAFEX PRO, or whether maximum intelligibility is to be achieved in a relatively poor sound reinforcement system.

8When the SOLO switch is depressed, the unit operates in solo mode and separates the pure effect signal from the main signal. Thus, the BEHRINGER ULTRAFEX PRO may be used as a “sidechain” processor (cf. chapter 7.1.2 “The ULTRAFEX PRO As “Sidechain” Processor”).

+Please note that pre-monitoring of the solo signal will only allow for a rather restricted evaluation of the sound, since this signal only provides sound enhancement if it is combined with the original signal.

4.2 The Bass Processor Section

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Fig. 4.3: Controls of the Bass Processor section

The SHIFT switch determines the cut-off frequency of the bass processor. Depending on the program material, you can select between ”Low” and ”Ultra-low”.

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The LOW MIX control of the low band determines the amount of signal used for sound enhancement (from zero to six). The setting depends on the application you are addressing.

+Please note that the bass processor should be set carefully to avoid possible speaker damage. Most near-field monitors are not capable of handling the bass produced by the ULTRAFEX PRO.

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With the MODE switch you can define the sound effect of the bass processor. If the switch is on (”Tight”) the bass will sound ”dry” and ”punchy”, whereas the released switch mode (”Soft”) creates a warm and full bass.

4.3 Surround Processor Section

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Fig. 4.4: Controls of the Surround Processor section

With the SURROUND switch you can activate the Surround section. Please note that this switch has to be released if you want to process two separate input signals. Otherwise there will be undesired cross-talk between the two channels.

4. CONTROLS 13