15BASS
6.3.3Special effects
VCF+FLANGER: The combination of filter and flanger effect.
VOICE BOX: This vocal simulation fades between various vowels (a/e, a/i, a/o etc.) by using a LFO
ULTRABASS: A very low bass sound that lies an entire octave beneath the lowest bass frequency present in the mix is currently very popular. However, this sound can often only be created at the studio because most bass amplifiers have no subharmonic function. The ULTRABASS processor, which has also found home in various BEHRINGER bass amps, makes creating this effect a
6.3.4 Virtual analog bass synth
SYNTH: This effect gives you a rad
VCO 1 (Voltage Controlled Oscillator) is set up for specific intervals, and the
BASS
MIDI SYNTH: The absolute highlight of your BASS
our MIDI SYNTH: With 40 parameters (already described), it offers you the best possible sound. You get a virtual analog MIDI synthesizer equipped with powerful features. It is ideal for hardware and software sequencers, keyboards and for live applications. By using the EFFECTS control, you can mix the completely modelled instrument signal (EFFECT min. = modelled instrument signal only, EFFECT max. = bass synth only).
We equipped the MIDI synthesizer with a complete reverb section as an additional feature. Of course, you can access this section via MIDI.
ROTARY CAB.: A simulation of a classic organ effect that is normally achieved with a terribly heavy casing and slowly or quickly rotating speakers. The physical principle of the Doppler effect is used to modulate the signal.
7. Tuner
The integrated tuner is activated by pressing the TUNER key.
7.1 Tuning instruments
The chromatic tuner automatically recognizes the frequencies of all the standard bass notes. When you connect your instrument to the BASS
However, it may be the case that that a played note (shown in the display as for example “a”) slightly deviates from the ideal tone. This will be indicated by lighting up at least one of the four arrow LEDs at the lower edge of the display. When the note played lies between the deviations shown by means of the individual LEDs, two LEDs may light up. If the circular middle tuner LED lights up, the played note is identical to the note shown in the display.
7.2 Setting up the “a” reference tone
To put complete freedom at your disposal when tuning your instrument,
you have the option to change the preset of the reference tone “a”. Here is a quick intro to the subject.
The
Nowadays, orchestra set the “a” with 444 Hz, and the Berlin Philcharmonic wishes to stay ahead still: their “chamber tone a” lies at a full 447 Hz.
The reference tone “a” of the BASS
To quit the EDIT mode, press the TUNER key. Your changes are automatically stored. Ideal tones for the remaining strings are automatically set up using the newly adjusted frequency as a reference.
8. Installation
8.1 Rack mounting (BASS V-AMP PRO)
Your BEHRINGER BASS
Assure that appropriate ventilation is provided, and never position your BASS
8.2 Voltage (BASS V-AMP PRO)
Before you connect your BASS
◊If you use the unit with a different voltage, you must change the fuses accordingly. The correct value of the fuses needed can be found in the chapter “Specifications.”
◊Faulty fuses must be replaced with fuses of appropriate rating without exception! The correct value of the fuses needed can be found in the chapter “Specifications.”
Power is delivered via the cable that was delivered with the unit. All requiered safety precautions have been adhered to.
◊Please make sure that the unit is grounded at all times. For your own protection, you should never tamper with the grounding of the cable or the unit itself.