7BASS
(12)DISPLAY shows the selected effects bank and gives information about the changes occurring while editing. When the tuner is enabled, the display shows the tuning of the connected instrument. When one of the amp simulations numbered 17 - 32 is selected, the LED located in the lower left corner of the DISPLAY lights up.
The display on the BASS
Fig. 2.1: BASS |
|
|
|
|
|
|
Clock |
| LED ext. |
| LED 48 kHz |
| LED 96 kHz |
internal 44.1 kHz |
| — |
| — |
| — |
|
|
| ||||
internal 48 kHz |
| — |
| |
| — |
internal 96 kHz |
| — |
| — |
| |
external (any frequency) |
| |
| — |
| — |
|
|
|
|
|
|
|
Tab. 2.1: Output formats and LED allocation in the diplay (BASS
(13)The EFFECTS control lets you select an effects preset or a combination of several effects. This continuously turnable control is surrounded by a circle of 16 LEDs. Each effect has a corresponding LED.
(14)The COMPRESSOR control lets you compress or limit your sound. When you turn the COMPRESSOR control as far left as possible without triggering
off a LED, the dynamic characteristics of the signal are not changed. The compressor on the BASS
•You set the compression sensitivity by turning the COMPRESSOR control. The more you turn the control, the more pronounced the compression. When the last LED lights up while turning the control to the right, the effect acts as a limiter.
•Turning the COMPRESSOR control while keeping the TAP key pressed lets you set the attack parameter of the
◊More detailed information about how a compressor works can be found in chapter 5.3.
(15)When an effect is selected using the EFFECTS control (13) , the proportion with which this effect influences the entire sound is regulated using the EFFECTS MIX control. As long as no LED lights up while turning the control leftwards, no effect is mixed in. This is also called an effect bypass, and mutes all effects accross the board.
◊When the TAP key is kept pressed, a second effects parameter can be regulated using the EFFECTS control (see tables 6.1 and 6.2).
(16)The MASTER control regulates the overall volume of your BASS
BASS
◊In addition to the AUX LEVEL control on the BASS
◊The LED circles surrounding the VOLUME, BASS, MID, TREBLE, GAIN, EFFECTS MIX and COMPRESSOR controls each have nine LEDs. Either one LED or two adjacent LEDs light up in each LED circle at any one time. This occurs when the control is in an
a total of 17 positions can be displayed.
(17)The connector labeled INPUT is the 1/4" TS jack input of the BASS
a keyboard etc. can be connected. Use a common 1/4” mono jack cable for this purpose.
(18)The LINE IN switch regulates which signal source of the BASS
(19)You can connect standard headphones to the PHONES connector of your
BASS
◊When headphones are connected to your BASS
2.2 Rear panel of the BASS V-AMP PRO
(20)You can insert external effects into the serial insert loop featured on the BASS
Please connect the RETURN/LINE IN connector with the output of your external effects processor or recorder.
◊When using the serial insert loop, please make sure that your effects processor is not set to 100% effect signal (“wet”), because otherwise the direct signal is missing.
◊Pressing the LINE IN switch (22) routes the signal connected to the RETURN/LINE IN connector to your BASS
(21)The stereo signal of the BASS
(22)The POST DSP INSERT RETURN (IN) stereo jack pair is used for connecting to the outputs of your external stereo effects processor. The signal taken at the POST DSP SEND (OUT) outputs (25) is brought back into these jacks.
(23)The ground connection on the DI OUT outputs (24) can be interrupted with the GROUND LIFT switch. This way, rumble noise and ground loops can be avoided. The ground connection is interrupted when the switch is depressed (LIFT).