Troubleshooting

Image is blurred.

•Press the shutter button halfway to focus on the subject, then press fully to shoot (p. 23).

•Shoot the subject within the focusing distance (p. 163).

•Set the [AF-assist Beam] to [On] (p. 143).

•Confirm that functions which you do not intend to use (macro, etc.) are not set.

•Shoot using the focus lock or AF lock (pp. 80, 84).

Even when you press the shutter button halfway, the AF frame does not appear, and the camera does not focus.

•If you center on the light and dark contrasting area of the subject and push the shutter button halfway, or repeatedly push the shutter button halfway, the frame will appear and the camera will focus.

Subject is too dark.

•Set the flash to h (p. 69).

•Adjust the brightness with exposure compensation (p. 69).

•Adjust the brightness with the i-Contrast function (pp. 90, 130).

•Use the AE lock, or spot metering to shoot (p. 88).

Subject is too bright (overexposed).

•Set the flash to ! (p. 59).

•Adjust the brightness with exposure compensation (p. 69).

•Use the AE lock, or spot metering to shoot (p. 88).

•Reduce the light illuminating the subject.

Image is dark even though the flash fired (p. 26).

•Increase the ISO speed (p. 74).

•Shoot within an appropriate distance for flash photography (p. 69).

Image taken using the flash is too bright (overexposed).

•Shoot within an appropriate distance for flash photography (p. 69).

•Set the flash to ! (p. 59).

White dots appear on the image when shooting with the flash.

•Light from the flash has reflected off dust particles or other objects in the air.

Image appears rough or grainy.

•Shoot with the ISO speed on a lower setting (p. 74).

•Depending on the Shooting mode, when shooting in a high ISO speed the image may appear rough or grainy (p. 58).

Eyes appear red (p. 91).

•Set the [Red-Eye Lamp] to [On] (p. 143). When shooting with the flash, the lamp (on the front of the camera) lights (p. 42), and for approximately 1 second while the camera is reducing red-eye, it is not possible to shoot. It is more effective if the subject is looking directly at the lamp. Even better results can be obtained by increasing the lighting in indoor settings or approaching closer to the subject.

Recording images to the memory card takes a long time, or continuous shooting slows down.

•Perform a low-level format of the memory card in the camera (p. 52)

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Canon 200 IS manual Image is blurred, Troubleshooting
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200 IS specifications

The Canon RF 200mm f/2L IS USM is a powerhouse telephoto lens that represents a remarkable advancement in Canon's lens lineup. Designed for the RF camera system, this lens is built to deliver exceptional image quality, stunning sharpness, and outstanding low-light performance, making it an invaluable tool for professional photographers and enthusiasts alike.

One of the standout features of the RF 200mm f/2L is its large maximum aperture of f/2. This enables extraordinary subject isolation through creamy bokeh, allowing photographers to create images with depth and dimension. The fast aperture also proves advantageous in low-light conditions, allowing for faster shutter speeds without sacrificing image quality.

The lens incorporates Canon's advanced image stabilization (IS) technology, which provides up to five stops of compensation against camera shake. This feature is particularly beneficial for handheld shooting, making it easier to achieve sharp images even at slower shutter speeds. The combination of IS with the f/2 aperture also allows for handheld shooting in challenging lighting conditions, expanding creative opportunities for photographers.

The RF 200mm f/2L is constructed with Canon's L-series hallmark, which ensures durability and weather resistance. This rugged design allows it to withstand challenging shooting environments, making it ideal for wildlife and sports photography where conditions can be unpredictable.

Optically, the lens features advanced multi-coating techniques to minimize flare and ghosting while enhancing contrast and overall image quality. With 9 rounded aperture blades, the lens produces aesthetically pleasing out-of-focus areas, contributing to its appeal for portrait and nature photographers.

Thanks to the Canon RF mount's innovative design, the lens benefits from a high-speed communication between the lens and camera body, facilitating fast and accurate autofocus operations. The lens utilizes a Dual Nano USM (Ultrasonic Motor), which provides rapid and silent focusing, a crucial aspect when shooting in sensitive environments.

In conclusion, the Canon RF 200mm f/2L IS USM stands out for its exceptional image quality, fast and accurate autofocus, and robust construction. With the ability to deliver stunning images in a variety of conditions, this lens is a formidable tool for photographers looking to elevate their craft. Whether used for portraits, wildlife, or sports photography, the RF 200mm f/2L will undoubtedly serve as an essential component of any serious photographer's toolkit.
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