❚ Continuous Shutter Precautions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

❚❙ Recording Movies

59

To record a movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

❚ Audio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Recording a High-definition Movie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 Recording a High Speed Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 Using Prerecord Movie . . . . . . . . . . . . . . . . . . . . . . . .(Prerecord (Movie)) . . 64 Recording a Movie for YouTube . . . . . . . . . . . . . . . . . . . . . (For YouTube) . . 66 Shooting a Snapshot while Shooting a Movie . . . . . . . . . . . . . . . . . . . . . . . . 67

❚❙ Using BEST SHOT

68

What is BEST SHOT? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

❚ Some Sample Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

To shoot with BEST SHOT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

❚ Creating Your Own BEST SHOT Setups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Shooting with High Speed Night Scene

. . . . . . . .(High Speed Night Scene/High Speed Night Scene and Portrait) . . 72 Shooting with High Speed Anti Shake . . . . . . . .(High Speed Anti Shake) . . 74 Digitally Correcting for Overexposure

and Underexposure . . . . . . . . . . . . . . . . . . . . . . . . (High Speed Lighting) . . 75

Configuring the Camera to Help You Better Time

 

 

Your Shots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

(Lag Correction) . .

76

Isolating Moving Subjects . . . . . . . . . . . . . . . . . . . . . (Multi-motion image) . . 78

❚ Basic Multi-motion image Procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Shooting with Priority on Subject Faces . . . . (High Speed Best Selection) . . 80 Shooting an Image in Accordance

with Subject Movement . . . . . . . . . . . . . . . . . (Move Out CS/Move In CS) . . 81 Using the Situation-specific CS Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86 Using the Situation-specific High Speed Movie Scenes . . . . . . . . . . . . . . . . 88

❚❙ Advanced Settings

 

89

Using On-screen Menus . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . .

. . 89

REC Mode Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . (REC)

. . 91

❚ Selecting a Focus Mode . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . (Focus).

. . 91

❚ Using the Self-timer . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . (Self-timer).

. . 94

❚ Reducing the Effects of Camera and Subject Movement

. . . . (Anti Shake).

. . 95

❚ Specifying the Auto Focus Area . . . . . . . . . . . . . . . . . . . .

. . . . . . (AF Area).

. . 96

❚ Using the Auto Focus Assist Light . . . . . . . . . . . . . . . . . .

.(AF Assist Light).

. . 98

❚ Shooting with Face Detection . . . . . . . . . . . . . . . . . . . . .

.(Face Detection).

. . 98

❚ Shooting with Continuous Auto Focus . . . . . . . . . . . . . . .

. (Continuous AF).

. . 99

❚ Changing the Continuous Shutter Mode . . . . . . . . . . . . .

. . . . . . . . . . (CS).

. 100

❚ Configuring the Continuous Shutter Image

 

 

Save Method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Save CS Images). . 100 ❚ Turning Digital Zoom On or Off . . . . . . . . . . . . . . . . . . . . . . .(Digital Zoom). . 101 ❚ Assigning Functions to the [4] and [6] Keys . . . . . . . . . . . . . . . (L/R Key). . 101

5

Contents