
Effects include monaural and stereo types, so signal flow must be considered when making con- nections.
There is one monaural type input terminal and two stereo type input terminals, and two terminals each for monoaural and stereo outputs. This means that the monaural/stereo type of the effect is determined by the input type. In the case of a monaural effect, the same signal is ouput from both of the output terminals.
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Connecting a stereo effect after a monaural effect outputs two monaural effects, each of which is connected to the two stereo effect inputs.
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Connecting a monaural effect after a stereo effect causes a signal that mixes the two stereo effect outputs to be sent to the monaural effect.
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Assigning a stereo effect to DSP1 connects two input lines to DSP1, without any signal being sent to DSP2.
Conversely, no signal is sent to DSP1 when a stereo effect is assigned to DSP2. The above also holds true for DSP3 and DSP4.
Parallel Use of Two Monoaural EffectsSelecting A + B as the input line when monaural effects are assigned to DSP1 and DSP2 causes Part L output to be sent to DSP1, and Part R output to be sent to DSP2. Selecting the same effect for both outputs in this configuration produces a stereo effect.
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The DSP resource problem is the point that requires most attention when loading effects.
More concretely, the same resources are used by DSP1 and B, and by DSP3 and D, so when DSP1 uses up all the available resources, Insertion B is undable to use effects. This does not, however, effect DSP3 or D, System Chorus, Reverb, Master, or other effects.
Modification or addition of effect assignments by DSP1 causes DSP1 signal flow to be temporarily muted. Due to the resource sharing relationship, the DSP signal is also temporarily muted. The same relationship applies to DSP3 and D. Though the actual mute time depends of the makeup of the effect, it can be anywhere in the range of 20 to 100 milliseconds.
Be sure to keep all of this in mind when changing effect assignments while playing.
If resources are insufficient for sequential assignment of effects to each DSP segment, further assignment of effects becomes impossible. Th extremely complex decision making process required to determine what combination of resources leads to a shortage is beyond the scope of this document. Probably the easiest and most practical way to determine whether a particular combination can be used is to try it out on the
In addition, when switching effects of DSP multiple segments, all of the semgnets must be cleared.
Let us say, for example that effects A, B, and C are assigned respectively to DSP 1, 2, and 3, and you want to change the assignments of DSP 2 and 3 to effects D and E. The new effects could be assigned in the sequence 2, 3 or 3, 2, but the number of resources consumed by effect A assigned to DSP 1 can cause a shortage of resources when you try to assign effects D or E to DSP 2 or 3. Because of this, you must clear DSP 2 and 3 first.
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The clear operation is achieved by changing the patch parameter effect select block parameter of the applicable part to execute a NOFX (No Effect) effect select instruction.
MdevID=2F00HTypeID=0000HNumber=0000HFor details about send messages, see "4.5 Selecting Patch Effects."4.8.3.4 DistortionDistortion can be caused by changing the parameters of the effectors so signal level related settings cause the amplification factor to be greater than the sound source, and then using thoses effects in combination. Since this is basically unavoidable, you need check your settings and avoid setups that cause distortion to be generated.
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