•The applicable chord conversion table depends on the particular combination of elements and parts. The symbol in the table below indicates that a chord table is applicable, while indicates that a chord table is not applicable.
•The explanations in the “Description” column all assume the following conditions for the recorded accompaniment pattern.
Root: CMajor chords, unless specified otherwise.•The explanations in the “Description” column describe how the recorded accompaniment (12 notes from C to B) are modified when an accompaniment chord is specified.
•The shaded rows are the default numbers for each element and part.
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| Element Names | Part Names |
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Intro, | Normal, Variation, | Bass | Chord 1 | ||||
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| Ending |
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00 | Basic Bass | Normally used for the bass part. | |||||
01 | 7th Bass | Used for a bass part recorded by a 7th chord. | |||||
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02 | Basic Chord | Normally used for the chord part. | |||||
03 | Basic Chord2 | A variation of Number 02 with different conversion when Gm7/C | |||||
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| Specifying a 7th chord during play transforms the 5th note of the | |
04 | Variation Chord1 | scale to the 7th note of the scale. In the case of C7, for example, G | |||||
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05 | Variation Chord2 | Variation of number 04 (Variation Chord 1) | |||||
06 | 7th Chord | Used for the chord part when a 7th chord is recorded. | |||||
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07 | Minor Chord | Used for the chord part when a minor chord is recorded. | |||||
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08 | Major Phrase | Used for the chord part when a phrase is recorded in a major scale. | |||||
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09 | Minor Bass Phrase | Used for the bass part when a phrase is recorded in a minor scale. | |||||
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10 | Penta Phrase | Used for the chord part when a phrase is recorded in a penta scale | |||||
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11 | Natural Minor | Transforms to natural minor when a minor chord is played. | |||||
12 | Melodic Minor | Transforms to melodic minor (ascending) when a minor chord is | |||||
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13 | Harmonic Minor | Transforms to harmonic minor when a minor chord is played. | |||||
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14 | No Change | Original chord as recorded in response to chord that is played, | |||||
without transformation to minor or major. | |||||||
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| Variation of number 12 (Melodic Minor). Playing a major chord | |
15 | Melodic Minor 2 | causes recorded B notes to be transformed to B, while playing a | |||||
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| minor chord plays B as it is. | |
16 | Dorian Scale | Play of a minor chord is transformed to the Dorian scale. The Dorian | |||||
scale lowers the major scale E and B one semitone. | |||||||
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17 | Minor ➛ Major | Used for intro and ending recorded with minor chords. | |||||
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18 | Tension chord | Used for the tension chord part used in jazz, bossa nova, etc. | |||||
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Page 8 | 03.7.31, 5:22 PM Adobe PageMaker 6.5J/PPC |