
8
Getting the Most Out of Your Camera
Snapshots
Shooting with Optimum Setups
➞USING BEST SHOT . . . . . . . . . . . . . . . . . . . . . . . . . . .80
Portrait, Scenery, Night Scene, Night Scene Portrait, Children, etc
Adding Special Effects
➞USING BEST SHOT . . . . . . . . . . . . . . . . . . . . . . . . . . .80
Monochrome, retro, etc.
Compensating for Hand or Subject Movement
➞
Reducing the Effects of Hand and Subject Movement . . 85
Increasing Sensitivity when Lighting is Dim
➞Taking Bright Images without Flash . . . . . . . . . . . . . . .87
Making Images of Business Cards, Documents, and
Meeting Information (White Board) Easier to Read
➞Shooting Images of Business Cards and Documents
(Business Shot) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .88
Shooting ID Photos
➞Shooting ID Photographs . . . . . . . . . . . . . . . . . . . . . . .90
Selecting the Best Focus Mode for Shooting Conditions
➞Changing the Focus Mode . . . . . . . . . . . . . . . . . . . . . .96
Eliminating Light Source Color Cast
➞Controlling White Balance . . . . . . . . . . . . . . . . . . . . . .107
Sharpening or Softening Subject Outlines
➞Controlling Image Sharpness . . . . . . . . . . . . . . . . . . . 113
Enhancing or Reducting Color Saturation
➞Controlling Color Saturation . . . . . . . . . . . . . . . . . . . . 114
Increasing or Decreasing Contrast
➞Adjusting Image Contrast . . . . . . . . . . . . . . . . . . . . . . 114
Movies
➞Shooting a Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77