The Front Panel:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 |
1. INPUT: Use this jack to connect your | 9. LIMIT LED: This LED illuminates whenev- | |
instrument to the amplifier by means of a | er the internal limit circuitry is activated. The | |
shielded signal cable. | limiter prevents the output from sounding dis- | |
2. GAIN: Use this control to adjust the input | torted even at high volume levels. Under nor- | |
mal playing conditions, this LED will flash | ||
signal level. For the best results, the “OK” | ||
LED (#4) should illuminate when playing at | occasionally. If this LED remains illuminated, | |
reduce the Master Level control (#8) until the | ||
normal levels. If the “Decrease Gain” LED illu- | ||
minates with the Gain control at low levels, | LED flashes. | |
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depress the | 10. LINE OUT LEVEL: Use this control to | |
Gain control accordingly. | adjust the signal level at the Balanced Line | |
3. | Out jack (#23). | |
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depressed, attenuates the input signal by | 11. POST EQ/PRE EQ SWITCH: This | |
15dB. If your bass has active electronics or | switch, when depressed, sends a |
“hot” pickups, or if the “Decrease Gain” LED signal to the Balanced Line Out jack (#23).
(#4) illuminates with the Gain control (#2) at | The | |
low levels, depress this switch. | of the Gain control (#2), the Contour control | |
4. LEVEL LEDS: Use these LEDs to proper- | (#5), the Graphic Equalizer (#7), and the DSP | |
controls (#15, #17). With the switch in the out | ||
ly set the Gain control (#2) by following the | ||
position, the signal at the Line Out jack is pre- | ||
above instructions until the “OK” LED illumi- | ||
nates when playing at normal levels. | EQ and is not affected by any of the afore- | |
mentioned controls. | ||
5. CONTOUR: Use this control to adjust the | ||
12. EFFECTS BLEND: Use this control to | ||
tone of your instrument. This control is active | ||
adjust the amount of effect applied to the sig- | ||
only when the Contour On/Off switch (#6) is | ||
nal from the external effects loop (#24, #25). | ||
depressed. | ||
With the control fully counter clockwise, no | ||
6. CONTOUR ON/OFF: This switch, when | ||
effects are applied to the signal. As you rotate | ||
depressed, activates the Contour control (#5). | the control clockwise the amount of effects | |
7. GRAPHIC EQUALIZER: Use these eight | applied to the signal increases. Setting the | |
control to the 12 o’clock position (“5”) gives a | ||
sliders to adjust the frequencies indicated | ||
50/50 blend of dry signal and effects. | ||
beneath each one to | ||
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sound or to compensate for room acoustics. | 13. HEADPHONES LEVEL: Use this control | |
8. MASTER LEVEL: Use this control to | to adust the signal level at the Headphones | |
jack (#14). | ||
adjust the output level of the amplifier. This | ||
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control affects the signal level at the | 14. HEADPHONES: Use this jack to connect | |
Headphones jack (#14), the Preamp Out jack | a pair of stereo headphones, for listening in | |
(#19), and the Speaker jacks (#22). | private. The signal at this jack is post Gain, |
post EQ, and post Effects. The signal level at this jack is adjusted by the Headphones Level control (#13). Using the Headphones jack does not affect the signal at the Speaker jacks (#22). This jack may also be used to send a signal to a tuning device.
15.DSP LEVEL: Use this control to adjust the level of the Digital Signal Processing applied to the signal.
16.FOOTSWITCH: Use this jack to connect the supplied single button footswitch for remote on/off control of the DSP effects.
17.DSP SELECTOR: Use this control to select the type of digital effect(s) applied to the signal. The effects are described as fol- lows:
DELAY: Slapback delay effect
ECHO: Long delay effect with regeneration
CHORUS: Moderate chorus effect
FLANGE: Light flange effect
OCTAVE: Adds a secondary signal one octave lower than the original signal
CHO/HALL: Moderate chorus effect with a large hall reverb effect
RM: Small room reverb effect
HALL: Large hall reverb effect
18.POWER: Use this switch to turn the amplifier on (top of the switch depressed) and off (bottom of the switch depressed). This switch illuminates when the amplifier is turned on.
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