dbx Pro 162SL user manual

Anticipated Compression

By feeding the program directly to the 162SL's sidechain return and sending the audio signal through a delay line before the audio input, the unit can anticipate the need for a gain change. See diagram on the following page. With some experimentation, the effect can be that of zero attack time at a given fre- quency. Additional signal delays beyond this zero time will then cause the compressor to finish reduc-

Source Device (mixer)

Audio

Outputs

DELAY

Sidechain

Send

162SL

Sidechain

Return

Audio Audio

Inputs Outputs

Common “ducking” setup: delay is inserted into audio input,

non-delayed signal fed to sidechain. Sidechain triggers compression before signal is heard.

ing the gain before the leading edge of the loud passage even enters the signal input. This will suppress the program material preceding this loud passage. The 162SL will then begin to release (recover from compression) before the loud passage has ended.

If you wish to compress a particular track of a multi-track recording or one channel of a live perfor- mance mix, the 162SL output can be directly connected to a line input jack (balanced or not), or wired to an Insert point. In the latter case, the signals could be unbalanced or balanced.

Musical Instruments (i.e., Electric Guitar, Bass, Keyboards)

The output of an electric guitar is sometimes not hot enough to drive the 162SL's input. When this is the case, you should use the PREAMP OUT of your guitar amp (if so equipped), or the output of some other device that is designed to accept low-level instrument inputs (including various stomp boxes and rack mount audio products). Such sources can be balanced or unbalanced; this is no problem for the 162SL.

Microphones and bass guitars, like guitars, typically have low-level outputs and must be pre-amplified before feeding the line level inputs of the 162SL.

Instruments like keyboards typically produce a line-level signal and can be connected directly from the instrument's output to the 162SL's input.

Sound Reinforcement

To compress a live mix or to protect loudspeakers, connect the 162SL between the source (mixing board or distribution amp) and the power amp(s). If multi-way loudspeakers with low-level electronic crossovers are used, the 162SL(s) should go after the crossover(s). For a stereo system, you can sepa- rately stereo couple the two high band crossovers, low band crossovers, etc. If limitations require that you use a single 162SL before a crossover, adding an equalizer to the sidechain may provide some addi- tional protection to your high frequency components.

The 162SL is an all-solid-state product with components chosen for high performance and excellent reli- ability. Each 162SL is tested, burned in and calibrated at the factory and should require no internal adjust- ment of any type throughout the life of the unit.

23