INPUT CHANNEL CONTROL FUNCTIONS
A | B |
C |
D E
A. EQ - Adjusts the tone / frequency boost or cut of its respective channel. When the tone control is set at the 12 o’clock (notched) position, the channel is “flat” with no frequencies cut or boosted. As the dial is rotated clockwise, the treble response increases. Likewise, as the dial is rotated counterclockwise the treble response decreases.
B. EFX - This knob controls the amount of signal its respective channel sends to the EFX output jack for external signal processing devices and to the internal reverb pan. When the knob is set at 0, no signal is sent to the EFX output jack for external signal processing or to the internal reverb pan.
C. LEVEL - Adjusts the volume of the individual channel. Rotating the knob clockwise increases the respective channel’s contribution to the “Main Out” mix. After slowly raising the MAIN volume control, slowly bring up this input level control listening for the onset of feedback or howling or until the desired level is reached. The LTB’s overall volume can be increased by rotating the MAIN control clockwise.
D. HIGH Z - Plug your high impedance microphones, keyboards, drum machines, outboard effects, etc. in here. This 1/4 inch, TS unbalanced input jack is suited for use with items having line level outputs.
E. LOW Z - Plug your microphone in here. This three pin XLR balanced female input connector is intended for input signals from low impedance microphones. Pins 2 and 3 automatically provide Phantom Power (+15V DC) for some condenser style microphones.
4
