6 S t a g e ™ 1 0 0 0 / 1 6 0 0

Your new Stage™ 1000 / 1600 amplifier delivers world–class Fender® tone and world–standard Fender® DSP technology:

•160W output power @ 4 ohms (100W @ 8 ohms)å

•Seven Timbre filters for total tone control

•Digital Signal Processing

•Simultaneous use of Reverb and effects tone tools - 16 REVERB TYPES and 16 FX SELECTIONS

•Separate LEVEL and FX TIME/RATE controls

•Selectable Normal and Drive channels with independent volume and tone controls

•Selectable Drive 1 and Drive 2 channels for two independently adjustable distortion channels.

•Impedance balanced XLR LINE OUT jack

•PRE AMP OUT and POWER AMP IN jacks

•4-button FOOTSWITCH (included) enables remote activation of: (1) Channel Select, (2) Drive Select, (3) Effects, (4) Reverb

•Built in Tuner

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The World’s most popular instrument amplifiers—since 1946

P a n e l F u n c t i o n s

A.INPUT - Plug-in connection for your guitar.

B.VOLUME - Adjusts the loudness of the Normal channel.

C.TREBLE / MIDDLE / BASS - Adjusts the high–, middle– and low–frequency tone of the Normal channel.

D.CHANNEL SELECT -

 

OUT

 

 

 

Normal channel {B–C}

 

 

 

 

 

IN

 

 

Drive channels {E–J}

 

 

 

E.

DRIVE 1 - Adjusts the distortion level of the Drive 1 channel.

F.

VOLUME 1 - Adjusts the overall loudness of the Drive 1 channel.

G.

DRIVE SELECT - Press

 

CHANNEL SELECT {D} in to activate

 

 

 

 

DRIVE SELECT.

 

 

 

 

OUT

 

 

 

Drive 1 channel {E–F, J}

 

 

 

 

 

 

IN

 

 

Drive 2 channel {H–I, J}

 

 

 

 

 

 

 

 

 

 

 

 

H.DRIVE 2 - Adjusts the distortion level of the Drive 2 channel.

I.VOLUME 2 - Adjusts the overall loudness of the Drive 2 channel.

J.TREBLE / MID / BASS - Adjusts the high–, middle– and low–frequency tone of the Drive channels.

K.TIMBRE - Press repeatedly to select an amp character as indicated by the LEDs. Your selection is stored and automatically activated for each channel (Normal, Drive 1, Drive 2).

TIMBRE FILTERS: These pre-set Equalizer curves allow the Dyna–Touch amps to create seven very different voices on each channel. FLAT—Preamp and Power Amp signal without further equalization. BRIGHT—Treble boost, especially effective for brightening the tone of double–coil pickups. DARK—Treble cut, especially effective for traditional Jazz tones with the Normal channel. DEEP—Bass boost, especially effective for beefing up the tone of single–coil pickups. SCOOP—A severe low–mid scoop with bass boost designed for modern distortion tones. SQUAWK—A strong mid peak reminiscent of a partially depressed Wah–Wah pedal; great for distorted solos that need to cut through the mix. ACOUSTIC—Simulates the sound of an acoustic–electric guitar with extreme high treble boost and bass boost; best with the Normal channel. Note: This much Timbre flexibility requires that you use a little common sense! It is possible to get “too much of a good thing,” such as undesirable treble harshness or bass boominess depending on your particular guitar, playing style and knob settings.

L.TUNER - Activates the tuner and mutes audio output. Strike a string and the top row of LEDs indicate the nearest note. Sharp/flat notes are indicated by two LEDs; for example, A and

B light up to indicate A sharp (B flat). The bottom row of LEDs indicate fine tuning.

M.REVERB LEVEL - Adjusts the level of the active Reverb.

N.REVERB TYPE - Selects the active Reverb (see next page).

O.EFFECTS LEVEL - Adjusts the level of the active effect.

P.EFFECTS SELECT - Selects the active effect (see next page).

Q.TIME/RATE - Adjusts the interval length / modulation speed of the active effect (see next page).

Rear Panel

R. POWER SWITCH - Switches the amplifier on / off.

S. POWER CORD SOCKET - Connect the included power cord in accordance with the voltage and frequency ratings listed on the rear panel of your amplifier.

T.PARALLEL SPEAKER OUTPUTS - Connect a single 8Ω

speaker (internal or external) to the MAIN SPKR jack. Connect an additional 8Ω speaker (internal or external) to the EXT. SPKR jack. 4Ω minimum total.

Speaker(s)

Use

Load / Output

One 8Ω speaker

MAIN jack

8Ω / 100W

Two 8Ω speakers

both jacks

4Ω / 160W

U.LINE OUT - Connect this XLR output jack to the input of sound reinforcement

or recording equipment.

V.PRE AMP OUT / POWER AMP IN -

Effects Loop - Connect PRE AMP OUT to an effects device input, then connect the effects device output to PWR AMP IN. Multiple Amps - Connect the primary unit’s PRE AMP OUT to the auxiliary unit’s PWR AMP IN. The primary unit is used to control all auxiliary units.

Recording or Reinforcement - Connect PRE AMP OUT to the input jack of sound equipment.

Use TS (Tip-Sleeve) standard type plugs with these jacks. The PRE AMP OUT signal includes onboard tone shaping and DSP effects processing.

W.FOOTSWITCH - Connect the 4-button Fender footswitch (included) at this jack to enable remote switching of CHANNEL SELECT, DRIVE SELECT, EFFECTS and REVERB. When plugged in, the footswitch buttons override the corresponding front panel controls.

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Fender Stage 1000, Stage 1600 manual T a g e 1 0 0 0 / 1 6 0, N e l F u n c t i o n s
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Stage 1600, Stage 1000 specifications

The Fender Stage 1000 and Stage 1600 are impressive amplifiers known for their versatility and robust sound quality, catering to guitarists of all levels. These amps are part of Fender’s commitment to innovation, combining essential features with advanced technology to deliver outstanding performance.

The Fender Stage 1000 offers 100 watts of power, making it suitable for both practice sessions and live performances. One of its key features is the two-channel design, allowing players to switch between clean and overdriven tones effortlessly. The built-in digital effects, including reverb, delay, and chorus, provide ample options for sound sculpting, while the intuitive control layout ensures ease of use, even for those new to amplification.

The structure of the Stage 1000 is designed for durability and portability. It features a rugged cabinet that can withstand the rigors of touring, along with a lightweight design that makes it easy to transport. The amp is equipped with a 12-inch speaker, delivering a rich and full-bodied sound that enhances the tonal characteristics of different guitars.

On the other hand, the Fender Stage 1600 pushes the envelope further, offering a powerful 160 watts of amplification. This amp is designed for guitarists seeking greater volume and tonal richness. Like the Stage 1000, it boasts a dual-channel design, but it also incorporates more advanced DSP effects, allowing for more detailed modulation options and enhanced tonal versatility.

A standout characteristic of the Stage 1600 is its built-in Bluetooth connectivity, enabling musicians to stream music directly to the amp for practice or backing tracks. This feature is particularly appealing for modern guitarists who value convenience and technology in their playing experience. Additionally, the 12-inch speaker is complemented by a larger cabinet, facilitating a more dynamic sonic presence.

Both amplifiers share a common legacy of high-quality craftsmanship that Fender is renowned for. They are equipped with a responsive EQ section, allowing players to shape their sound precisely to their liking. The Fender Stage 1000 and Stage 1600 are designed not only for performance but also for practice, making them ideal for rehearsals, studios, and gigs alike.

In summary, the Fender Stage 1000 and Stage 1600 are compelling options for guitarists seeking reliable and versatile amplifiers. With their powerful outputs, advanced features, and durable designs, these amps cater to a wide range of playing styles and environments, affirming Fender's reputation as a leader in amplification technology. Whether for performing on stage or practicing at home, these models are sure to meet the needs of today's musicians.
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