Focus Lock
Autofocus
Although the camera boasts a
• Very shiny subjects such as | • Subjects positioned in front of or behind a high- | |
mirrors or car bodies. | contrast object that is also in the focus frame (for ex- | |
| ample, a subject photographed against a backdrop | |
| of highly contrasting elements). | |
• | • Subjects positioned at some distance in front of or | |
| behind an object that is also in the focus frame (for | |
| example, a subject in a cage, where the both the | |
| subject and the bars of the cage are in the focus | |
• Subjects photographed through a window or other | frame). | |
• Subjects dominated by regular geometric patterns, | ||
refl ective object. | ||
such as the windows in an office building. | ||
• Dark subjects and subjects that absorb rather than | ||
• Subjects that contain many f ine details, such as a | ||
refl ect light, such as hair or fur. | ||
fi eld of fl owers or other subjects that are small or lack | ||
• Insubstantial subjects, such as smoke or fl ame. | ||
variation in brightness. | ||
• Subjects that show little contrast with the back- | ||
| ||
ground (for example, subjects in clothing that is the |
| |
same color as the background). |
|
Hybrid Autofocus
The camera's hybrid autofocus system ensures fast focus, particularly when a bright,
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