FRONT PANEL

INPUT – The SHUTTLE®6.2 is equipped with a standard ¼” unbalanced input. The input sensitivity range is from 40 mV to 1.6 volts. The input impedance is >500K ohms. The input stage contains a precision high order active high pass filter (more effective and less intrusive than the more common 6 dB filters) and an “RFI” filter (radio frequency interference) to eliminate unwanted noise. The input gain stage consists of a feedback type variable gain circuit that provides wide range, continuously variable gain with minimal noise. The preamp contains a FET input amp circuit based on our highly regarded GBE series touring amplifiers.

INPUT SIGNAL MUTE SWITCH – With this mute switch, you can place the amplifier (and Direct Output) in standby mode between sets, without having to change any of your amp settings. This feature can also be used for silent tuning since the Tuner Out stays active when the mute is engaged. A red LED indicates when the Mute is active. This function is also foot-switchable from the optional 4 button foot switch. The switch on the amplifier’s faceplate must be in the “out” position for the foot switch to work properly.

PREAMP GAIN CONTROL – This control sets the input sensitivity gain of the 12AX7 TUBE preamp to the output of your bass. The volume of the signal is then controlled by the Tube Preamp Volume control and also the Master Volume control. Note that overdriving the input tube gain stage may be a desirable tonal characteristic of your playing style. This control, in conjunction with the Preamp and Master Volume controls, allows you to set the amount of tube overdrive or clean tone your amp produces. The Gain structure is set in such a way that using the control beyond the 3 o’clock position will provide dramatic increase in tube overdrive.

***It is generally recommended when using heavily distorted tones with a tweeter loaded cabinet, that you reduce the high frequency settings on the amp or cut the tweeter level control of your cabinet.

“O/L” LED – This “Over-load” LED senses the operating status of the preamp and EQ stages. When this LED flashes, overdriving of the input gain or EQ stage is occurring. Adjusting the Preamp Gain, Preamp Volume and EQ controls will affect the over-load condition. Again, overdriving the tube pre-amp may be a desirable tone for your playing style.

PREAMP VOLUME CONTROL – This control sets the volume of the preamp after the Input and Tube Gain stages but before the EQ, Signal Shape and Master Volume controls. Use this control in conjunction with the Gain Control.

SETTING YOUR INPUT SIGNAL – Use the following guidelines to set your amplifier input stage for the type of bass used and your personal playing style. These guidelines are just a suggested starting point.

1)Set your instruments controls (volume and tone) where you normally prefer to run them.

2)Now set all controls on the SHUTTLE® to 12 o’clock. It may be best to start with the Master Volume at 9 o’clock.

3)For a clean tone and using a Passive bass your Tube Gain and Preamp Volume settings may be set to similar positions. For a clean tone using an Active bass your Tube Gain setting should be set more towards the 9 o’clock position and the Preamp Volume at noon to 2 o’clock positions.

4)For overdriven tube tones with Active or Passive basses your Tube Gain setting will be set higher and the Preamp Volume set lower. If driving the Gain Control towards maximum then the Preamp Volume should be set below the 12 o’clock position. Set your Master Volume for your desired overall volume. We suggest experimenting with different settings for best results.

5)Now, turn your attention to the EQ section and make the adjustments for your desired tone. Because this is an active EQ network, any larger settings of cut or boost will affect the gain level of the preamp and the O/L light.

6)After setting your EQ it may be necessary to go back and adjust your input gain level down accordingly. It should be noted that the Global Signal Shape circuits will not affect the input gain BUT will affect the Master output level and PEAK indicator if used with extreme settings.

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Genz-Benz STL6-2-12T, STL6-2-210T owner manual Front Panel

STL6-2-12T, STL6-2-210T, STL6-2 specifications

The Genz-Benz STL6-2, STL6-2-210T, and STL6-2-12T represent a trio of remarkable offerings in the world of bass amplification, designed to cater to both professional musicians and avid enthusiasts alike. Known for their exceptional sound quality and innovative technologies, these models have become sought-after equipment for a variety of performance settings.

The Genz-Benz STL6-2 features a compact and rugged design, making it ideal for gigging musicians. One of its key attributes is its lightweight construction, allowing for easy transport without sacrificing sound quality. The STL6-2 boasts 600 watts of power, delivering a rich and full-bodied bass tone. The integrated digital signal processing (DSP) ensures optimal sound shaping, giving players control over their EQ settings. With its versatile connectivity options, including balanced XLR outputs and effects loops, the STL6-2 can seamlessly integrate into any musical rig.

Moving on to the STL6-2-210T, the standout feature is its dual 10-inch speaker configuration, which provides a punchy and articulate low end. This model is designed to handle larger venues with ease, making it a perfect choice for bassists who perform in diverse environments. The reinforced cabinet design not only enhances durability but also minimizes unwanted resonance, ensuring a clean and precise audio output. With a power rating of 600 watts, the STL6-2-210T delivers robust performance, complementing the playing style of any bassist.

Finally, the STL6-2-12T takes things a step further with a single 12-inch speaker, offering a unique balance between portability and sound quality. The 12-inch speaker delivers a deep and resonant low end, making it an optimal choice for bassists who want to carry a powerful sound in a compact package. With features such as a high-frequency driver for enhanced clarity and a built-in limiter to prevent signal distortion, the STL6-2-12T ensures that players can perform with confidence, no matter the volume.

In addition to their impressive power and sound capabilities, all three models feature advanced heat dissipation technology, ensuring reliable performance even during extended playing sessions. The Genz-Benz STL6 series also comes equipped with an intuitive control panel, allowing players to adjust their settings with ease.

Overall, the Genz-Benz STL6-2, STL6-2-210T, and STL6-2-12T embody a commitment to quality and versatility, making them indispensable tools for the modern bassist seeking a reliable amplifier solution.