I N F I N I T Y I N T E R L U D E I L 6 0
I N F I N I T Y I N T E R L U D E I L 6 0
stored on your favorite record-
But unlike a
sitions. Male and female voices were repro- duced (in
There’s a new JVC XRCD edition of the Takayuki Kato Trio’s Guitar Standards, a recent Three Blind Mice release
on “Estate,” accompanied by Norikatsu Koreyasu’s powerful, sometimes bowed bass and Shota Koyama’s dramatic percus- sion work. The IL60s dealt with all of this impressively, producing a credibly sized guitar image that possessed weight, tran- sient speed, and clarity. The cymbals, struck or brushed, sounded properly crisp and metallic but not hashy or edgy, and the prominent
With the EQ in, proper proportion returned, accompanied by detail and a fine sense of depth, the percussion sometimes sounding so far back it could have been in the next room.
I listen to a lot of rock, and found that the IL60 was up to that task at very high SPLs, without strain or dynamic compression. While bright, processed recordings sound- ed like just that, the speaker didn’t add its own toxic edge to the mix, and helped to keep sonic pain to a minimum.
But good as the IL60’s performance was,
ing the price, it’s almost as if the mids and highs are thrown in for free.
The midrange’s absence of
Interlude IL36c
On the other hand, if you’re musical tastes lean toward rock, this system does. Rock.
MEASUREMENTS
The IL60’s minimum impedance is 3.9Ω at |
230Hz; a fair rating for the nominal impedance |
would be 7Ω . (Because the impedance of most |
speakers varies wildly with frequency, the nomi- |
nal impedance value is always an estimate.) |
The phase of the speaker’s impedance becomes |
quite capacitive at 123Hz, which often indicates |
a difficult load for an amplifier, particularly in |
the presence of a low impedance magnitude. |
But the IL60’s impedance magnitude is a com- |
fortably high 10Ω at this frequency. This, com- |
Five connection possibilities are outlined in the instructions, depending on associat- ed equipment. For
The
room bump. Then, using the three poten- |
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REVIEW SYSTEM | ||
tiometers, I was easily able to flatten the | ||
bump. Infinity recommends that you then |
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use music to set the woofer level as you | Sources | |
please. The whole process took about 15 | Pioneer | |
minutes. Though the IL60 is a large speaker, | Camelot Technologies Round Table | |
I ran my pair as Small, sending everything | DVD player | |
below 80Hz to the powered sub section | RCA | |
through my receiver’s Subwoofer Out jack. | Display | |
| Philips 55PP9701 55" | |
Listening | A/V Receiver | |
Listeners accustomed to the peaky outputs | B&K AVR307 | |
of lesser speakers might at first confuse the | Cables | |
IL60’s smooth, relatively flat response with | TosLink: Kimber | |
a lack of transparency, air, and detail. How- | Speaker: Sumiko OCOS (L/C/R, | |
ever, the more you listen, especially to well- | surrounds) | |
recorded music, the more you’ll come to | Video: AudioQuest | |
appreciate the IL60’s subtly impressive abil- | Digital: Wireworld, Wireworld Eclipse | |
Gold, XLO Reference | ||
some room bump for the first time. While | Misc. | |
you might hear less bass than you’re used | Audio Power Industries Power Wedge | |
to, there will be better, more articulate, | 116 line conditioner | |
more tuneful bass from kick drums, and | Terk Pi indoor powered FM antenna | |
greater timbral and textural accuracy from | Terk AM Advantage | |
acoustic and electric bass. With the excep- | AM antenna | |
tion of the lowest organ pipes, the IL60’s |
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will deliver all the musical bass information |
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bined with the powered subwoofer, should | Fig.1: Infinity IL60, | |
make the speaker suitable for use with most | response at 45° (red) and 60° (blue) relative to tweeter | |
axis. | ||
competent amplifiers. The IL60’s sensitivity mea- | ||
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sured about 89dB/W/m. |
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The |
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tweeter height, averaged over a 30° forward |
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angle and combined with the nearfield |
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responses of the woofer, is shown in Fig.1 |
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(violet). This is one of the flattest speaker |
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response curves we have ever measured. The |
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another sign of a |
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While the vertical response curves in Fig.2 |
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show a good response at or slightly above the |
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tweeter axis, below the tweeter (an unlikely lis- | Fig.2: Infinity IL60, | |
tening location for serious listening) a suckout | ||
(red) and | ||
centered at 4kHz begins to appear. The effec- | ||
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tive bass response | at tweeter height, averaged over a 30° for- | |
30Hz. | ||
ward angle and combined with the nearfield | ||
The IL36 | ||
response of the woofers, is shown in Fig.3 | ||
ance of 3.3Ω falls at 320Hz, and its sealed | ||
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cabinet is tuned to 56Hz. A reasonable nomi- | (violet). While not as strikingly flat as the IL60’s | ||
curve, it is nevertheless a very competent result. | |||
nal impedance rating would be 5Ω | . The IL36 | ||
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should not be a difficult load, though the | Just as important, the | |
sign of the sort of serious response dips com- | ||
amplifier should be comfortable driving 4Ω . | ||
mon in horizontal | ||
The IL36’s sensitivity measured about | ||
thanks to the | ||
88dB/W/m. | ||
configured midrange and tweeter. The vertical | ||
The | ||
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Fig.3: Infinity IL36c,
Fig.4: Infinity IL36c,
All figures: Violet:
response curves in Fig.4 also show a solid result, despite a small dip that develops below the tweeter axis and suggests that the IL36c should be tilted down when mounted atop a
88 Stereophile Guide to Home Theater • January 2002 | Stereophile Guide to Home Theater • January 2002 89 |