If using Playback Special Effects, press EFFECT ( pg. 42).

Programme

 

 

 

 

 

I N

OUT MODE

Random Assemble

 

1

 

– – – – : – – ~

Editing Menu

 

2

 

~

3~

4~

5~

6~

7~

8~

T I ME CODE – – : – –

TOTAL 0 0 : 0 0

Remote sensor

EN45

SELECT SCENES

4 Point the remote control at the camcorder’s remote sensor. Press PLAY (4) and then press R.A.EDIT ON/ OFF on the remote control.

The Random Assemble Editing Menu appears.

5 If using a Fade/Wipe at the beginning of the scene, press FADE/WIPE on the remote control.

•Cycle through the effects by pressing repeatedly, and stop when the one you want is displayed.

•You cannot use a Picture Wipe/Dissolve at the beginning of Programme 1.

6 At the beginning of the scene, press EDIT IN/OUT on the remote control. The Edit-In position appears in the Random Assemble Editing Menu.

7 At the end of the scene, press EDIT IN/OUT. The Edit-Out position appears in the Random Assemble Editing Menu.

8 If using a Fade/Wipe at the end of the scene, press FADE/WIPE.

•Cycle through the effects by pressing repeatedly, and stop when the one you want is displayed.

•If you select a Fade/Wipe effect for an Edit-Out point, the effect is automatically applied to the following Edit-In point.

•You cannot use a Picture Wipe/Dissolve at the end of the last scene.

•When you use Fade/Wipe effects, that time is included in the total time (this does not apply to Picture Wipe/Dissolve).

FADE/WIPE

PLAY

9

EFFECT

EDIT IN/OUT R.A.EDIT ON/OFF

CANCEL

10 Repeat steps 6 through 9 to register additional scenes.

•To change previously registered points, press CANCEL on the remote control. The registered points disappear, one at a time, from the most recently registered point.

•If you are not using Fade/Wipe or Programme AE with special effects, repeat steps 6 and 7 only.

NOTES:

●When choosing a scene, set Edit-In and Edit-Out points so that there is a relatively large difference between them.

●If the search time for an in-point exceeds 5 minutes, the recording deck’s Record-Standby mode will be cancelled and editing will not take place.

●If there are blank portions before or after the Edit-In and Edit-Out points, a blue screen may be included in the edited version.

●Since time codes register time only as accurately as seconds, the time code total time may not match the total programme time exactly.

●Turning off the camcorder’s power erases all registered Edit-In and Edit-Out points.

●If you select Sepia or Monotone mode from Programme AE with special effects, you cannot use the Dissolve or Black & White Fader. In this case the Dissolve or Black & White indicator begins blinking. Once the next Edit-In point is registered, the effect is turned off. To combine these effects, use Sepia or Monotone during recording, then use the Dissolve or Black & White Fader during Random Assemble Editing.

●It is not possible to use Fade/Wipe effects and Programme AE with special effects during Random Assemble Editing using a DV cable.

CONTINUED ON NEXT PAGE

Page 44 Page 46
Page 45
Image 45
JVC GR-DVL300, GR-DVL100 specifications EN45, Select Scenes
Page 44 Page 46

GR-DVL100, GR-DVL300 specifications

The JVC GR-DVL300 and GR-DVL100 are part of JVC's line of compact and versatile MiniDV camcorders that gained popularity in the early 2000s. Both models are designed to cater to the needs of amateur videographers and provide high-quality video recording in a user-friendly format.

The JVC GR-DVL300 stands out with its progressive scan technology, which enhances video clarity and reduces motion blur. This feature is particularly beneficial when shooting fast-moving subjects, making it a great choice for capturing sports events or action-packed scenes. The GR-DVL300 also boasts a 20x optical zoom lens, which allows users to get closer to their subjects without sacrificing image quality, while a digital zoom feature extends this capability even further.

In contrast, the GR-DVL100 is equipped with a 16x optical zoom and offers slightly fewer advanced features compared to its sibling. However, it remains a robust option for those who prioritize simplicity and ease of use. Both camcorders incorporate JVC’s advanced Image Stabilization technology, reducing camera shake and ensuring smooth footage, even during handheld use.

A key characteristic of both models is their ability to record in both LP (long play) and SP (standard play) modes, providing flexibility in recording time and video quality. Users can choose the mode that best suits their needs, whether they want longer recording durations or superior video quality.

Additionally, both camcorders feature a built-in digital still camera function, allowing users to capture snapshots at 640x480 resolution. This dual functionality adds value for those who want to capture both video and still images without the need for separate devices.

The JVC GR-DVL300 and GR-DVL100 also come with an array of connectivity options, including USB ports for easy transfer of videos to computers as well as S-Video and AV outputs for playback on larger screens. Their compact design makes them portable and convenient for on-the-go shooting, catering to travelers and event documentarians alike.

With their blend of functionality, ease of use, and versatile features, the JVC GR-DVL300 and GR-DVL100 remain noteworthy options for casual filmmakers who want reliable performance and impressive video quality in a compact camcorder package.
Top Page Image Contents