Menu Screen Explanations

EN21

 

 

 

 

 

 

 

 

 

 

 

FADER/WIPE

Refer to “Fade/Wipe Effects” ( pg. 24, 25).

 

 

 

 

 

 

 

 

 

 

 

 

P.AE/EFFECT

Refer to “Programme AE With Special Effects” ( pg. 26).

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

EXPOSURE

Refer to “Exposure Control” and “Iris Lock” ( pg. 27).

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

W.BALANCE

Refer to “White Balance Adjustment” and “Manual White Balance Operation”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

( pg. 28).

 

 

 

 

 

 

 

 

 

 

 

REC MODE

Allows you to set the recording mode (SP or LP) depending on your prefer-

 

 

 

 

 

 

ence ( pg. 11).

 

 

 

 

 

SOUND

12 BIT

Enables recording of stereo sound on four separate channels, and is recom-

 

 

 

 

MODE

 

mended for use when performing audio dubbing ( pg. 49). (Equivalent to

 

 

 

 

 

the 32 kHz mode of previous models)

 

 

 

 

16 BIT

Enables recording of stereo sound on two separate channels. (Equivalent to

 

 

 

 

 

 

the 48 kHz mode of previous models)

 

 

 

 

 

 

 

 

 

ZOOM

10X

When set to “10X” while using digital zoom, the zoom magnification will

 

 

 

 

 

 

reset to 10X since digital zoom will be disengaged.

 

 

 

 

 

 

 

MENU

 

40X

Allows you to use the Digital Zoom. By digitally processing and magnifying

 

 

 

 

images, zooming is possible from 10X (the optical zoom limit), to a maximum

 

 

 

 

 

 

 

 

 

 

 

of 40X digital magnification.

 

 

 

CAMERA

 

450X

Allows you to use the Digital Zoom. By digitally processing and magnifying

 

 

 

 

images, zooming is possible from 10X (the optical zoom limit), to a maximum

 

 

 

 

 

 

 

 

 

 

 

of 450X digital magnification.

 

 

 

 

 

 

 

 

 

 

 

GAIN UP

OFF

Allows you to shoot dark scenes with no picture brightness adjustment.

 

 

 

 

 

 

 

 

 

 

 

AGC

The overall appearance may be grainy, but the image is bright.

 

 

 

 

 

AUTO

The shutter speed is automatically adjusted (1/25 — 1/200 sec.). Shooting a

 

 

 

 

 

 

subject in low or poor lighting at 1/25 sec. shutter speed provides a brighter

 

 

 

 

 

image than in the AGC mode, but the subject’s movements are not smooth or

 

 

 

 

 

natural. The overall appearance may be grainy. When the shutter speed is

 

 

 

 

 

automatically adjusted, “

” is displayed.

 

 

 

 

 

 

 

 

 

TALLY

ON

The tally lamp comes on to signal the start of recording.

 

 

 

 

 

OFF

The tally lamp remains off at all times.

 

 

 

 

 

 

 

 

 

 

ID

This number is necessary when connecting the camcorder to a device such as a computer

 

 

 

 

NUMBER

using the J terminal (JLIP). The numbers range from 01 to 99. Factory setting is 06.

 

 

 

 

 

 

 

 

 

: Factory-preset

NOTES:

The “ CAMERA MENU” settings are effective when the Power Switch is set to both “” and “ ”.

“REC MODE” can be set when the Power Switch is set to “ ” or “ ” ( pg. 11, 30).

CONTINUED ON NEXT PAGE

Page 21
Image 21
JVC GR-DVL300, GR-DVL100 specifications Menu Screen Explanations EN21

GR-DVL100, GR-DVL300 specifications

The JVC GR-DVL300 and GR-DVL100 are part of JVC's line of compact and versatile MiniDV camcorders that gained popularity in the early 2000s. Both models are designed to cater to the needs of amateur videographers and provide high-quality video recording in a user-friendly format.

The JVC GR-DVL300 stands out with its progressive scan technology, which enhances video clarity and reduces motion blur. This feature is particularly beneficial when shooting fast-moving subjects, making it a great choice for capturing sports events or action-packed scenes. The GR-DVL300 also boasts a 20x optical zoom lens, which allows users to get closer to their subjects without sacrificing image quality, while a digital zoom feature extends this capability even further.

In contrast, the GR-DVL100 is equipped with a 16x optical zoom and offers slightly fewer advanced features compared to its sibling. However, it remains a robust option for those who prioritize simplicity and ease of use. Both camcorders incorporate JVC’s advanced Image Stabilization technology, reducing camera shake and ensuring smooth footage, even during handheld use.

A key characteristic of both models is their ability to record in both LP (long play) and SP (standard play) modes, providing flexibility in recording time and video quality. Users can choose the mode that best suits their needs, whether they want longer recording durations or superior video quality.

Additionally, both camcorders feature a built-in digital still camera function, allowing users to capture snapshots at 640x480 resolution. This dual functionality adds value for those who want to capture both video and still images without the need for separate devices.

The JVC GR-DVL300 and GR-DVL100 also come with an array of connectivity options, including USB ports for easy transfer of videos to computers as well as S-Video and AV outputs for playback on larger screens. Their compact design makes them portable and convenient for on-the-go shooting, catering to travelers and event documentarians alike.

With their blend of functionality, ease of use, and versatile features, the JVC GR-DVL300 and GR-DVL100 remain noteworthy options for casual filmmakers who want reliable performance and impressive video quality in a compact camcorder package.