Smooth Integration into Existing

Facility's System and Devices

ProHD memory card camcorders are designed to integrate seamlessly into the majority of existing post-production

infrastructure, and into existing workflows based on the file systems and codecs in common use in today’s broadcasting industry. Migrating to ProHD requires little additional infrastructure investment or restructuring.

Native MOV/MP4 File Recording

Native support for QuickTimeMOV and MP4 file formats mean full compatibility with not only production workflows based on Apple’s Final Cut Probut also workflows based on other popular NLE systems, including Avid Media Composer, Adobe Premiere and Canopus Edius. Together these systems account for around 95% of the installed base of professional NLE systems, making these native file based ProHD camcorders a natural choice for almost any production facility.

File system

MOV

Apple Final Cut Pro

Avid Media Composer

MP4Adobe Premiere

Canopus Edius

Compatible NLE systems

 

Apple Final Cut Pro 6.0.4 or later

Avid Media Composer 3.5 or later

Adobe Premiere Pro CS4 4.0.1 or

Avid News Cutter 3.5 or later

later

Canopus Edius Pro 5.0 or later

95%

Compatible with 95% of professional NLE systems

Broadcast-Standard 35/25/19 Mbps Encoding

ProHD uses the industry-standard MPEG-2 Long GOP (Group of Pictures) codec to compress and encode video recordings. The three standard encoding bit-rates in use today are supported: 35 Mbps (XDCAM EX™ workflow), 25 Mbps (HDV1080i workflow), and 19 Mbps (HDV720p workflow). This ensures compatibility with around 90% of the industry, making ProHD a highly flexible recording solution.

 

Codec

 

 

 

 

MPEG-2 35 Mbps

XDCAM EX

90%

 

 

MPEG-2 25 Mbps

HDV1080i

 

 

 

Compatible

MPEG-2 19 Mbps

HDV720p

 

 

with 90%* of

 

 

HD workflows

*Share of the sub-$10,000 camcorder market that is compatible with ProHD (HDV720p), HDV1080i and/or XDCAM EX™ codec.

Saving Facility Costs

ProHD’s support for “Super-Encoded” HD format gives you full HDV720p capability with a real-time data stream of just 19 Mbps (2.4MB/s). A one-

ProHD requires only one-sixth capacity for storing clips

minute news clip therefore requires only 150MB of storage per minute of video, compared with up to 900MB for competing professional systems. This economical bandwidth requirement translates into substantial cost savings for broadcasters that consume large amounts of media by reducing the need for expansion of file server capacity and network bandwidth.

JVC ProHD

High-end, twice the cost +900MB format

No need for frequentexpansion

Credits for photos* on the top of this page (from left side): Photo courtesy of WXYZ-TV(ABC, Detroit) / DirtyPoliticsTheMovie.com / DirtyPoliticsTheMovie.com / Waterman Broadcasting Corp. *Do not include the photo of the building.

Page 5
Image 5
JVC GY-HM100, Gy-hm700 Native MOV/MP4 File Recording, Broadcast-Standard 35/25/19 Mbps Encoding, Saving Facility Costs

GY-HM100, Gy-hm700 specifications

The JVC GY-HM700 and GY-HM100 are two prominent models from JVC's line of professional camcorders, designed to cater to the needs of videographers and filmmakers who seek high-quality video production. Both models stand out for their advanced features, robust build, and excellent performance, facilitating a wide range of shooting scenarios, from journalism to documentary filmmaking.

The JVC GY-HM700 is known for its 1/3-inch CMOS sensor that captures stunning high-definition images with rich detail. It supports various recording formats, including the industry-standard MXF and the popular QuickTime format, enabling seamless workflow integration with non-linear editing systems. The GY-HM700 offers 25 Mbps broadcast-quality recording in full HD and features dual SDHC card slots for extended recording capabilities and backup.

One of the standout features of the GY-HM700 is its ergonomic design, which ensures that it is user-friendly for extended shooting sessions. The camcorder comes equipped with a 23x zoom lens that provides extensive flexibility in framing shots, allowing users to capture distant subjects without sacrificing detail. It also boasts a user-friendly interface, with customizable controls and a large LCD screen for easy monitoring.

On the other hand, the JVC GY-HM100 is a compact and lightweight camcorder that is perfect for those who prioritize portability without compromising on quality. Like the GY-HM700, it features a 1/3-inch CMOS sensor, providing excellent low-light performance and depth of field control. The GY-HM100 is particularly known for its versatility in various shooting conditions and is equipped with built-in dual recording formats: AVCHD and MPEG-2, making it a good choice for both web-based and broadcast applications.

Another notable characteristic of the GY-HM100 is its built-in 10x zoom lens, accompanied by a wide range of manual controls that give users creative freedom in their shots. This camcorder is designed for on-the-go shooting, with a durable build that withstands professional use in different environments.

Both models feature JVC's advanced "Dynamic Range" technology, which enhances image quality by preserving highlights and shadow details, thereby delivering an impressive visual output. Users of both camcorders will appreciate the range of connectivity options, including HDMI and composite outputs, making them compatible with various external monitors and equipment.

In summary, the JVC GY-HM700 and GY-HM100 offer a blend of professional features, portability, and advanced technologies, making them ideal choices for videographers looking to achieve high-quality results in a variety of settings. Whether you require a robust, full-featured camcorder or a compact and portable option, JVC's offerings deliver exceptional performance tailored to meet the demands of contemporary video production.