6.Adjust the exposure for the new filter pack. An exposure time that produced a print of satisfactory density may not produce an acceptable density when you change the filter pack. The following table gives filter factors for calculating exposure adjustments when you use KODAK CP or CC Filters.

Filter Factors for CP Filters

Filter

Factor

 

Filter

Factor

 

 

 

 

 

05Y

1.1

 

05R

1.2

10Y

1.1

 

10R

1.3

20Y

1.1

 

20R

1.5

30Y

1.1

 

30R

1.7

40Y

1.1

 

40R

1.9

50Y

1.1

 

50R

2.2

 

 

 

 

 

05M

1.2

 

05G

1.1

10M

1.3

 

10G

1.2

20M

1.5

 

20G

1.3

30M

1.7

 

30G

1.4

40M

1.9

 

40G

1.5

50M

2.1

 

50G

1.7

 

 

 

 

 

05C

1.1

 

05B

1.1

10C

1.2

 

10B

1.3

20C

1.3

 

20B

1.6

30C

1.4

 

30B

2.0

40C

1.5

 

40B

2.4

50C

1.6

 

50B

2.9

 

 

 

 

 

To use the factors, divide the old exposure time by the factor for any filter you remove. If you add a filter, multiply the time by the factor. If you add or remove two or more filters, multiply the individual factors and use the result as your factor. You may need to modify these factors for your equipment.

Note: The filter factors listed in the table take into account the effects of filter surfaces.

When you adjust the filtration in equipment that has built-in dichroic filters, any noticeable differences in density are due to differences in the color density of the print. Suppose you have a print with acceptable density, but a magenta balance. When you add magenta filtration to correct the color balance, the print will become too light, so you must use a longer exposure time.

A rule of thumb for magenta dichroic filtration is to change the exposure time by one percent for every unit of change in filtration. For example, if you increase the magenta filtration by 20M, increase the exposure time by 20 percent. Changes in yellow dichroic filtration do not usually affect the apparent print density. If you use cyan dichroic filtration, use the filter factors in the table above as starting points for adjusting exposure.

Tricolor Exposure Method

Use KODAK WRATTEN Gelatin Filters No. 25 (red), No. 99 (green), and No. 47B (blue) to give the paper three separate exposures. Do not move the paper or the enlarger until you have made all three exposures. Typical exposure times for making an enlargement from a normally exposed negative are given in the table below.

 

Times for an Aperture Setting of f/8*

Filter

for PROFESSIONAL ULTRA III Paper

(6X Enlargement of a KODAK VERICOLOR III

 

 

Professional Film Negative)

 

 

Red

3 seconds

 

 

Green

21.8 seconds

 

 

Blue

17.5 seconds

 

 

*For an enlarger equipped with a Photo Enlarger Lamp No. 212 or No. 302; the setting may vary with other types of lamps.

Evaluate the test print under light of the same color and brightness that you will use to display the final print. (See “Viewing”.)

Judge the print density first. If necessary, make another print by adjusting the exposure as recommended in the table below.

If your print is

Do this

OR

Do this

 

 

 

 

 

 

Open the lens

 

 

Increase all

TOO LIGHT

aperture to

 

 

 

 

exposure times

increase the light

 

 

 

 

 

proportionately

 

level

 

 

 

 

 

 

 

 

 

 

 

 

Close the lens

 

 

Decrease all

TOO DARK

aperture to

 

 

 

 

exposure times

decrease the

 

 

 

 

 

proportionately

 

light level

 

 

 

 

 

 

 

 

 

 

 

Then judge color balance.

 

Subtract time

 

Add time to the

If your

from the

 

 

exposure

exposure

OR

print is

through

through

 

 

 

these filters

 

these filters

 

 

 

 

 

 

 

 

CYAN

Red

 

Blue + Green

 

 

 

 

MAGENTA

Green

 

Red + Blue

 

 

 

 

YELLOW

Blue

 

Red + Green

 

 

 

 

RED

Blue + Green

 

Red

 

 

 

 

GREEN

Red + Blue

 

Green

 

 

 

 

BLUE

Red + Green

 

Blue

 

 

 

 

 

KODAK PROFESSIONAL ULTRA III Paper E-142

3

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Kodak E-142 manual Tricolor Exposure Method