JO September 2006

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Pentax *ist

DS

 

6

858

 

 

AF 140 C

14

515

100 mm

551

1324

 

 

 

 

 

 

 

 

 

 

 

SRF - 11

 

 

ED 50 mm

 

 

 

 

 

 

Olympus

E300

 

8

919

 

 

11

662

453

1688

 

 

 

 

 

Olympus E1

 

5

1226

 

 

SRF - 11

11

662

ED 50 mm

453

1768

 

 

 

 

 

 

 

 

 

 

 

 

 

 

60 mm Nikkor

 

 

 

 

 

 

 

Nikon D50

 

6

746

 

 

SB 29S

11

466

539

1605

 

 

Rev 7.51n/W (Jan 20 2003)

 

 

Nikon D70s

 

6

858

 

 

SB 29S

11

466

60 mm Nikkor

539

1660

 

 

 

 

 

 

19:17:05

 

 

Nikon D100

 

6

1348

 

SB 29S

11

466

60 mm Nikkor

539

1765

 

Journal of Orthodontics JOR3338.3d 11/7/06

The Charlesworth Group, Wakefield +44(0)1924 369598 -

 

Konica -

Minolta 7D

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Meagpixels (rounded figure) 8 8 126

Body (UK list price without 770 1243 2206 1409

VAT in Euro)

 

FlashMR-14 EX MR-14 EX SB 29S R 1200

Guide number14 14 1112

Macro Speed-light (UK list price 490 490 466490

without VAT in Euro) Macro - Lens100 mm 100 mm 60 mm Nikkor 100 mm

Macro - Lens (UK list price 588 588 539919

without VAT in Euro) Unit - Weight (in grams inclusive 1612 1874 1891 2329 batteries)

 

 

 

Fujifilm S3Pro

 

 

 

Canon EOS

20D

 

 

Table 1 Cameras tested and specifications

Canon EOS

350D

 

 

 

 

 

Body

 

 

Features Section

Comparison of digital SLR cameras 3

Pentax only produced the 100 mm macro-lens at the time of testing,); Olympus only produces a 50 mm macro-lens, which takes magnification differences between analogue and digital formats into account. The lenses chosen for this study were kept as close as possible to a 100 mm equivalent (for 36 mm analogue film). Nikon and Fujifilm use a small sensor, which does not fill the 36 mm film-area. A magnification factor of approximately 1.5 applies. This magnification factor was adjusted by choosing a 60 mm macro-lens for those cameras.

Methods

Ease of use

All cameras were initially set on automatic mode (factory preset); with the flash turned on. The intra-oral exposures were taken at approximately 1:2 magnifica- tion. The aperture selected by the camera was recorded and checked for suitability, particularly depth of field. Homogeneity of illumination was checked for suitability by assessing shadows on the image. There is a reverse relationship between the f-setting and the aperture: the larger the number of the f-setting the smaller the aperture and the larger the depth of field. These settings were found to be too small for all cameras (the aperture was too large, giving poor depth of field) and were therefore changed to aperture priority mode; the aperture was closed to at least f522, which gives good depth of field (Figure 2). The camera was then used for extra-oral photography and the settings changed again until appropriate, in this case an aperture of at least f58. The number of changes necessary between the settings was recorded. The camera was only considered metering ‘through the lens’ (TTL) if the flash settings did not need to be changed.

Quality of the photographs: Color-fidelity

For consistency, intra-oral photographs (front, right and left lateral views) were simulated by taking pictures of a demonstration-model (Ormco), against a green background (Figure 3). A non-clinical method was preferred to taking images of a patient: the 10 cameras were not all available at the same time and changes in oral hygiene may have influenced color consistency over time. Even if all cameras had been tested on one patient on one occasion the discomfort would have been considerable. The white balance selection was auto for all cameras. The images were subsequently downloaded on a ‘SONY VAIO’ (Sony Corporation, Japan) computer. The computer screen was adjusted to project

Page 3
Image 3
Konica Minolta SLR manual Methods, Ease of use, Quality of the photographs Color-fidelity