TOURING THE OLD/NEW SHOW
“L |
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o o k at t he beaut if u l | by Albert Simon |
| more than once during the next days, | ||
tubes,”said |
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| with different visitors, and their | |
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a visitor as |
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| reaction was always the same: | |
he walked |
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| they remained speechless. That | |
into the room, calling his |
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| such quality (and quantity!) | |
friend over to a table display, |
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| could issue from such diminutive | |
completely oblivious to the |
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| speakers was amazing. | |
music being played. There |
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| We were no less impressed | |
it is. I think I’ve cracked the |
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| by the Simaudio room, where | |
mystery of why there are |
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| we listened to an excerpt from | |
so few female audiophiles. |
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| Holst’s The Planets, played on | |
While men and women may |
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| the Andromeda CD player and | |
equally love listening to |
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| power supply, the | |
music, men have that unique |
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| and preamplifier, the | |
tendency to also want to |
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| amplifier and the large Dynaudio | |
read about, to talk about and |
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| Confidence | |
to argue about…the gear. |
| leaving the large room, Michael and Jimmy wanted to have | |||
This article is about them and the gear, and most impor- | their picture taken in front of the huge Simaudio monobloc | ||||
tantly about the sound and the music they listened to and | power amp on display. | ||||
their reactions to it. Warning: you will read about personal | (Can you ever, ever imagine a female audiophile asking for | ||||
opinions. If you don’t like personal opinions and prefer a | a souvenir shot such as this?) | ||||
detailed account of what was played and displayed, you might | In the small Fidelio room, everything was quiet and refined. | ||||
consider putting this magazine down and delving into the | The first track of Nemesis, their latest album of percussion, was | ||||
complete list of exhibitors and components available in the | playing on an Esoteric deck through a Nagra | ||||
official brochure. |
| a pair of | |||
You may find praise in the next paragraphs, and occasion- | Audio’s shiny black Parsifal speak- | ||||
ally harsh comments. However, this is not a listening test, by | ers. “I feel good,” said Michael, as | ||||
any means, and we won’t blame anything unless we mean it | we were going out into the hallway | ||||
specifically for the purpose of improvement. |
| “Just a few minutes in that room | |||
“You must listen to these speakers,” said Michael and | and I feel so relaxed.” | ||||
Jimmy, as soon as we met in the lobby. “They’re shaped like | Soon after, Jimmy really wanted | ||||
huge horns, and the sound is so natural and smooth,” they | us to listen to the Revelation speak- | ||||
added, pointing to the name of the Edgar- | ers, and as we walked in we noticed | ||||
horn Titan II speakers on the | the energetic sound of the K&D | ||||
brochure. Off we went. | Sessions handled with authority | ||||
Along the way we stopped | by the Revelation Mistral | ||||
by the Totem Acoustics home | speakers (at right), helped by a pair | ||||
theatre demonstration. Neatly | of Odyssey Stratos power amps, a | ||||
placed on the walls, front | DSC VAC Auricle preamp, and a | ||||
and back, the new, discreetly | Naim CDX player. A request to | ||||
styled, 3.5" deep Tribe 1 and | play Un Aeroplano a Vela, a song | ||||
2 speakers gave an absolutely | by Gianmaria Testa from his CD | ||||
spectacular performance of | Montgolfières, demonstrated con- | ||||
Hero, with the dramatic contri- | vincingly the imaging capabilities | ||||
bution of the Storm subwoofer. | of that system. |
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Played on the Arcam DV 78 | Just as fascinating was the sound | ||||
player with Arcam’s AVR, the | of a ClearAudio turntable, playing | ||||
sound was riveting and carried | Take Five, linked to a Korato Anni- | ||||
tons of impact | At top: Albert at work in the Blue- | versary Series | |||
while outlining | R e f e r e n c e | ||||
note room. At left: the Opera SP | |||||
the finest details. | Valve preamp, | ||||
speakers. At right: the | |||||
I did return | t wo Korato | ||||
Revelation speaker. | |||||
to that room | tube monob- | ||||
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ULTRA HIGH FIDELITY Magazine 25
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