| highlighting their tremendous imaging, |   | ultra low distortion with high power |   | we feel, are unfounded. We think the | 
| dynamics and musicality. |   |   |   |   |   |   |   | handling. |   |   |   |   |   |   |   |   |   |   |   | Energy brand and its loyal customer base | 
| Tom Norton, of Stereophile and |   |   |   | All of us here feel the new RC-70 |   | deserved better. | 
| Ultimate AV fame, had a totally different |   | surpasses the performance parameters |   |   |   |   |   |   |   |   | Scott Goodman | 
| opinion of the RC-70 than your team. |   | that were established by the original |   |   |   |   |   | Energy Speakers Brand Manager | 
| In his review Mr. Norton is quoted as |   | Reference Connoisseur. The RC-70 still |   |   |   |   |   |   |   | SCARBOROUGH, ON | 
| saying, “the RC-70 had superb overall |   | has the captivating, immersive sound of |   |   |   |   |   |   |   |   |   | 
| tonal balance” and that the “top end of |   | the original, but has improvements in |   |   | Kudos and, better, bravo for a singu- | 
| the RC-70 is as open, airy and as detailed |   | almost every area. |   |   |   |   |   |   |   |   |   | lar and superlative publication. I quite | 
| as you could wish for.” Mr. Norton’s |   |   |   | In your review you mention that the |   | eagerly digested my very first issue ever | 
| comments regarding soundstage repro- |   | frequency response curve “is amazingly |   | of UHF about a week ago. I am still in a | 
| duction and midrange accuracy are also |   | flat, one of the best we have ever mea- |   | very pleasant state of shock! | 
| different from what you found. He said, |   | sured.” Then you suggest that comes at |   |   | Having quite regularly sampled both | 
| “the RC-70’s sounded neither ‘in your |   | a cost: phase accuracy. Flat frequency |   | The Absolute Sound and Stereophile for | 
| face’ forward nor recessed, and produced |   | response of the speaker system is made |   | about four decades, my mind set was | 
| a detailed, well-focused soundstage… |   | up of both magnitude and phase rela- |   | entirely unprepared for UHF’s unique | 
| Voices were…beautifully served by |   | tionships of the individual drivers. |   | raison d’être. Your guiding ethos, ethics | 
| the RC-70, with soaring female voices |   | Since you mention the RC-70 has flat |   | and modus operandi are so simple in | 
| and male vocals that were rich and full |   | frequency response, it would suggest |   | their fundamental elegance. To allude | 
| bodied.” |   |   |   |   |   |   |   |   |   | that the phase relationship between the |   | to Carly Simon’s lyrics celebrating the | 
| We are not sure if your opinions |   | individual drivers is also correct. |   |   | now mythic procreative capacity of 007 | 
| were biased due to your experience and |   |   |   | Also, another point is the place- |   | is simply incorrect. Not only “Nobody | 
| appreciation of the old Reference Con- |   | ment of the microphone in trying to |   | Does it Better” — double negative | 
| noisseur model, or if you were looking |   | recreate the square wave that you were |   | intended — but no other publication does | 
| for something else from these speakers. |   | measuring. In a two-way speaker, the |   | it! |   |   |   |   |   | 
| Your comparison of the original Refer- |   | microphone distance can be at a shorter |   |   |   |   |   |   |   |   | Bob Reinach | 
| ence Connoisseur to today's RC-70 is |   | distance and still deliver a somewhat |   |   |   |   |   |   |   | POULSBO, WA | 
| like comparing a 20-year-old muscle car |   | meaningful measurement. With a multi- |   |   |   |   |   |   |   |   |   | 
| with today's muscle car. They are very |   | source speaker |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   | spelling | mistake on the | 
| different in every sense, |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   | . 75… “redicovery.” | 
| a direct comparison |   |   |   |   |   |   |   |   |   |   |   | FEATURES |   |   |   |   |   |   |   |   |   |   |   | subscribers are prob- | 
| apples and oranges |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   | of the |   |   |   | educated than most, | 
| be good or excellent | INTERACTIVE |   |   |   |   |   |   |   |   |   |   |   |   |   |   | . probably be getting a | 
| very differently, |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   | electronic | version |   |   |   |   | magazine | 
|   |   |   |   |   |   |   |   |   | just like the full | (paid) |   |   |   |   |   | to the |   |   | 
| into consideration |   |   |   |   |   |   |   |   |   |   |   |   | be whisked right | magazine though. | 
|   | This free issue | works |   |   |   | and you'll |   |   | 
|   |   | the table | of contents, |   | on page | 79. And if you | 
| Today’s |   |   | in |   |   |   |   |   |   | Jeff Malloch | 
|   |   | on a heading |   |   |   | of advertisers |   |   |   |   |   | find |   | 
|   | Click |   |   | with the names |   |   |   |   |   |   |   |   | 
| product had more |   |   |   | . Same thing |   |   |   | to | the Internet you’ll |   |   | ELORA, ON | 
|   |   |   |   |   |   |   |   | connected |   |   |   |   |   |   |   |   |   |   |   | 
| to meet. Twenty |   | article | itself |   | ads in this |   | issue, if you're |   |   |   |   |   |   |   |   |   |   |   |   |   | 
|   |   | on most |   |   |   | . |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   | 
|   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   | 
| about the sound. |   | click |   |   | on | the company’s | Web site |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   | thinks of running | 
|   | yourself |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   | 
| low distortion and |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   | on a cover. Too obvious, right? | 
|   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   | 
| less of a concern. |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   |   | the microphone |   |   |   |   |   |   |   |   |   | 
| used in a number of different configura- |   | is placed at greater distances from the |   |   | I read the comment about the “open | 
| tions, from state of the art two channel |   | speaker. |   |   |   |   |   |   |   |   |   |   |   | source” turntable in UHF No. 74. Your | 
| systems to high-powered multichannel |   |   |   | We are still not certain why you |   | writer said that this was not the way hi-fi | 
| systems. The Reference Connoisseur |   | were not able to get good results from |   | equipment is designed. | 
| Series must have the efficiency to be |   | the RC-70, even though the response |   |   | Yet one of the top billed turntables | 
| driven with modest-powered amplifiers, |   | curve suggests the speaker should be |   | around, the Teres , was designed just this | 
| plus must have the dynamic range and |   | excellent. Maybe the room you placed |   | way. Interested people got together on | 
| power handling to handle the demands |   | the speaker in was too small for such a |   | a newsgroup and deliberated, and this | 
| of movie soundtracks. A three-year |   | full range speaker system? We do know |   | led to a small run of parts and then a | 
| development program was necessary to |   | that the RC-70 is definitely suited to |   | commercial endeavor, and some pretty | 
| redesign every component in order to |   | larger rooms than the previous Refer- |   | over-the-top variations, not to mention | 
| meet these standards. The new tweeter, |   | ence Connoisseur model, as it has more |   | the Redpoint brand. You can check out | 
| midrange and woofers for the Reference |   | extended response and output. |   |   |   |   | the process here: http://www.teresaudio. | 
| Connoisseur Series are ground-breaking |   |   |   | As you can tell, we are very disap- |   | com/project/index.html. | 
| in their ability to perform to the high- |   | pointed by the tone of your review |   |   |   |   |   |   |   |   | Dominic | 
| est musical standards, while providing |   | and by some of the comments, which |   |   |   |   |   |   |   | MONTRÉAL, QC |