![Energy Speakers Brand Manager](/images/new-backgrounds/195056/19505615x1.webp)
FEEDBACK
highlighting their tremendous imaging, |
| ultra low distortion with high power |
| we feel, are unfounded. We think the | |||||||||||||||||||||||||||||
dynamics and musicality. |
|
|
|
|
|
|
| handling. |
|
|
|
|
|
|
|
|
|
|
| Energy brand and its loyal customer base | |||||||||||||
Tom Norton, of Stereophile and |
|
|
| All of us here feel the new |
| deserved better. | |||||||||||||||||||||||||||
Ultimate AV fame, had a totally different |
| surpasses the performance parameters |
|
|
|
|
|
|
|
| Scott Goodman | ||||||||||||||||||||||
opinion of the |
| that were established by the original |
|
|
|
|
| Energy Speakers Brand Manager | |||||||||||||||||||||||||
In his review Mr. Norton is quoted as |
| Reference Connoisseur. The |
|
|
|
|
|
|
| SCARBOROUGH, ON | |||||||||||||||||||||||
saying, “the |
| has the captivating, immersive sound of |
|
|
|
|
|
|
|
|
| ||||||||||||||||||||||
tonal balance” and that the “top end of |
| the original, but has improvements in |
|
| Kudos and, better, bravo for a singu- | ||||||||||||||||||||||||||||
the |
| almost every area. |
|
|
|
|
|
|
|
|
| lar and superlative publication. I quite | |||||||||||||||||||||
as you could wish for.” Mr. Norton’s |
|
|
| In your review you mention that the |
| eagerly digested my very first issue ever | |||||||||||||||||||||||||||
comments regarding soundstage repro- |
| frequency response curve “is amazingly |
| of UHF about a week ago. I am still in a | |||||||||||||||||||||||||||||
duction and midrange accuracy are also |
| flat, one of the best we have ever mea- |
| very pleasant state of shock! | |||||||||||||||||||||||||||||
different from what you found. He said, |
| sured.” Then you suggest that comes at |
|
| Having quite regularly sampled both | ||||||||||||||||||||||||||||
“the |
| a cost: phase accuracy. Flat frequency |
| The Absolute Sound and Stereophile for | |||||||||||||||||||||||||||||
face’ forward nor recessed, and produced |
| response of the speaker system is made |
| about four decades, my mind set was | |||||||||||||||||||||||||||||
a detailed, |
| up of both magnitude and phase rela- |
| entirely unprepared for UHF’s unique | |||||||||||||||||||||||||||||
Voices were…beautifully served by |
| tionships of the individual drivers. |
| raison d’être. Your guiding ethos, ethics | |||||||||||||||||||||||||||||
the |
| Since you mention the |
| and modus operandi are so simple in | |||||||||||||||||||||||||||||
and male vocals that were rich and full |
| frequency response, it would suggest |
| their fundamental elegance. To allude | |||||||||||||||||||||||||||||
bodied.” |
|
|
|
|
|
|
|
|
| that the phase relationship between the |
| to Carly Simon’s lyrics celebrating the | |||||||||||||||||||||
We are not sure if your opinions |
| individual drivers is also correct. |
|
| now mythic procreative capacity of 007 | ||||||||||||||||||||||||||||
were biased due to your experience and |
|
|
| Also, another point is the place- |
| is simply incorrect. Not only “Nobody | |||||||||||||||||||||||||||
appreciation of the old Reference Con- |
| ment of the microphone in trying to |
| Does it Better” — double negative | |||||||||||||||||||||||||||||
noisseur model, or if you were looking |
| recreate the square wave that you were |
| intended — but no other publication does | |||||||||||||||||||||||||||||
for something else from these speakers. |
| measuring. In a |
| it! |
|
|
|
|
| ||||||||||||||||||||||||
Your comparison of the original Refer- |
| microphone distance can be at a shorter |
|
|
|
|
|
|
|
| Bob Reinach | ||||||||||||||||||||||
ence Connoisseur to today's |
| distance and still deliver a somewhat |
|
|
|
|
|
|
| POULSBO, WA | |||||||||||||||||||||||
like comparing a |
| meaningful measurement. With a multi- |
|
|
|
|
|
|
|
|
| ||||||||||||||||||||||
with today's muscle car. They are very |
| source speaker |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| spelling | mistake on the | |||||||||||||
different in every sense, |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| . 75… “redicovery.” | |||
a direct comparison |
|
|
|
|
|
|
|
|
|
|
| FEATURES |
|
|
|
|
|
|
|
|
|
|
| subscribers are prob- | |||||||||
apples and oranges |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| of the |
|
|
| educated than most, | ||||||||||||
be good or excellent | INTERACTIVE |
|
|
|
|
|
|
|
|
|
|
|
|
|
| . probably be getting a | |||||||||||||||||
very differently, |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| electronic | version |
|
|
|
| magazine | |||||||
|
|
|
|
|
|
|
|
| just like the full | (paid) |
|
|
|
|
| to the |
|
| |||||||||||||||
into consideration |
|
|
|
|
|
|
|
|
|
|
|
| be whisked right | magazine though. | |||||||||||||||||||
| This free issue | works |
|
|
| and you'll |
|
| |||||||||||||||||||||||||
|
| the table | of contents, |
| on page | 79. And if you | |||||||||||||||||||||||||||
Today’s |
|
| in |
|
|
|
|
|
| Jeff Malloch | |||||||||||||||||||||||
|
| on a heading |
|
|
| of advertisers |
|
|
|
|
| find |
| ||||||||||||||||||||
| Click |
|
| with the names |
|
|
|
|
|
|
|
| |||||||||||||||||||||
product had more |
|
|
| . Same thing |
|
|
| to | the Internet you’ll |
|
| ELORA, ON | |||||||||||||||||||||
|
|
|
|
|
|
|
| connected |
|
|
|
|
|
|
|
|
|
|
| ||||||||||||||
to meet. Twenty |
| article | itself |
| ads in this |
| issue, if you're |
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||||||||
|
| on most |
|
|
| . |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||||
about the sound. |
| click |
|
| on | the company’s | Web site |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| thinks of running | |||||||||
| yourself |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||||||||||
low distortion and |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| on a cover. Too obvious, right? | ||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||
less of a concern. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| the microphone |
|
|
|
|
|
|
|
|
| ||||
used in a number of different configura- |
| is placed at greater distances from the |
|
| I read the comment about the “open | ||||||||||||||||||||||||||||
tions, from state of the art two channel |
| speaker. |
|
|
|
|
|
|
|
|
|
|
| source” turntable in UHF No. 74. Your | |||||||||||||||||||
systems to |
|
|
| We are still not certain why you |
| writer said that this was not the way | |||||||||||||||||||||||||||
systems. The Reference Connoisseur |
| were not able to get good results from |
| equipment is designed. | |||||||||||||||||||||||||||||
Series must have the efficiency to be |
| the |
|
| Yet one of the top billed turntables | ||||||||||||||||||||||||||||
driven with |
| curve suggests the speaker should be |
| around, the Teres , was designed just this | |||||||||||||||||||||||||||||
plus must have the dynamic range and |
| excellent. Maybe the room you placed |
| way. Interested people got together on | |||||||||||||||||||||||||||||
power handling to handle the demands |
| the speaker in was too small for such a |
| a newsgroup and deliberated, and this | |||||||||||||||||||||||||||||
of movie soundtracks. A |
| full range speaker system? We do know |
| led to a small run of parts and then a | |||||||||||||||||||||||||||||
development program was necessary to |
| that the |
| commercial endeavor, and some pretty | |||||||||||||||||||||||||||||
redesign every component in order to |
| larger rooms than the previous Refer- |
| ||||||||||||||||||||||||||||||
meet these standards. The new tweeter, |
| ence Connoisseur model, as it has more |
| the Redpoint brand. You can check out | |||||||||||||||||||||||||||||
midrange and woofers for the Reference |
| extended response and output. |
|
|
|
| the process here: http://www.teresaudio. | ||||||||||||||||||||||||||
Connoisseur Series are |
|
|
| As you can tell, we are very disap- |
| com/project/index.html. | |||||||||||||||||||||||||||
in their ability to perform to the high- |
| pointed by the tone of your review |
|
|
|
|
|
|
|
| Dominic | ||||||||||||||||||||||
est musical standards, while providing |
| and by some of the comments, which |
|
|
|
|
|
|
| MONTRÉAL, QC |
ULTRA HIGH FIDELITY Magazine