FEEDBACKCINEMA
CINEMA
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A | FUTURE | |||
| s we write this (and probably | and therefore more data density. Making | The industry got badly burned with | |
| as you read this), the format | the DVD, whose CSS encryption was | ||
| battle for the next silver audio/ | factories, but that is of course only a | supposed to make copying impossible. | |
| video disc is still on. Yes, it will | transitional drawback. | Breaking CSS turned out to be trivial, | |
affect audio as well as video. |
| and there are plenty of shareware | ||
Let’s recapitulate. |
| and even freeware programs | ||
On one side are |
| for defeating it. Hol- | ||
Toshiba, NEC, and — |
| lywood doesn’t want | ||
perhaps more impor- |
| t hat to happen | ||
tant — the DVD Forum, |
| with a much better | ||
the consortium that set |
| resolution disc. Are | ||
the standard for the existing |
| the | ||
DVD. Their project is HD |
| systems of HD DVD and | ||
DVD, the “HD” of course |
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standing for “high definition.” | As in a shooting | more robust? We believe they are not | ||
It is read with a blue laser, which | war, the two camps have scrambled | finalized, and if that is true no usable | ||
has a shorter wavelength than the red | to gather allies. Toshiba has powerful | player can truly be launched. | ||
laser used in existing DVD and CD | partners, such as Microsoft and Intel, | We might add that it seems unlikely a | ||
players. In other respects the disc itself is | and more importantly Hollywood | more robust | ||
similar to the existing DVD, and can be | studios: Warner, Universal and Disney. | reverse engineering. That’s because | ||
produced in existing plants (though pre- | The | anyone who makes a player needs to have | ||
sumably with a lower yield of | the keys. Someone is going to forget the | |||
discs). The advantages of this | well as Sony Pictures (of course), MGM | key on a store counter somewhere. Lest | ||
format are obvious. The discs will be | (which belongs to Sony) and 20th Cen- | we forget, that was how CSS first got | ||
cheaper to produce and the saving can | tury Fox. | breached. | ||
be passed on to consumers (hey, we’re | The first | Come to think of it, are the studios | ||
just reporting the official line). And the | for launch about now too, and one was | ready to abandon DVD’s zone system, | ||
system can be brought to market faster. | shown by Samsung at the Montreal show | which prevents discs from one part of | ||
Target launch: Fall of 2005. | in late March, but it has been…(surprise!) | the world from being played in another? | ||
Wait a minute…2005? | delayed (to May 23rd, but keep your eyes | Of course that system was compromised | ||
In fact Toshiba’s first HD DVD | open for more news). If and when they | years ago, but is Hollywood ready to go | ||
player, the | are released, | with worldwide release of a single disc? | ||
right), was launched on March 31, 2006, | about double the price of the Toshiba | Or is this one more thing that needs to | ||
and only in Japan. Its eventual US | player. Take those prices with a grain of | be straightened out before the first player | ||
price was listed as $799 (the | salt, however, because with no available | is sold to the public? | ||
announced earlier, which was supposed | software neither player will be available | Though the studios have chosen | ||
to be cheaper, was not mentioned). The | for sale in any store. | sides, no one is interested in making | ||
price is mostly theoretical, since at |
| films for a player no one buys…nor | ||
launch time there was not a single film |
| in having productions absent from a | ||
available in the format. So much for |
| system that becomes popular. Beyond | ||
coming to market faster. It did, however, |
| the posturing, the studios are hedging | ||
beat its competitor to market. | Movie studio support | their bets. They will release films for | ||
The competitor is | whichever is the winning system. And | |||
by Sony and Matsushita (Panasonic), | On the face of it, having the studios | the winner will be decided by large store | ||
but not the DVD Forum. The | on side is vital, because only they can | chains, not by consumers. | ||
disc also uses a blue laser, as its name | supply software. But if it’s possible for | What about audiophiles? | ||
implies, but its structure is different. | the studios to help, it’s just as possible | |||
The polycarbonate layer covering data | that they can choose to stop the devel- | Whichever system wins out, the | ||
side of the disc is ten times thinner than | opment of tomorrow’s discs dead in its | vast space on the disc might make it | ||
that of the DVD, allowing a better view | tracks. | possible to make more space for sound. |
50 ULTRA HIGH FIDELITY Magazine