Typical Settings
Following are some starting points for different types of compression applications. As with many things in the audio realm, experimentation is required due to the differences between instruments, performers, style, microphones, recording environments and production styles. Remember to test dynamic extremes in the source material when setting the compressor. Also keep in mind that the compressor is also responding to the signal level it gets from TAMPA’s input gain stage.
Typical Vocals (Transparent)
Threshold: Set to realize approx. 3dB of gain reduction on loudest passages
Ratio: 2:1 to 6:1 (depending on how dynamic the vocalist is)
Attack: Fast
Release: Medium
Acoustic Guitar (Transparent)
Threshold: Set to realize approx. 3dB of gain reduction on loudest passages
Ratio: 2:1 to 4:1
Attack: Medium
Release: Medium (longer for guitars that are boomier)
Acoustic Guitar (Maximum Presence)
Threshold: Set to realize extreme gain reduction
Ratio: 10:1
Attack: Fast
Release: Slow
Electric Guitar (Compressed Effect)
Threshold: Set to realize extreme gain reduction
Ratio: 10:1
Attack: Fast
Release: Very slow
Electric Bass (Transparent)
Threshold: Set to realize 1 to 2dB of gain reduction on loudest passages
Ratio: 2:1
Attack: Medium
Release: Slow
Electric Guitar and Bass (Sustaining)
Threshold: Set to realize
Ratio: 10:1
Attack: Medium
Release: Very long
Snare (Fat)
Threshold: Set to realize
Ratio: 6:1
Attack: Fast
Release: Medium
Kick Drum (Slap)
Threshold: Set to realize
Ratio: 6:1
Attack: Medium fast
Release: Medium fast
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