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Specific MikingChapterApplications5
Now that weve covered some basics, its time to look at some
and placement techniques so that you can find what works in any given situation.
Vocals
Vocals are perhaps the most difficult subject to mic. Each vocalist is different and there can be a tremendous amount of dynamic range within a single performance. Vocalists also tend to move when they sing, providing yet another challenge.
A large diaphragm capsule is traditionally desired on vocal tracks. Large diaphragms are generally better equipped to accommodate a vocalists potentially high dynamic levels. The proximity effect tends to add fullness to the voice, as well.That same proximity effect can be overwhelming when used on a performer that already has an extremely deep voice. In this event, a medium capsule can be more appropriate because of the reduced proximity effect.
Tube mics and preamps are highly recommended for vocals, as vocals tend to be the featured element.
Cardioids are typically used when
In all cases, the distance between the vocalist and the microphone will determine how present or intimate the sound is, as well how much reflected sound is picked up. Note also that the law of inverse squares dictates that slight movements on the part of the singer will have much less effect on the mic output level if he or she is not eating the mic.A good starting distance is 12 to 18 inches away from the vocalist.
Vocal mics are usually placed at the same level as the performers mouth. Raising the mic produces a more nasal sound, while lowering it yields a more chesty sound. Avoid extremes, as they tend to stretch or constrict the subjects throatenemies of a good vocal performance.You can also
Angling the mic downward can reduce unwanted
vocal energy from reaching the diaphragm
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In order to avoid primary sonic reflection, vocalists and mics should not be positioned directly in front of a hard surface
A pop filter is often used to reduce vocal plosives
Choosing & Using Microphones | 25 |