Contents |
|
Microphone Design | . .3 |
Microphone Types | . .3 |
Capsule Size | . .4 |
The Backplate | . .5 |
Patterns | . .6 |
Top Address vs. Side Address Designs | . .8 |
Microphone Electronics | . .8 |
Manufacturing Standards | .10 |
Caring for Microphones | .13 |
Shock Protection | .13 |
Pop Filters and Windscreens | .13 |
Temperature and Humidity | .13 |
Cleaning and Storage | .14 |
Basic Miking Concepts | .15 |
.15 | |
Large Capsules vs. Medium Capsules | .16 |
Dealing with Unwanted | .16 |
The Mic Preamp | .16 |
The Recording Environment | .17 |
Phasing Issues with Multiple Microphones | .18 |
Stereo Miking Techniques | .21 |
.21 | |
Blumlein | .22 |
ORTF | .22 |
.22 | |
Spaced Omni | .23 |
Decca Tree | .23 |
Specific Miking Applications | .25 |
Vocals | .25 |
Acoustic Guitar | .26 |
Electric Guitar | .27 |
Grand Piano | .27 |
Drums | .28 |
The | .33 |
Troubleshooting Tips | .34 |
Contact Information | .35 |