•Single Mic. Using a single mic, the best you can attain is some sense of balance between the individual drums, along with the amount of room reflection versus pure drums. Using a boom, try angling a cardioid mic toward the kit at about 6 feet off the ground and about one foot in front or behind the kit. Alternately, place the mic four feet above the center of the kit. If you desire more room sound, try pointing the mic directly at the kit at a distance of about eight feet and auditioning both cardioid and omni patterns.
•Two Mics. Several techniques are available using two mics. If you have a matched pair, try an
Three different approaches to miking
a drum kit with two mics
•Three Mics. Where only three mics are available, two main techniques are favored. The first is a hybrid of the aforementioned
When only three mics are available for drums, try featuring the kick and snare, capturing the rest with a single overhead
Four mics provide for featuring the kick and snare, while capturing the rest of the kit with a stereo
•Four Mics. The use of four mics begins to open the possibilities for professional results. Place individual mics on the kick and snare, then use a matched pair in
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