VLZ3- | Channel Strip Description | |||
Many of the functions are identical for the mono and | 26. ASSIGN | |||
| There are eight mono, and four stereo channel strips. | |||
1642 | stereo channels. We’ll start at the bottom and work our | Alongside each channel fader are four buttons, | ||
labeled SOLO, | ||||
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| way up, pointing out the differences as we go along. | |||
| collectively referred to as channel assignment switches. | |||
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| “U” LIKE UNITY GAIN | 1, 3 and L are the left sides of these stereo pairs, and | ||
| 2, 4 and R are the right sides. Used in conjunction with | |||
| Mackie mixers have a “U” symbol on almost | the channel’s PAN [31] knob, these switches determine | ||
| every level control. This “U” stands for “unity | the destination of a channel’s signal: With the PAN knob | ||
| gain,” meaning no change in signal level. Once you have | set at the center detent, the left and right sides receive | ||
| performed the | equal signal levels. To feed only one side or the other, | ||
| every control at “U” and your signals will travel through | just turn the PAN knob accordingly. | ||
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| the mixer at optimal levels. Also, the | If you’re doing a mixdown to a | |
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| labels on our controls are measured | ||
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| the L/R switch on each channel that you want to hear, | ||
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| in decibels (dB), so you’ll know what | ||
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| and they’ll be sent to the main mix. If you want to create | ||
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| you’re doing | ||
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| a subgroup of certain channels, engage either the | ||
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| change a control’s settings. | ||
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| or | ||
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| 25. CHANNEL FADER | to the appropriate subgroup faders. From there, the | |
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| subgroups can be sent back to the main mix, allowing | ||
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| The fader is almost the last control in | you to use the subgroup faders as a master control for | |
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| a channel’s signal path. It’s placed after | those channels. | |
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| the EQ [32] and MUTE [30] | If you’re printing new tracks or bouncing existing | |
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| ones, you’ll also use the | ||
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| the L/R switch. Here, you don’t want the subgroups sent | ||
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| quarters of the way up, indicates unity | ||
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| back into the main mix, but sent out, via the SUB OUT | ||
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| gain, meaning no increase or decrease | ||
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| [8] jacks, to your multitrack inputs. However, if you’re | ||
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| of signal level. All the way up provides | ||
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| printing tracks via the DIRECT OUT [5] jacks, all the | ||
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| an additional 10 dB, should you need to | ||
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| channel assign switches should be disengaged (up). | ||
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| boost a section of a song. If you find that | ||
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| the overall level is too quiet or too loud | The | |
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| with a fader near unity, you’ll want to | Each channel can be assigned or unassigned to any of | |
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| confirm the GAIN setting by performing | the subgroups without affecting the other subgroups or | |
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| the | settings within the channel, and each subgroup has its | |
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| own master fader and dedicated output. In fact, since | |
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| A Clean Fade | there are 4 subgroups and the main L/R mix, it’s actually | |
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| Faders are not rocket | a true | |
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| science — they operate by | 27. SOLO | |
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| dragging a metal pin (the | ||
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31 | wiper) across a | This lovable switch allows you to check signals in your | ||
track). It is possible for airborne crud | headphones and control room without having to assign | |||
30 | to land on the track. Should that hap- | them to the L/R, | ||
pen, you may hear scratchy noises or | You can solo as many channels as you like. SOLO does | |||
| 29 | signal dropouts as the wiper stumbles | ||
| not interrupt any of the other channels, buses or out- | |||
| 28 | over the crud. Do all you can to keep | puts — that’s called nondestructive solo. When SOLO is | |
| airborne crud out of your profession. | |||
| pressed, that channel's | |||
| 27 | Use air conditioned rooms whenever | constantly, so you can easily catch any channels which | |
| possible, avoid smoking near the mixer, | |||
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| have been soloed by those naughty SOLO pixies. | ||
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| keep food and drink away from the | ||
| 26 |
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| mixer, and for pity’s sake, never put the | Using the MODE [44] switch, the | ||
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| mixer in your kitchen! We also recom- | system comes in two flavors: NORMAL (AFL) (some- | |
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| mend “exercising” the faders — give | times called SIP, or | |
| 25 | them a walk up and down once a week | (PFL) (sometimes called PFL, or | |
| or so, and that will help scare the crud | MODE switch is described on page 20. | ||
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| away. We do not recommend spray |
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| cleaners. |
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