Dynamics and EQ Applications

Dynamics and equalization are typically applied in one of three ways:

1. Processing Dynamics and EQ Before Tape

•Select Fader Bank 1 (MIC/LINE).

•Double-click SELECT on the desired channel to open the on-screen Fat Channel.

•Set compression, EQ, or gate.

Since Fader Bank 1 (MIC/LINE) feeds the multitrack inputs, any changes made from that bank are printed to tape.

2. Processing Dynamics and EQ After Tape

•Choose Fader Bank 2 (TAPE IN).

•Double-click SELECT button on the desired channel to open the on-screen Fat Channel.

•Adjust compression, EQ, or gate.

Since TAPE IN Bank receives its feed from the multitrack, Fat Channel changes made here don’t affect what is printed to tape.

3. Analog inserts

•Using an insert cable, connect the channel send to the input of an external EQ or dynamics processor.

•Connect the insert cable return side to the external device output.

All channel level adjustments past the insert are dependent on the external device control settings, since the entire channel signal passes through the device.

Dynamic and EQ control should occur only once in any given signal path. Avoid subjecting any signal path to multiple stages of dynamics or EQ processing. As a rule, fewer circuits almost always result in more pristine and accurate audio—even though the D8B signal path is incredibly accurate and transparent.

Many engineers prefer to save all EQ for mixdown, so as to include the least audio manipulation for a more pure sound. Many recordists rough the sound in when recording, using whatever EQ and dynamics they feel the sound needs, then they perfect the audio during mixdown. Many excellent recordings have been the result of these techniques and more. Experiment, and let your ears determine what works best for you.

D8B Manual • Chapter 4 • page 106