
Typically, the dynamics processor is used as a compressor. However, depending on the settings it can act as a compressor, limiter, or expander, or even a combination of all three. Having three dynamic processors acting separately on each band can give you great flexibility while mastering. For instance, you don’t have to worry about your bass causing your lead vocal to get compressed. All bands can be compressed individually, resulting in a tighter, punchier overall sound.
Each dynamics processor has its own key filter. This can be used to emphasize or
The crossover points are represented by the black nodes (balls) with vertical yellow lines. These can be adjusted by dragging the two black nodes found at the bottom of the screen. The slope of the crossovers determines how sharply the adjacent bands are separated. The slope can be adjusted by
Below the graph, there are three sets of three buttons labeled IN, KEY SOLO, and M (for mute). These are very handy for helping you to set up your crossover and key filters. Mute will mute the crossover band. By muting all but one band at a time, you can listen to exactly what part of your mix is going into each band. Similarly, KEY SOLO acts as an override, allowing you to listen to just the key signal. The IN button switches dynamics processing on and off for the band. This allows you to hear exactly what is going on in each band.
Control Panel
Crossover/Key Values panel
All the values from this screen can be adjusted by clicking on the digits and dragging up or down with your mouse. For fine adjustments,