
Final Mix Preset | Preset Description | Preset Type |
Male Vox Comp | Good all around compression and | Good over all male |
| EQ. Good for most male singing | vocal mix |
| voices. |
|
Moderate + Hi Low EQ | Moderate compression with high | High and low EQ |
| and low EQ boost. | boost |
Moderate + Mid EQ | Moderate compression with a bit of | Mid EQ boost |
| EQ boost for mid frequencies. |
|
Orchestral | Finely tuned light compression for | |
| full orchestra. |
|
Pop | Medium, | |
Pump DA Bass | Pumps up the low end for an ultra | Fat bottom end |
| phatt sound. |
|
Punch | Medium compression emphasizing | Punchy R&B mix |
| low and high end compression. |
|
Radio Punch Mix | Gives your mix added punch for | Add punch for radio |
| radio or television. Designed for | and television |
| FM frequencies. |
|
Sell It! | In your face sound that can’t | Up front and noticeable |
| be denied. |
|
Smoothed Out 1 | Top and bottom compression just |
| offset from key centers. |
Smoothed Out 2 | Variation of Smoothed out 1. |
Smoothed Out 3 | Variation of Smoothed out 1. |
Squash It 1 | Extreme compression. |
| Reminiscent of the main mix |
| compressor on an SSL when it’s |
| pushed hard into a Pultec EQ. |
Squash It 2 | Variation (extreme compression). |
| Reminiscent of the main mix |
| compressor on an SSL when it’s |
| pushed hard into a Pultec EQ. |
Squawk Squash | Designed to crush heavy midrange |
| |
The Brass Balls | Medium to heavy compression with |
| bass boost EQ. |
Vocal | General purpose vocal mastering; |
| less compression in the middle to |
| preserve a singer’s dynamics. |
Lifts and tightens a lifeless mix, mild compression boosts bottom and top end
Heavy compression
Heavy compression
Mid killer
In your face, to the wall compression with bass boost
Good on vocals
User’s Guide | 25 |
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