THE BACK PANEL

9

10

11

12

AN EVEANNA MANLEY PRODUCTION

CHANNEL 2

DESIGNED BY HUTCH

BALANCED INPUT

BALANCED or

UNBAL INPUT +4dBu / -10 dBv

WHEN RACK MOUNTING:

LEAVE SPACE FOR

VENTILATION AND FOR

MAGNETIC FIELDS FROM

OTHER EQUIPMENT TO

AVOID HUM PICK-UP !

BALANCED OUTPUT

REPLACE FUSE

UNBALANCED

WITH SAME

ONLY OUTPUT

TYPE AND

+4 dBu / -10dBv

RATING

POWER

CAUTION - RISK OF ELECTRIC

SHOCK. DO NOT OPEN.

REFER SERVICING TO QUALIFIED

PERSONNEL ONLY

SERIAL NUMBER

MANLEY LABORATORIES

13880 MAGNOLIA AVE., CHINO, CA 91710

PHONE (909) 627-4256 FAX (909) 628-2482

email: emanley@manleylabs.com

CIRCUIT

GROUND

CHASSIS

TO REDUCE THE RISK OF ELECTRIC

SHOCK DO NOT EXPOSE THIS

EQUIPMENT TO RAIN OR MOISTURE

CHANNEL 1

BALANCED INPUT

IMPEDANCE = 20K OHM NOMINAL

 

 

BALANCED or

 

 

 

UNBAL INPUT

 

 

 

+4dBu /-10 dBv

 

 

 

 

BALANCED OR UNBALANCED INPUT

PIN 1 = SHIELD = GROUND

 

UNBALANCED 1/4" OUTPUTS

PIN 2 = HOT = POSITIVE PHASE

SLEEVE = SHIELD = GROUND

PIN 3 = LOW = NEGATIVE PHASE

TIP = HOT = SIGNAL POSITIVE

TRANSFORMER BALANCEDOUTS

RING = LOW OR GROUND

BALANCED OUTPUT

 

 

 

 

 

UNBALANCED

 

 

 

ONLY OUTPUT

 

 

 

+4dBu / -10dBv

 

 

 

 

 

 

REFER TO OWNERS MANUAL

 

FOR SWITCHING THIS UNIT

 

FOR -10dBv SIGNAL LEVELS

5

6

7

8

1 2 3 4

First connect all the cables, then turn on the power, wait 30 seconds, then have fun, as if we had to tell you....

1)POWER CONNECTOR. First verify the POWER SWITCH on the front panel is off (CCW). Use the power cable supplied with your Massive Passive. One end goes here and the other end goes to the wall outlet. You know all this.

2)VOLTAGE LABEL (ON SERIAL STICKER). Just check that it indicates the same voltage as is normal in your country. It should be. If it says 120V and your country is 220V, then call your dealer up. If it says 120V and you expect 110 it should work fine.

3)FUSE. Unplug the power cable first. The Fuse Cap needs a push then turn a quarter twist CCW to pull off. Fuses are meant to "blow" when an electrical problem occurs and is essentially a safety device to prevent fires, shocks and big repair bills. Only replace it if it has "blown" and only with the same value and type (2A slow-blow for 120V, 1A slow-blow for 220V). A blown fuse either looks blackened internally or the little wire inside looks broken. A blown fuse will prevent all the LEDS from lighting and will prevent any power and audio.

4)GROUND TERMINALS. You probably don't need to worry about these. Normally there is a metal strip joining CIRCUIT and CHASSIS Grounds. This is the first place to look if you get a hum. Make sure the strap hasn't fallen off or use a piece of wire to join the terminals. The CIRCUIT Ground is the internal audio ground (including the 1/4" jack sleeves). The CHASSIS Ground is the metal chassis, third pin electrical ground and pin 1 of the XLRs. Some studios use special grounding practices and these terminals are meant to make it easy to hook up this unit for a wide variety of installations. They also help with troubleshooting hum problems.

5)PHONE JACK INPUT. (Channel One or Left) Accepts balanced or unbalanced sources. Factory set-up for +4dBu pro levels. There are some DIP switches internally that can change this to -10dBv semi-pro or hi-fi levels. The pin out is as follows: Tip = Positive = Hot, Ring = Negative = Low or ground, Sleeve = Circuit Ground. If you use TRS plugs be sure that the ring is connected to the negative or ground and not "open". Input impedance is 20K ohms. See page 16 & 17 for the DIP Switch details.

6)XLR JACK INPUT. (Channel One or Left) Accepts balanced or unbalanced sources. Only for +4dBu pro levels. The DIP switches have no effect on the XLRs. The pin out is as follows: PIN 2 = Positive = Hot, PIN 3 = Negative = Low or ground, PIN 1 = Chassis Ground. Be sure that the PIN 3 is connected to the negative or ground and not "open" or a 6dB loss or loss of signal will happen. In general, the XLRs and +4 pro levels are slightly preferable over phone plugs especially if gold plated matching XLRs and good cable are used.

7)XLR JACK OUTPUT. (Channel One or Left) Transformer Balanced and Floating. Only for +4dBu pro levels. The DIP switches have no effect on the XLRs. The pin out is as follows: PIN 2 = Positive = Hot, PIN 3 = Negative = Low or ground, PIN 1 = Chassis Ground. Be sure that the PIN 3 is connected to the negative or ground and not "open" or a complete loss of signal will happen. Output impedance is 150 ohms and output levels can reach +37 dBv (hot) which may distort the next piece in the chain.

8)PHONE JACK OUTPUT. (Channel One or Left) Unbalanced output only. Factory set-up for +4dBu pro levels. There are some DIP switches internally that can change this to -10dBv semi-pro or hi-fi levels (with a phase reverse). The pin out is as follows: Tip = Positive = Hot, Sleeve = Circuit Ground. If you use TRS plugs be sure that the ring is connected to the negative or ground and not "open". See page 16 & 17 for the DIP Switch details.

9)PHONE JACK INPUT. (Channel Two or Right) Same as 5 above.

10)XLR JACK INPUT. (Channel Two or Right) Same as 6 above.

11)XLR JACK OUTPUT. (Channel Two or Right) Same as 7 above.

12)PHONE JACK OUTPUT. (Channel Two or Right) Same as 8 above.

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Manley Labs Manley Massive Passive Stereo Tube Equalizer owner manual Back Panel

Manley Massive Passive Stereo Tube Equalizer specifications

The Manley Massive Passive Stereo Tube Equalizer stands as a hallmark in the world of high-end audio processing, renowned for its unique design and exceptional sound character. This equalizer embodies the brand's commitment to quality and sonic integrity, making it a coveted piece of equipment for professional audio engineers and enthusiasts alike.

One of the standout features of the Massive Passive is its all-tube signal path. Utilizing vacuum tubes, the equalizer imparts a warm, rich tone that is often described as “musical”. This tube-based design works in conjunction with a passive equalization topology, which means that rather than boosting frequencies through active components, it relies on a network of inductors and capacitors, preserving the audio signal's purity while allowing for versatile tone shaping.

The Massive Passive is equipped with a wide range of frequency bands, allowing engineers to tailor their sound precisely. It features a dual-channel configuration with controls for both left and right channels, enabling stereo adjustments that maintain phase coherence. Each channel includes numerous frequency selections across both low and high ranges, granting access to numerous filtering options that highlight or attenuate specific frequencies as required.

An essential aspect of the Massive Passive is its innovative design, characterized by high-quality components, including Manley’s custom-designed transformers and circuit boards. These components are engineered to minimize noise and distortion, ensuring that the equalization process does not compromise the integrity of the source material. Users can enjoy the convenience of both low-frequency and high-frequency adjustments, as well as the ability to boost or cut with a substantial range, from a subtle touch to significant alterations.

One of the intelligent aspects of the Massive Passive is its 'bypass' feature. This allows users to seamlessly compare the processed sound against the original audio, making it easier to make informed decisions on adjustments. The build quality of the unit is also remarkable, showcasing a robust chassis that is both aesthetically pleasing and incredibly durable, signifying Manley Labs’ attention to detail.

Ultimately, the Manley Massive Passive Stereo Tube Equalizer encapsulates the essence of analog warmth and precision in audio processing. By integrating sophisticated engineering with user-friendly controls, it provides both professional and home studios with the tools necessary to achieve that sought-after sonic richness, making it a top choice among discerning audio professionals.