Martin Audio Stacked WLX/WLXGS application examples, WLX/WLXGS arrays shown with front fiulls

Stacked WLX/WLXGS application examples

The following sketches show how WLX/WLXGS arrays may be deployed for a wide range of productions and types of venue. All productions and venues present their own unique requirements and these examples are intended as a template or starting point for your own specific design.

Examples 1 and 2 show typical set-ups for smaller venues.

(1) WLX/WLXGS set-up for small, high power variety/orchestral production

WLX/WLXGS arrays shown with front fiulls

Gives medium vertical & wide horizontal coverage up to 120Hz - allowing for ground effects.

Example 1 uses small stacks of WLX/WLXGS for a high power variety or orchestral production.

(2) WLX/WLXGS set-up for small, very high power dance/rock production

WLX/WLXGS arrays – again shown with front fills

Gives very narrow vertical & wide horizontal coverage up to 120Hz - allowing for ground effects.

Example 2 shows a tight vertical set-up for a very high power dance or rock event where it is desirable to keep low frequency energy concentrated on the audience for maximum bass/mid-bass punch without excessive roof excitation. Note that the apron WLX/WLXGS arrays are there to provide smooth nearfield coverage, balance backline leakage and keep the overall sound image locked onto the stage. The closer spacing, used for the very high power set-ups, helps maintain bass/mid-bass focus out to the midfield/mix position.

All material © 2007. Martin Audio Ltd. Subject to change without notice.