
2-Channel  Mode With 2-Channel  Output
This setup is recommended if your subwoofer will be used in a 
Signal Connection (see figure 11):
1 Connect the left out/right out from your preamplifier to the Left In/Right In of the subwoofer. Use quality RCA interconnects.
2  | Connect the Left Out/Right Out of your subwoofer to  | 
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  | the left in/right in of your amplifier. Use quality RCA  | 
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  | interconnects.  | 
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Recommended Control Settings:  | 
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1  | Set the controls as recommended on page 9.  | 
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2.  | The High Pass Filter: Out switch should be set, at the  | 
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  | user’s discretion, to the option with the best sound-  | 
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  | ing result. As a general rule, if your main loudspeakers  | 
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  | are bookshelf speakers, set the High Pass Filter: Out to  | 
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  | 70Hz. Likewise, 40Hz for floorstanding loudspeakers.  | 
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  | Use ‘None’, if you want to pass an unaltered signal.  | 
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3  | At this time the Low Pass Filter should be set to  | 
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  | approximately 70% of your main loudspeakers lowest  | 
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  | frequency   | 
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  | If the High Pass Filter: Out is set to ‘None’, the Low  | 
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  | Pass Filter should remain at approximately 70% of your  | 
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  | loudspeakers lowest frequency response.  | 
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  | If the High Pass Filter: Out is set to 40Hz, the Low Pass  | 
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  | Filter should be set to 35Hz or 70%, whichever is greater.  | 
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  | If the High Pass Filter: Out is set to ‘70Hz’, the Low Pass  | 
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  | Figure 11. Signal connection for  | ||
  | Filter should be set to 55Hz or 70%, whichever is greater.  | 
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Why the Filters Are Not Equal
You may have noticed the recommended setting proce-  | 
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dure does not advise setting the Low Pass Filter and High  | 
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Pass Filter: Out to the same frequency. Between 20Hz  | 
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and 100Hz, as the subwoofers output decreases, the  | 
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loudspeakers output increases. For a seamless crossover  | 
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of these two slopes, the summation of their two values, at  | 
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any given frequency, should add to maintain a level out-  | 
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put. By correctly setting your High Pass Out and Low Pass  | 
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filters, this result can easily be achieved (see figure 12).  | Figure 12.  |