
Product Information | Meridian 561 | January 1999 |
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Movie formats
It was natural that when Meridian turned their attention to Pro Logic and THX, the only way they could satisfy their exacting standards for clarity, transparency and function was to develop the whole thing from scratch using only the best hardware and software DSP techniques.
Like in the Meridian 565, all the surround processing is performed in powerful audio computers, using algorithms and code developed uniquely by Meridian. This approach has allowed our customers to obtain hardware and/or software upgrades to keep up with the latest sources.
The Meridian 561 uses three powerful DSP processors to provide movie modes for Pro Logic, THX, ‘stereo surrounds’ and Academy, and decoding for Dolby Digital
The Dolby Digital decoder built by Meridian is the most powerful on the market and passes all the most extreme bitstream tests. Dolby Digital is the preferred audio format for DVD in NTSC territories.
Dolby Digital is also available on NTSC LaserDiscs – to replay these, a Meridian 519 Demodulator is also required.
MPEG Surround is the preferred audio format for DVD in PAL territories; however, MPEG audio is widely available – including US satellite
broadcasts and in computer multimedia.
Finally, in addition to
How does THX fit in?
THX Cinema has a huge amount to offer in the 5.1 era. The 561 has all the signal processing in place to comply with THX requirements for Dolby Digital, DTS and MPEG. The front channels carry
Music formats
The 561 provides Meridian’s now- famous
Bass management
The 5.1 signal has the potential to require a 12dB increase in bass power handling in a system. Not only can the LFE
Although the Dolby Digital, MPEG and DTS encoders limit the total bass
level to around +15dB, the resulting bass energy can still be incredibly demanding for even the very best systems – and equally important – may be disastrous for other, less capable, speakers.
The Meridian 561 incorporates a very sophisticated series of bass protection schemes for digital surround formats.
The overall amount of LFE added in can be controlled by the user. In addition, the 561 has a bass limiting function to control the total amount of bass passed to the system.
As well as the overall bass protection, the 561 can monitor all eight speaker outputs. If the signal demands more bass than a speaker can supply, a proprietary,
Inputs and outputs
The 561 offers both analogue and
Specification highlights
Audio inputs
8 analogue adjustable
1 digital optical
5 digital coaxial IEC1937, IEC958
Audio outputs
6 analogue for: main or sides, centre, sub and rear speakers
8 channels digital output for: main, sides, centre, sub and rear speakers
2 analogue tape. Independent Copy
Video inputs
4 composite video inputs
4
Video outputs
Tape outputs for composite and
S to composite conversion
Others
Flash memory for easy updates RS232 for computer control, setup and
software updates
2 Trigger outputs
Music signal processing
Mono, Stereo, Music, Trifield, Super Stereo, Ambisonic, Music Logic.
Movie and TV processing
Pro Logic, THX Cinema, Academy, ‘Stereo’ Surrounds, TV Logic.
Decoding for: MLP, Dolby Digital
Controls and Display
Front panel controls for: Source, Copy, Mute, Display, Volume and Off. Other features accessed using a Meridian System Remote (supplied).
Registered trademarks: “THX” and “THX Cinema”Lucasfilm Ltd; “Dolby”, “Pro Logic” “DolbyDigital”and