CONTROLS:

RHYTHM 1 GAIN:

Setting the RHYTHM 1 mode adjusts the input sensitivity for the clean RHYTHM mode. With most guitars, this mode stays clean until

around 8 where it begins to overdrive. Use the R1 MASTER to control loudness if you want slight overdrive at low volumes. This mode

 

 

 

 

 

 

 

was very carefully designed to provide great rhythm sounds, from the best of vintage, Fender-type (clean or solo)

 

 

 

 

 

 

 

to a more modern, shimmering “funk rhythm” sound. Be sure to try this mode played really loud; you’ll love it for

9

 

6

 

 

BRIGHT

7

5

 

blues or rock. (See the “Traditional Blues” setting on the Sample Settings sheet found on page 15 of this manual.)

8

 

 

 

 

 

4

 

 

10

 

 

3

 

PULL

 

 

 

2

 

 

 

0

1

 

 

 

 

 

 

 

 

 

RHY1 GAIN

 

 

 

INPUT

INSTRUMENT

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PULL BRIGHT:

This function adds shimmer and sparkle to your sound when activated. Note that the amount of added brightness varies with the R1

 

 

 

 

 

 

GAIN setting: more brights at lower settings, less at higher. For super shimmer, run the GAIN at around

3 or 4

 

 

 

 

 

 

with the BRIGHT pulled out. For the most naturally balanced sound, run the GAIN at around 6 or 7

with the

 

 

6

 

BRIGHT

8

7

5

BRIGHT pulled.

 

 

 

 

4

 

9

 

 

 

3

 

 

10

 

 

PULL

 

 

 

 

2

 

 

 

0

1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

RHY1 GAIN

RHYTHM 1 TREBLE:

This control dials in the MARK IV’S predominate tonal characteristic. In the 0 to 3 range, a dark, warm jazz tone is obtainable.

Most common settings are in the

5 thru 7 range and note how the overall “gain” of the mode increases with higher TREBLE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

control settings. This is because so much of the energy of the musical spectrum is channeled

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

through this most powerful tone control. As this is true for all modes, the MARK IV includes three

 

 

0

 

 

BRIGHTPULL

4

 

 

FATPULL

10

 

 

 

 

 

 

 

4

 

8

3

 

separate TREBLE controls.

 

 

 

6

 

0

 

 

 

 

5

 

 

8

7

5

 

 

109

 

6

4

 

 

 

 

 

 

 

 

1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

7

 

 

 

 

 

 

 

9

 

 

 

3

 

2

 

 

7

 

8

 

 

1

2

 

 

 

10

 

 

2

 

 

 

6

 

9

 

 

 

 

 

 

 

 

 

3

 

5

 

 

0

 

 

 

 

 

 

 

1

 

 

 

 

 

 

 

 

 

 

 

 

RHY1 GAIN

 

RHY2 GAIN

 

R1 TREBLE

 

 

 

 

 

R1 + R2 BASS & R1 + R2 MID:

These are the only shared tone controls aboard the MARK IV. Because of internal circuitry changes which occur when switching modes, you will most likely find R1’s optimum setting works well for RHYTHM 2. The effect of these two tone controls is largely determined by the setting of the TREBLE controls. Only when the TREBLE control is set very low (or off) are the BASS and MID

controls really strong.

8

7

6

5

 

 

4

9

 

 

3

 

 

 

10

2

0

1

 

R1TREBLE

6

5

4

 

 

7

 

3

8

 

 

1

2

9

 

 

 

10

0

 

 

 

 

 

 

R1+ R2 BASS

6

5

4

 

 

7

 

3

8

 

 

1

2

9

 

 

 

10

0

 

 

 

 

 

 

R1+ R2 MID

At normal TREBLE control settings, their effect is greatly diminished and they serve mainly to round out and fill up the overall tone. Do note however, that setting the BASS control too high can result in unwanted flubbiness, especially in RHYTHM 2. The recommended setting for the BASS control is 0 to 3 and for the MID control it is 4 to 7 .

PAGE 3

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Mesa/Boogie Mark IV Amplifier manual Rhythm 1 Gain, Pull Bright, Rhythm 1 Treble, R1 + R2 Bass & R1 + R2 MID

Mark IV Amplifier specifications

The Mesa/Boogie Mark IV amplifier stands as a landmark in the world of guitar amplification, boasting a rich history that intertwines with the evolution of rock music. Launched in the 1990s, the Mark IV embodies the hallmark traits of Mesa/Boogie’s innovative spirit, delivering versatility, power, and an extensive range of tonal options.

At the core of the Mark IV is its three-channel configuration, which includes Clean, Rhythm, and Lead channels. Each channel offers varying degrees of distortion and gain that can be tailored to the player's distinct preferences. The Clean channel produces a pristine sound, ideal for jazz or blues, while the Rhythm channel steps up with a compelling crunch for rock tones. The Lead channel takes it further, providing a high-gain saturation, perfect for heavier genres. The ability to switch seamlessly between these channels enables musicians to transition effortlessly during performances.

One notable feature of the Mark IV is the onboard graphic equalizer. This 5-band EQ allows guitarists to sculpt their sound intricately, enhancing or attenuating frequencies to achieve a desired tone. Coupled with its patent-pending Gain structure, the amp provides an unparalleled range of tonal shaping ability, making it a favorite among professionals and hobbyists alike.

The Mark IV also benefits from the innovative Dyna-Watt technology. This feature ensures that players can harness full power from the amp, regardless of volume levels. Dyna-Watt adjusts the output stage to produce dynamic responsiveness, allowing for a richness of sound that stands out without needing excessive volume. This feature is particularly useful for studio recording and smaller venues, where loud amplification can be an issue.

Mesa/Boogie amplifiers are renowned for their build quality, and the Mark IV is no exception. Crafted with precision, it features a rugged chassis and high-quality components designed to withstand the rigors of touring. The amp’s tube-driven design, utilizing powerful 6L6 or EL34 tubes, contributes to its warm tone and dynamic response, appealing to a wide array of musicians.

In conclusion, the Mesa/Boogie Mark IV amplifier is a cornerstone piece of gear for guitarists seeking a powerful, versatile, and richly infused tonal experience. With its three-channel architecture, graphic equalizer, Dyna-Watt technology, and robust construction, it meets and exceeds the demands of contemporary musicians across genres. Whether on stage or in the studio, the Mark IV remains a potent tool for expression, earning its place in the pantheon of iconic amplifiers.