Section - 4 Editing Modules

Johnson Millennium

 

wave or the intensity of SP1 or SP2 typically produce better results. See figure 4-2.

Dly A - B

Controls the delay time of flange voice A or B. Shorter delay times produce a more dramatic, deeper sweeping sound.

 

Ranges from 0 to 60 milliseconds.

Out A - B

Adjusts the overall level of flange voice A or B. Ranges from Off to 100%.

Pan A - B

Controls the stereo soundfield placement of flange voice A or B. Ranges from -99 to 99.

Out L - R

Controls the output level of the left or right side of the flanger. Ranges from Off to 100%.

Phasers

The Phaser or “Phase Shifter” as it is sometimes called, is a classic effect from the 70's that uses phase cancellation to create a warm sweeping effect. The effect is created by making a copy of a signal and moving it in and out of phase while mixing it with the original signal. As it moves, different frequencies are cancelled out creating a smooth curling sound. There is also a feedback control that sends the shifting signal back into the phaser's input. This intensifies the sound even more.

When do I use a Phaser? A great example of this can be heard most when you listen to music of the 70’s. Guitarist of the day loved their Phasers. A Phaser is a great effect to use when playing clean and funky rhythms.

Phaser Parameters:

Dry: Lvl

Controls the level of the dry (uneffected) signal. Ranges from Off to 100%.

Balance

Controls the positioning of the dry signal in the stereo soundfield. Ranges from -99 (all left) to 99 (all right).

Speed

Controls the Low Frequency Oscillator (LFO) speed of the phaser. Ranges from 0.06 to 16.0 Hz.

Depth

Controls the intensity of the phaser effect. High settings of DEPTH combined with high settings of FDBCK produce

 

dramatic, synth-like textures. Ranges from 0 to 30 milliseconds.

FdBck

Controls how much of the flanged signal is fed back to the input of the Module. The FDBACK Parameter is what gives

 

phasers their distinctive resonating sound. Ranges from -99% to 99%.

WvFrm

Selects which waveform the LFO follows. Options for this control include sine, triangle, SP1 (Special 1), and SP2

 

(Special 2). The sine wave setting is probably the most easily recognized, but the smooth response of the triangle

 

wave or the intensity of SP1 or SP2 typically produce better results. See figure 4-2.

Out A - B

Adjusts the overall level of phaser voice A or B. Ranges from Off to 100%.

Pan A - B

Controls the stereo soundfield placement of phaser voice A or B. Ranges from -99 to 99.

Out L - R

Controls the output level of the left or right side of the flanger. Ranges from Off to 100%.

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User Guide

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Millennium Enterprises Stereo150 manual Phasers, Ranges from 0 to 60 milliseconds, Out a B
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Stereo150 specifications

Millennium Enterprises has long been recognized for its commitment to quality and innovation in the audio technology industry, and the Stereo150 amplifier is a testament to that legacy. This high-performance stereo amplifier is designed for audiophiles seeking exceptional sound quality and versatility in their media setups.

One of the standout features of the Stereo150 is its impressive power output. With a robust 150 watts per channel, it delivers clear, dynamic sound that can fill even the largest rooms with rich audio. The amplifier employs Class D technology, which not only enhances efficiency but also reduces heat generation, allowing it to operate for extended periods without the risk of overheating. This class of amplification is known for producing high fidelity sound while maintaining a compact form factor, making the Stereo150 an ideal choice for both home and professional setups.

The Stereo150 also incorporates advanced digital signal processing (DSP) technology. This allows for precise audio tuning, enabling users to tailor their listening experience according to their preferences. With customizable EQ settings, you can enhance low frequencies for a more bass-heavy sound or adjust high frequencies for clarity in vocals and instruments. This flexibility ensures that the Stereo150 can adapt to a wide variety of musical genres, from classical to rock to electronic.

Connectivity is another strong suit of the Stereo150. It features multiple input options, including RCA, balanced XLR, and optical inputs, facilitating seamless integration with various audio sources, such as turntables, CD players, and streaming devices. Additionally, the amplifier supports Bluetooth connectivity, making it easy to stream music directly from smartphones and tablets without the hassle of wires.

Durability and aesthetics have not been overlooked in the design of the Stereo150. The chassis is constructed from high-quality materials, providing both a modern look and sturdiness for long-term use. The front panel includes a user-friendly interface with LED indicators, making it easy to navigate settings and monitor the status of the amplifier.

In conclusion, the Millennium Enterprises Stereo150 stands out as a powerful, versatile, and aesthetically appealing stereo amplifier. Its combination of robust performance, advanced features, and diverse connectivity options make it an excellent choice for anyone looking to elevate their audio experience with high-quality sound. Whether used in a home theater, a studio, or for casual listening, the Stereo150 is poised to satisfy even the most discerning audio enthusiasts.
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